arebyte advances new experimentation in digital cultures Meeting the growing demand for immersive experiences and digital content creation, arebyte pioneers new forms of engagement with creative technologies, to critically explore the impact of technology in contemporary society. From digital environments,
Estabilished in 2005 Digicult is an online platform that examines the impact of digital technologies and applied sciences on art, design, culture and contemporary society. Digicult is an editorial project that daily publish news, informations, articles, interviews, reports and essays.
https://www.lumenprize.com
RMIT Photography are delighted to have confirmed JUSTIN RIDLER as a speaker on our Open Day alumni panel 12:30 Sunday 13 August in Building 2, Level 2, Room 8. He is an exemplary example of a commercial photographer working with
The future is now…but for how long? In an exploration of their expansive practice, Xanthe Dobbie re-spawns cyberfeminism to bring you On-Site: Matrix Re-loaded. As part of their ongoing research, Dobbie explores historical and contemporary cyberfeminism through intersections of art,
Exciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
NeRF: Representing Scenes as Neural Radiance Fields for View Synthesis Ben Mildenhall, Pratul P. Srinivasan, Matthew Tancik, Jonathan T. Barron, Ravi Ramamoorthi, Ren Ng https://doi.org/10.48550/arXiv.2003.08934 2020
Wild Hope: Conversations for a Planetary Commons – RMIT Design Hub 15.08.2023 – 30.09.2023 WILD HOPE: Conversations for a Planetary Commons Experience a world where imagination and urgency converge, where art and design become catalysts for change. Welcome to Wild Hope,
University of Westminster and The Photographers’ Gallery, London Deadline for Proposals: 18th September, 2023 Following the first successful Virtual Photography Symposium held at the University of Westminster, London in 2022, we are delighted to announce the call for contributions to a new
‘The Networked Image in Post-Digital Culture’ edited by Katrina Sluis and Andrew Dewdey, published by Routledge 2023. This collection of essays examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners
Be part of the BIFB x 3-minute AI vs Photography presentations at the The Real Thing Public Forum at Ballarat International Foto Biennale What will the future of photography look like? Artists and researchers will go head-to-head to share their
Yoon C Han is an interaction designer, multimedia artist, and researcher. Her research include data visualization, biometric data visualization and sonification, new interface for musical expression, and mobile user experience design. She studied Graphic Design and Interaction Design at Seoul National
https://thewrong.org/ Celebrating digital culture since 2o13, The Wrong organises art driven, multicultural, innovative and collaborative projects, online and offline, bringing together curators, artists and institutions. The Wrong provides decentralised platforms open to participation, as a melting pot for the established, the emerging
https://projetlitote.org/sof/ In this rapidly evolving digital era, where technology intertwines with our lives, the concept of subjectivity has taken on new dimensions. The Server of Flesh Pavilion (SOF) seeks to engage with artists whose work explores the intricate relationship between
Memo Akten: Distributed Consciousness | Exhibition 16 June 2023 – 16 June 2024 | ACMI: Your museum of screen culture
IF_LAB are delighted to partner with the Ballarat International Foto Biennale and ArtLink to present: The Real Thing Public Forum | Ballarat International Foto Biennale (ballaratfoto.org) What will the future of photography look like? Images have become the vernacular of
https://rmiteduau.sharepoint.com/sites/ResearcherCapabilityDevelopment/SitePages/Joining-up-with-Generative-AI–Opportunities-for-Researchers-and-Research-Practice.
RMIT School of Art is hosting the Art Education Conference 2023 Friday 7 July. Details here: Conference 2023 | Art Education Victoria (aev.vic.edu.au) Dr Alison Bennett, co-lead of the IF_LAB, is presenting a 90-minute workshop: Stepping into webXR and augmented
RMIT Culture and the Imaging Futures Lab are delighted to present a performative lecture by iconic creative researcher Rosa Menkman IN REAL LIFE! ROSA MENKMAN ‘Refractions of Light and Time’: 12:30-1:30 Tuesday 8 August 2023 at RMIT Kaleide Theatre. Secure
ECHOES FROM THE FUTURE Speculative Creatures & Post-Human BotanicalsVirtual Exhibition: MacKenzie Art Gallery, Regina (Saskatchewan, Canada) Virtual Opening: June 29, 2023, 8-9 pm CESTAt: echoesfromthefuture.showArtists: Bianca Shonee Arroyo-Kreimes (CRI/CAN), Aviv Benn (ISR/UK), Laura Colmenares Guerra (COL/BE), Reiner Maria Matysik (DE), Sarah Oh-Mock
The Sculptural in the (Post-)Digital Age de Gruyter 2023 Edited by: Mara-Johanna Kölmel and Ursula Ströbele With contributions by: Buket Altinoba , Claudia Giannetti , Elizabeth Johnson , Mara-Johanna Kölmel , Verena Kuni , Michael Rottmann , Karin Sander , Jens Schröter , Sasha Sobrino , Ursula Ströbele and Alexandra Weigand “Digital technologies have profoundly impacted the arts and expanded the field of sculpture
Anton Nijholt 2019, Brain Art: Brain-Computer Interfaces for Artistic Expression, Springer Link “The first book that surveys how brain activity can be monitored and manipulated for artistic purposes, with contributions by interactive media artists, brain-computer interface researchers, and neuroscientists. Demonstrates
RMIT Photography and IF_LAB are delighted to welcome Dr Katrina Sluis, who will give a talk ‘on the photographic pipelines of machine vision’ to RMIT staff and students 1:30 Wednesday 26 July at RMIT School of Art in Building 6
Shanti Escalante-De Mattei, 2023, ‘Sotheby’s Sale of Glitch Art Postponed After Gender Parity Scandal’ ARTnews.com Sotheby’s paused its “Glitch-ism” auction Sunday, days after its March 24 launch, after prominent glitch artists pointed out that the auction, held by Sotheby’s digital
