I.V9000 (IN VITRO 9000) reimagines human reproduction through an absurdist, monochrome lens by merging found footage, stock imagery, AI-generated visuals, and animation into a surreal baby-making factory.
The work explores what happens when reproduction becomes fully technologised. What are the physical, emotional, and social consequences of moving further from the womb—of developing outside the body’s natural ecosystem? And how much should we surrender to nature and chance, rather than pursue control and perfection over what is innately human?
Meg Landry is a video and digital collage artist who reworks found footage and digital scraps into surreal monochrome machines. Her work centres on the use of technology to suppress nature and humanity’s need for certainty in a world defined by randomness.
Previous video works: