2025 Promotion

This page contains social media tiles, digital posters, a PDF of the exhibition poster. Feel free to download and share!

PLEASE TAG: @rmit_art @rmitphoto @rmitstudentlife @rmit_gold_and_silversmithing @rmitceramics @rmit_paintingstudio @rmit.drawingstudio @rmit_print_studio @rmit_mfa @rmit_art_in_public_space @rmituniversity @rmitstudentlife #rmitgrad24 #graduation #gradshow #rmit #art #photography #studyphotography #studyart #studentprofile

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Social media tiles: First Site Gallery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

Social media tiles: Bachelor of Arts (Fine Art) Graduate Exhibition 19-24 November 2024

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

Social media tiles: BA Photography, Photography & Art Honours, and Masters Graduate Exhibition 3-8 December 2024

image: King Chuen Wong, MoP 2024. @mariowrong

image: King Chuen Wong, MoP 2024. @mariowrong

More promo files

Download the Exhibition Poster

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

Link: 2024 Media Release

A Selection of Images:

Li Letitia Shen, portrait, 2024. Photo: Loong.

Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.

Studio Documentation by Ciaran O’Dwyer

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024

Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie

Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Celine Babet, white cornicello forms, 2024 [detail].

Lillian Flugge, In the Studio, 2024. Photographer: Cien Su. — Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu

Jasmin Seale, ‘Squeaky Journal (prawn embrace)’, 2023, inkjet print on newspaper.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker

Phuong Nguyen Le, Untitled, from 'Vở ô ly' series, 2024, — Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.

Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Celine Babet, in the studio, 2024. Photo: Lize Myburgh

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia

Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.

Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Jodie Grillmeier, ‘Afterlife # 4’, 2024, pigment ink-jet print, 60 x 90cm.

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Jemma Findlay, 2024.

Vittoria Cugno, 2024 [installation view]. Photo: Ciaran O’Dwyer

Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner — Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.

Zhongxin Guo,” thousands of me”, 2024, photograph

A dismantled bed frame wrapped in pink acrylic wool is suspended from the ceiling. — Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.

Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Mucelle McLachlan, ‘untitled’, 2024, photo etching, led light. Photo: Michelle Mclachlan.

Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print. Photographer: Yiming Wang

Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.

Detaching brush bristles.

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware. Photo: Yiming Wang

Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall

Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat

Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle

Phuong Nguyen Le, 2024.

Studio Documentation by Ciaran O’Dwyer

Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Jesse Grey, ‘The Beta’, 2024.

Grace Rokesky, studio, 2024.

Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen Photographer: Juliette Claire

Vintage Brush

Lachlan Vasic, 2024.

Daniel Williams, 2024.

Christina Rankin, in studio, 2024.

Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.

Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist

Daniel Williams, ‘Native Pride’, 2024.

Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.

Emily Song, working in the studio, 2024.

Keenan Haagen, ‘Minerals’, 2024, bronze, slate.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Angelique Jenkins, 2024. — Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Lithography etching process — Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri

Mengke Li，at the workbench 2024，Photographer: Yona

Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.

Heidi Kwong, ‘Making 1’, 2024, stoneware.

Daniel Williams, 2024

Mallards — Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.

Sun Wai Wise Yeung

Jasmin Seale, bilas (wet brain), 2022, video.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Dhishni de Silva, ‘Myself’, 2024, oil on canvas.

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Zhongxin Guo, 2024.

Jesse Pretorius, ‘Combat’, 2024, film photograph.

Emily Song, 2024.

Celine Babet, hanging cornicellos, 2024.

Pujun Fan, making cloisonné in the studio

Celine Babet, glazing cornicello forms, 2024. Photo: Madelyn McKenzie

Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing

Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.

Celine Babet, red cornicello forms, 2024 [detail].

Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism. Costumes: Clara MY Chan Photo: Vivienne Tate Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel

Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman

Michelle,2023,photograph. Photographer: Tarryn Mclachlan

Wenjing Zhang in the studio, 2024.

Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.

Cast Bronze Brushes: work in progress

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.

Leonardo Valladares, 2024. Photo: Luke Morris

Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco. Costume: Headdress cape–Clara MY Chan, Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Cooper Dunn, ‘The Isolated Eye’, 2024.

Emily Marker, work in progress, 2024.

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.

Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.

King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman

Grace Rokesky, ‘Untitled’, 2023, Buff Raku Trachyte.

Mengke Li，2024，Photographer: Yona

Ciaran O’Dwyer, ‘Eve’, 2024.

Pujun Fan, at her bench, 2024. Photo: Cien

Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.

Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle

Catherine Magill, VOW: Crate Women Dancehouse Fringe Festival season, 2024 Photo: Mischa Baka. Performers: L-R Edwina Entwisle, Lindy Ferguson, Catherine Magill, Amanda Owen, Philipa Rothfield, Debra Batton (kneeling)

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Tallulah Ainsworth 'You can walk a dog across a desert but you cant make it drink' and 'Come home cowboy' Oil on canvas — Tallulah Ainsworth, ‘You can walk a dog across a desert but you can’t make it drink’ and ‘Come home cowboy’, 2024, oil on canvas.

Mallards — Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.

Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Li Letitia Shen, Portrait, 2024. Photographer: Loong.

The Messiah of Maga - Donald Trump — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.