Rosa Menkman (she / her) Dutch artist and researcher of resolutions with a special focus on glitches, cyclopes, impossible rainbows and unnamed colours. ︎︎︎︎︎ BiographyRosa Menkman is a Dutch artist and researcher. Her work focuses on noise artifacts that result from accidents
Hito Steyerl: This is the Future – Portland Art Museum: Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is
The International Symposium on Electronic Art (ISEA) is a prominent event that brings together scholars, artists, and scientists from around the world to explore the intersection of art, science, and technology. The symposium was first held in 1988 and has
Kate Geck 2023, ‘Mycorrhizal Materialities: positioning the entanglement of human and machine intelligence‘, International Symposium on Electronic Art, Paris Machine intelligence is increasingly being used in the world with sometimes dramatic effects on human and other-than-human lives through its decision
Hito Steyerl ‘In Free Fall: A Thought Experiment on Vertical Perspective’, eflux https://www.e-flux.com/journal/24/67860/in-free-fall-a-thought-experiment-on-vertical-perspective/ “Needless to say, this reinvention of the subject, time, and space was an additional toolkit for enabling Western dominance, and the dominance of its concepts—as well as
“Digitalization has brought a new dimension to the ‘photographic paradigm of the image’ which was forged in the fifteenth century with notions of linear perspective and resulted in the forced convergence of vision and representation based on the hypothesis of
“With today’s digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays
https://www.ianhaig.net/ https://www.rmit.edu.au/contact/staff-contacts/academic-staff/h/haig-dr-ian
https://martinecorompt.net https://www.rmit.edu.au/contact/staff-contacts/academic-staff/c/corompt-dr-martine
Dr Fiona Hillary is a Melbourne based artist working in the public realm. Her passion lies in site specific practices and the human/non-human relationships that reveal themselves across time. Exploring scale through publicly shared moments of awe and wonder to
“We propose Mind-Video, which progressively learns spatiotemporal information from continuous fMRI data through masked brain modeling + multimodal contrastive learning + spatiotemporal attention + co-training with an augmented Stable Diffusion model that incorporates network temporal inflation.” https://mind-video.com/ “Reconstructing human vision
Paragraphica is a context-to-image camera that uses location data and artificial intelligence to visualize a “photo” of a specific place and moment. The camera exists both as a physical prototype and a virtual camera that you can try. A speculative project
https://www.civa.at
An in-depth look into the transformation of visual culture and digital aesthetics Serving as an extensive guide to a key concept in contemporary art, design, and media theory, Operational Images explores the implications of machine vision and the limits of human agency.
The theme for IEEE VISAP 2023 is Perpetual Presence. Submissions are due 2 June 2023. More information: https://visap.net/2023/call-for-entries
What are the implications of an AI generated image winning the world’s largest photography competition?
Submit your work & be a presenter at SIGGRAPH Asia. Calling all professionals in the field of research, animation, art, hardware, software, visualization, games, visual effects, virtual reality, augmented reality, high performance computing, computer graphics and interactive techniques. SIGGRAPH Asia
A remarkable event that revealed the workings of AI in a playful way https://promptbattle.com
read this article by Andrew Dewdney on the photo museum winterthur website: https://www.fotomuseum.ch/en/series/zombie-photography-what-is-the-photographic-image-still-doing/
rencontres internationales paris/berlin new cinema and contemporary art submissions due 22 April 2023: https://www.art-action.org/site/en/upper/call/index.php
This website is a useful tool collating AI tools: https://www.futureailab.com
https://nodecenter.net/course/online-art-market The contemporary art market is facing a deep revolution determined by the proliferation of digital production technologies on the one hand and by online platforms of distribution and sales on the other. Since the late 1990s, an increasingly complex
The editors of Philosophy of Photography invite contributions to a special issue: Expanded Visualities: Photography and Emerging Technologies Guest Editors: Theopisti Stylianou-Lambert, Kleanthis Neocleous and Andrew Fisher Emerging technologies have had a significant impact on photographic representations, as well as
Professor Daniel Palmer is Associate Dean of Research and Innovation in the School of Art at RMIT University. Daniel Palmer’s research and professional practice focuses on contemporary art and cultural theory, with a particular emphasis on photography and digital media.
Dr Rebecca Najdowski is Co-Director of the RMIT Imaging Futures Lab and Co-Program Manager of the Bachelor of Arts (Photography)
Dr Alison Bennett is co-director of the RMIT Imaging Futures Laboratory, aka the IF_LAB, and Associate Dean, Photography, RMIT School of Art.
The CRITICAL MEDIA LAB (CML) is a community, a space and a platform for research and practice at the intersections of design, media, art and technology, situated in Basel (CH). We combine perspectives and methods of history, anthropology, sociology, media studies, cultural
WHAT: This lunchtime panel discussion will invite two leading creative researchers to reflect on how they hold together the ecological and technological in their practice. WHO: This panel will feature Dr Rewa Wright (QUT) & Dr Rebecca Najdowski (RMIT), chaired
THURSDAY 6 MAY 202110.00–3.30PM Online via Microsoft Teams The Imaging Futures Lab at RMIT University presents a symposium on expanded photography and the future of the image. Involving academics, post graduate students and industry professionals, this one day symposium seeks to explore
