RMIT IMAGING FUTURES LAB
The Imaging Futures Lab is a network of artists, academics and researchers interested in the ontological implications of emerging paradigms for the expanded image. Our work explores the creative and discursive potential and implications of emerging computational image-making technologies and their application to expanded photography and imaging practices.
The IF_LAB is led by Dr Alison Bennett and Dr Rebecca Najdowski.
Follow us in Instagram at instagram.com/imaging_futures_lab/
RMIT staff and students can subscribe to IF_LAB updates by signing up HERE
POSTINGS
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Imaging Pasts and Futures: creative digital practices in the arts
Read more: Imaging Pasts and Futures: creative digital practices in the artsImage: The Museum Theorem, 2022, Urich Lau Wai Yuen. Courtesy of the artist WHAT: Imaging Pasts and Futures: creative digital practices in the arts symposium WHEN: Friday 22 – Saturday 23 November 2024 WHERE: LASALLE College of the Arts, University of the Arts Singapore Organized
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RMIT DSC/STEMM Creative Technologies gathering #2
Read more: RMIT DSC/STEMM Creative Technologies gathering #212:30-15:30 Wednesday 23 Oct 2023. Venue tbc. Thank you for your interest in building this community of practice. We had a wonderful gathering at the Vx Lab 5 June 2024! This is a placeholder for a second gathering. Ideas for next
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RMIT DSC/STEMM Creative Technologies pecha kucha #1
Read more: RMIT DSC/STEMM Creative Technologies pecha kucha #112:00-15:00 Wednesday 5 June 2024 at RMIT Vx Lab. Researchers working in creative technologies at RMIT are invited to gather at the RMIT Vx Lab to meet and share with colleagues also working in the realm of creative technologies research.
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444.2: XR by Nirma Madhoo
Read more: 444.2: XR by Nirma MadhooExciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
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Vertical Perspective
Read more: Vertical PerspectiveHito Steyerl ‘In Free Fall: A Thought Experiment on Vertical Perspective’, eflux https://www.e-flux.com/journal/24/67860/in-free-fall-a-thought-experiment-on-vertical-perspective/ “Needless to say, this reinvention of the subject, time, and space was an additional toolkit for enabling Western dominance, and the dominance of its concepts—as well as
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POST-IMAGE
Read more: POST-IMAGE“Digitalization has brought a new dimension to the ‘photographic paradigm of the image’ which was forged in the fifteenth century with notions of linear perspective and resulted in the forced convergence of vision and representation based on the hypothesis of
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Softimage: Towards a New Theory of the Digital Image
Read more: Softimage: Towards a New Theory of the Digital Image“With today’s digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays
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Dr Ian Haig
Read more: Dr Ian Haighttps://www.ianhaig.net/ https://www.rmit.edu.au/contact/staff-contacts/academic-staff/h/haig-dr-ian
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Dr Martine Corompt
Read more: Dr Martine Corompthttps://martinecorompt.net https://www.rmit.edu.au/contact/staff-contacts/academic-staff/c/corompt-dr-martine
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Dr Fiona Hilary
Read more: Dr Fiona HilaryDr Fiona Hillary is a Melbourne based artist working in the public realm. Her passion lies in site specific practices and the human/non-human relationships that reveal themselves across time. Exploring scale through publicly shared moments of awe and wonder to