Sterling silver vessel with layered surface texture — Grace Flinn, ‘Half-Blooms’ vessel, 2024, silver. Photo: Juliette Wehling-Wrathall

alt="" — Amina Qasim Zada, Installation in progress, 2024.

Bronze chasing

Jodie Grillmeier

Emily Song in the studio, 2024.

Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.

Emily Song in the studio, 2024.

Ruby Hughes, ‘Tidal Traces’, 2024.

Heidi Kwong, ‘Greenware’, 2024, stoneware.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.

Katya Ryzhikh working on 'I want to be normal again', 2024. — Katya Ryzhikh working on ‘I want to be normal again’, 2024.

Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman

Robert Crerar, ‘Domestic Fetish’, 2024, photo print.

Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph

Kim Jong Un - The Dictator — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.

Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.

Idgie Kagan in studio, 2024. Photographer: Meg Kelso.

Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.

Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Sabrina Petrucco, 2024.

closeup of soft sculpture — Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.

Cutting the steel ellipse — Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto

Jasmine Kiyomi Roe-Bose, ‘MASTIGIAS ASPRATA [scruffy-belled jellyfish]’, 2024, Digital image manipulation, pixel art.

Artist portrait in studio, 2024. Photo: Meg Kelso

Qianxun Li, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Elisa Crowe, 'This is Home', 2024. — Elisa Crowe, ‘This is Home’, 2024.

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Heidi Kwong, ‘Making 2’, 2024, stoneware.

Shaemus Anketell, painting in studio, 2024.

Lillian Flugge, ‘The Middle Child’, 2024, silver/rubies. Photo: Lillian Flugge

Close up of two concentric steel rings fit together and attached by a bolt — Angela Sexton, kinetic trial in steel, 2024.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Imogen Mathews, Untitled, 2024.

Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer

Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.

Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Emily Song, 2024.

Catherine Weng in the studio, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photographer: Liam Clancy.

Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Lize Myburgh, detail, 2024.

Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan

Susannah Collins, 2024.

Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall

Multisensory installation work utilising the aroma of Hyacinth. — Dear Andrew, 2024, mixed-media, Photographer Juliette Claire

Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly] 2023 Digital image manipulation, pixel art

Celine Babet, creamy white glaze results, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Kayla Steinbruckner, ‘Chloe’, 2024, photograph.

Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.

Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.

Natural Landscape — Imogen Plesa ‘Can’t You See Me?’, 2024.

Qinxun Li, ‘Slime mold’, 2024, silver, wood, enamel

Jesse Pretorius, ‘Praise’, 2024, film photograph.

Lee O’Donoghue, ‘soul’, 2024, photograph

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Jasmine Kiyomi Roe-Bose, AURELIA AERUGINASCENS [elfcup jelly], 2023, digital image manipulation, pixel art.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photo: Liam Clancy

Maeve Hatton in the studio, 2024.

Sarah Ring in the studio, 2024. Photographer: William Forsyth.

Jeffrey Chieu, in the studio, 2024.

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Cast sterling silver shaved wood

Trialling steam bending techniques by twisting wood — Angela Sexton, bending trials, 2024.

Assemblage detail — Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson

Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.

Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.

Shaemus Anketell, painting in studio 2024. — Shaemus Anketell, painting in studio, 2024.

Joanna Richard, ‘Park’, 2024, performance installation. Photo: Juliette Wehling-Wrathall

Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Susannah Collins, 2024.

Polished bronze form prior to interior patina — Keenan Haagen, polished bronze prior to patina, 2024.

Luke Morris, untitled, 2023, collage.

Qianxun Li in the studio, 2024.

Meg Kelso, In the studio, 2024. Photo: Sylva Storm

Daisy Giuffrida, ‘Untitled’, stoneware glaze tests, 2024

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.

Betty Knibbs in the studio, 2024.

Studio shot — Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.

Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].

Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen

A woman conducts sculpture weight-testing in-studio — Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.

Jasmin Seale, ‘Squeaky Journal (mud crabs)’, 2023, inkjet print on newspaper.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario

Dylan Mclardy, ‘Debbie’, 2023, photograph.

Kayla Steinbruckner, ‘Skin Deep’, 2024, photograph.

Li Letitia Shen, 'Tooth, Tooth, Throw It Onto The Roof 1', 2024, pure silver, glass, iron and piano wire. Photo: Loong — Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Angelica Zumpo, 2024. Photo: Juliette Wehling-wrathall

Tess Hider, sewing machine [process], 2024

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Ruby Hughes, ‘Tidal Traces’, 2024, copper, brass, sterling silver, garnets, enamel, sapphires.

Bandage form — Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.

Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.

Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.

Keenan (Artist), polishing form with power tools — Keenan Haagen, workshop view of polishing bronze, 2024.

Emily Song in the studio, 2024.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.

Yiming Wang, ‘Gestures Practice’, 2024, porcelain. Photo: Yiming Wang

Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.

Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.

two hands working at a jewellers bench — Gail Hunt, In the studio, 2024.

Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.

Daisy Giuffrida, ‘Untitled’, hand-building process, 2024

Charlotte Nheu, work-in-progress, 2024.

Lee O’Donoghue, ‘spirit’, 2024, photograph.

Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.

Stella Kemp, various offcuts, 2024.