Alan Warburton
About — Alan Warburton The Wizard of AI – Data as Culture – ODI – The Open Data Institute (theodi.org)
Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023.
Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023. A provocative investigation of the future of photography and human perception in the age of AI. “We are constantly
Lawrence Lek
Lawrence Lek 陆明龙 is an artist known for his ongoing series of films, soundtracks, and video games, often set within a Sinofuturist universe. Sinofuturism (1839–2046 AD) Video Essay, 60m, 2016
Review by Alison Bennett of Marshmallow Laser Feast: Works of Nature at ACMI
Marshmallow Laser Feast: Works of Nature – Artlink
Lure of the image
[PERMANENT BETA] THE LURE OF THE IMAGE
execute_photography
execute_photography – RMIT Gallery “As a technical medium and cultural form, photography is constantly dying and being reborn. This exhibition – presented as both an exploration and a provocation – brings together works by Australian and international artists that offer
ANU Computational Culture Lab
The Computational Culture Lab works at the intersection of theory, practice and policy to investigate the politics, aesthetics and applied potentials of post-digital culture. Located at the School of Art & Design, we work in partnership with contemporary art and cultural
2024 Virtual Photography Conference at University of Westminster
VIRTUAL PHOTOGRAPHY EXPLAINED – CREAM Open Call: Photography in Virtual Culture | unthinking.photography
Indigenous Sovereignty in the Metaverse
INDIGENOUS SOVEREIGNTY IN THE METAVERSE In the second instalment of the Serpentine Legal Lab Live series, Alana Kushnir and Australian First Nations Cultural Broker and Author Vanessa Lee-Ah Mat explore Indigenous agency and data sovereignty in the metaverse, and the
European Media Art Festival submissions due 7 Jan 2024
https://www.emaf.de/en/ Media artists from all over the world can submit their works now for the European Media Art Festival 2024. The online platform https://emaf.filmchief.com/entry-forms is now open. Works from the areas of Film, Installation and Expanded (live projects such as
Whitelaw, Mitchell 2012, ‘Transmateriality: Presence Aesthetics and the Media Arts’,
Whitelaw, Mitchell, ‘Transmateriality: Presence Aesthetics and the Media Arts’, in Throughout: Art and Culture Emerging With Ubiquitous Computing, ed. by Ulrik Ekman (MIT Press, 2012), pp. 223–236 https://mtchl.net/transmateriality-presence-aesthetics-and-the-media-arts/
Powerhouse Museum Photofields Day
Photofields is an industry-centred program engaging with contemporary issues and ideas at the intersection of photography, architecture and design. Panellists will discuss a range of image-making practices and how they affect the way we relate to natural and built environments.
Ciaran Begley, ‘Rational Magic’
An astonishing deconstruction of the architecture of the screen and the image “This PhD investigates art encounters that challenge preconceptions of light phenomena. It offers an understanding of how shifting perceptions in an artwork’s presence connect visitors with artists in
Karen Ann Donnachie
Dr Karen Ann Donnachie works in the expanded fields of photography, electronic and data art, and experimental art publishing. From 1990 through 2010 she was based in Milan, Italy where, among other activities, she founded the art periodical This is a
Lumen Prize for art and technology
https://www.lumenprize.com
Matrix Re-loaded: On-Site 02 with Xanthe Dobbie
The future is now…but for how long? In an exploration of their expansive practice, Xanthe Dobbie re-spawns cyberfeminism to bring you On-Site: Matrix Re-loaded. As part of their ongoing research, Dobbie explores historical and contemporary cyberfeminism through intersections of art,
444.2: XR by Nirma Madhoo
Exciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
WILD HOPE: Conversations for a Planetary Commons at RMIT Design Hub
Wild Hope: Conversations for a Planetary Commons – RMIT Design Hub 15.08.2023 – 30.09.2023 WILD HOPE: Conversations for a Planetary Commons Experience a world where imagination and urgency converge, where art and design become catalysts for change. Welcome to Wild Hope,
CFP: Photography in Virtual Culture due 18 Sept 2023
University of Westminster and The Photographers’ Gallery, London Deadline for Proposals: 18th September, 2023 Following the first successful Virtual Photography Symposium held at the University of Westminster, London in 2022, we are delighted to announce the call for contributions to a new
‘The Networked Image in Post-Digital Culture’ edited by Andrew Dewdney and Katrina Sluis, Routledge, 2023.
