Interaction, be it via our personal data or the sensing of our bodily movement through technology, has become ubiquitous within contemporary living, but what does it mean to make these movements and interactions and how does this technology influence our
In this course you will explore and play with the possibilities of optics, lighting and projection, experimenting with old and new projection technologies such as the Camera Obscura, Camera Lucida, overhead projection, contemporary digital projection and film/video lighting kits both
Exhibition spaces and installation choices transform how we experience and understand photographs. In this course you will examine the relationship between photographic works and their display environments, focusing on how physical and social contexts shape the meaning and impact of
Photography offers unique possibilities for artistic exploration and reflection on our relationship with the environment. This course examines the intersection of photographic art practice, environmental concerns, and sustainability in the context of the ongoing climate crisis. You will investigate how
Photography seems like a simple act but it camouflages complex cultural dynamics involving vantage, assumed ideals, and ideological affiliations. Images are the yardsticks we measure ourselves against to construct our social identities, and those of others. Images of people valorise
Every photographic choice – from analogue experiments to algorithmic processing – influences how meaning is shaped. This course explores the vital relationship between materiality and conceptual development in photographic practice. Through hands-on experimentation, you will develop your approach to photographic
The course approaches the medium of photography as modes of communication, art and creative technical skills. In studying this course you will be shown how photography has developed throughout its history and its theoretical contexts. We will discuss how our growing
Image: name, ‘title’, year, medium. Photographer: Course Guide: Global Art Intensive: Nepal Lecturer: Dr Alan Hill Course Coordinator: Dr Alan Hill alan.hill@rmit.edu.au Day: 9-27 November 2024 Delivery mode: face to face; 27-40 studentsLocation: Kathmandu, Nawalpur and Dharan, Nepal Creative practice as
Image: Bin Dixon Ward, The Captains Daughter, SLS Nylon, Ink Course Guide: VART3473 Lecturer: Mark Edgoose Course Coordinator: Mark Edgoose (email) Day: MondayTime: 1:30pm – 4:30pm Delivery mode: Location: 04.02.06 In this course, you will explore and experience a range
Image: Please Be Careful, 2020, Sarah Douglass, RMIT Public Art Trail Course Guide: VART2027 Lecturer: name Course Coordinator: name and email Day: Time: Delivery mode: Location: 50.01.01 This course introduces the practice of art in public spaces. You will explore a