‘The Networked Image in Post-Digital Culture’ edited by Katrina Sluis and Andrew Dewdey, published by Routledge 2023. This collection of essays examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners
Yoon Chun Han
Yoon C Han is an interaction designer, multimedia artist, and researcher. Her research include data visualization, biometric data visualization and sonification, new interface for musical expression, and mobile user experience design. She studied Graphic Design and Interaction Design at Seoul National
Memo Akten: Distributed Consciousness
Memo Akten: Distributed Consciousness | Exhibition 16 June 2023 – 16 June 2024 | ACMI: Your museum of screen culture
Rosa Menkman IRL! 12:30-1:30 Tue 8 Aug 2023 @ Kaleide Theatre RMIT Melbourne
RMIT Culture and the Imaging Futures Lab are delighted to present a performative lecture by iconic creative researcher Rosa Menkman IN REAL LIFE! ROSA MENKMAN ‘Refractions of Light and Time’: 12:30-1:30 Tuesday 8 August 2023 at RMIT Kaleide Theatre. Secure
Brain Art: Brain-Computer Interfaces for Artistic Expression, 2019
Anton Nijholt 2019, Brain Art: Brain-Computer Interfaces for Artistic Expression, Springer Link “The first book that surveys how brain activity can be monitored and manipulated for artistic purposes, with contributions by interactive media artists, brain-computer interface researchers, and neuroscientists. Demonstrates
Rosa Menkman ‘im/possible images’ SubnetTALK 2022
“Images are pervasive; they are used to entertain, to guide, to serve as evidence or as tools for discovery. But they can also be invisible, made for machines and by machines in order to filter, track, classify, sort, or delete.
IF_LAB event: Dr Katrina Sluis ‘on the photographic pipelines of machine vision’ 1:30-2:30 Wed 26 July 2023 @ RMIT School of Art in Room 6.2.3
RMIT Photography and IF_LAB are delighted to welcome Dr Katrina Sluis, who will give a talk ‘on the photographic pipelines of machine vision’ to RMIT staff and students 1:30 Wednesday 26 July at RMIT School of Art in Building 6
Rosa Menkman
Rosa Menkman (she / her) Dutch artist and researcher of resolutions with a special focus on glitches, cyclopes, impossible rainbows and unnamed colours. ︎︎︎︎︎ BiographyRosa Menkman is a Dutch artist and researcher. Her work focuses on noise artifacts that result from accidents
ISEA 2024 in Brisbane – submissions for Creative Works due 28 Aug
The International Symposium on Electronic Art (ISEA) is a prominent event that brings together scholars, artists, and scientists from around the world to explore the intersection of art, science, and technology. The symposium was first held in 1988 and has
Kate Geck, ‘Mycorrhizal Materialities: positioning the entanglement of human and machine intelligence’, ISEA Paris 2023
Kate Geck 2023, ‘Mycorrhizal Materialities: positioning the entanglement of human and machine intelligence‘, International Symposium on Electronic Art, Paris Machine intelligence is increasingly being used in the world with sometimes dramatic effects on human and other-than-human lives through its decision
Dr Martine Corompt
https://martinecorompt.net https://www.rmit.edu.au/contact/staff-contacts/academic-staff/c/corompt-dr-martine
Dr Fiona Hilary
Dr Fiona Hillary is a Melbourne based artist working in the public realm. Her passion lies in site specific practices and the human/non-human relationships that reveal themselves across time. Exploring scale through publicly shared moments of awe and wonder to
Dr Rebecca Najdowski
Dr Rebecca Najdowski is Co-Director of the RMIT Imaging Futures Lab and Co-Program Manager of the Bachelor of Arts (Photography)
Dr Alison Bennett
Dr Alison Bennett is co-director of the RMIT Imaging Futures Laboratory, aka the IF_LAB, and Associate Dean, Photography, RMIT School of Art.