Join us for our second session on AI in imaging practice with a focus on documentation. Speakers:Morganna MageeTJ ThomsonAdam Ferguson 10 September, 12:30Room 6.2.3/4 IF_Lab and RMIT Photo presents a series of panel discussions with practitioners exploring the use of
IF_Lab and RMIT Photo presents a series of panel discussions with practitioners exploring the use of AI across creative spaces. Join us for a session on AI in imaging practice with a focus on creative speculation. Speakers:J. RosenbaumMing LiewAndrey WalklingRoom
Photography in Virtual Culture | The Photographers Gallery ‘Photography in Virtual Culture’ was a two day conference in May 2024 to develop a communal discussion, and inform critiques and thinking on the making of ‘virtual photography’. Organised by the University
The Computational Culture Lab, School of Art & Design presents: The Tables Have Turned: Desire, Power and Abstraction in the Subject in AI Society with Olga GoriunovaRoyal Holloway, University of London 4:30pm-5:50pm, Tuesday 27 August 2024Level 1, RSSS Building Auditorium
Imaging Pasts and Futures: creative digital practices in the arts symposium organised by LASALLE College of the Arts & RMIT School of Art View this post on Instagram A post shared by RMIT Photography Discipline (@rmitphoto) View this post on
r e a: NATIVE (griffith.edu.au) r e a – artist | curator | activist | academic | cultural educator (rea-noir.com)
12:00-15:00 Wednesday 5 June 2024 at RMIT Vx Lab. Researchers working in creative technologies at RMIT are invited to gather at the RMIT Vx Lab to meet and share with colleagues also working in the realm of creative technologies research.
Hacking Visual Culture: Intersections of art, creativepractice, copyright, storytelling and technology. Submissions are being sought for Hacking Visual Culture, a 2-day conference and exhibition hosted by the Faculty of Law and Creative Practice Research Group (Faculty of Arts & Social Sciences) at
artport | Whitney Museum of American Art artport is the Whitney Museum’s portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, artport provides access to original art
The Dumpster: About the Project (whitney.org) About the Dumpster Project The Dumpster is an interactive online visualization that attempts to depict a slice through the romantic lives of American teenagers. Using real postings extracted from millions of online blogs, visitors to the project
Marshmallow Laser Feast: Works of Nature – Artlink
execute_photography – RMIT Gallery “As a technical medium and cultural form, photography is constantly dying and being reborn. This exhibition – presented as both an exploration and a provocation – brings together works by Australian and international artists that offer
Prompt Battle | Fri 15 Mar 2024 Photo24 | ACMI: Your museum of screen culture Photo 24 , ACMI & RMIT present: Prompt Battle ‘Prompt engineer’ has been touted as a career of the future. But what does that mean, and
The future of photography under AI – ABC listen
The Extending Heritage project was part of the RMIT School of Art Future Ancestors Global Art Intensive in Hanoi 27 Nov – 8 Dec 2023, funded by the New Colombo Plan and Enabling Capability Platform (Design and Creative Practice). The
VIRTUAL PHOTOGRAPHY EXPLAINED – CREAM Open Call: Photography in Virtual Culture | unthinking.photography
INDIGENOUS SOVEREIGNTY IN THE METAVERSE In the second instalment of the Serpentine Legal Lab Live series, Alana Kushnir and Australian First Nations Cultural Broker and Author Vanessa Lee-Ah Mat explore Indigenous agency and data sovereignty in the metaverse, and the
https://www.emaf.de/en/ Media artists from all over the world can submit their works now for the European Media Art Festival 2024. The online platform https://emaf.filmchief.com/entry-forms is now open. Works from the areas of Film, Installation and Expanded (live projects such as
https://www.rijksmuseum.nl/en/whats-on/lectures-symposiums/2and3d-photography Rijksmuseum 29 – 31 May 2024 “2and3D Photography is about sharing. We are bringing photographers, restorers, conservators, studio planners, data analysts and scientists together so that they can exchange knowledge and experience enabling them to collaborate on even more
Photofields is an industry-centred program engaging with contemporary issues and ideas at the intersection of photography, architecture and design. Panellists will discuss a range of image-making practices and how they affect the way we relate to natural and built environments.
Hancock Lecture: Artificial figures: gender-in-the-making in algorithmic culture Join us on 16 November for the 2023 Hancock Lecture. Dr Thao Phan from Monash University will explore how, in the making of AI systems and technologies, gender too is being made. Digital assistants with
21 Sep, 6pm Gandel Digital Future Lab 1 ACMI Join Memo Akten, Rita Arrigo and Rebecca Giblin as they discuss Akten’s work Distributed Consciousness, and the intersection between art, technology, activism and culture. Exploring how Artificial Intelligence is changing creative practices and
An astonishing deconstruction of the architecture of the screen and the image “This PhD investigates art encounters that challenge preconceptions of light phenomena. It offers an understanding of how shifting perceptions in an artwork’s presence connect visitors with artists in
Never Permanent 2023 | Semi Permanent Technology is evolving at a pace never seen before, but its most successful applications remain powered by human innovation. Never Permanent is a one-of-a-kind talks program that celebrates and explores the rich intersection of
Consent forms and info 2023 RMIT Photo Open Day photographs of visitors – 3D Scans.docx INSTRUCTIONS Open: 3D models by Alison Bennett (@alisonbennett) – Sketchfab Open the model in Sketchfab Open EMBED uncheck ‘Show Caption check all options in 2nd
![[ANTI]MATERIA](https://sites.rmit.edu.au/if-lab/files/2023/08/portada_espaciopantalla_1-710x300.jpg "[ANTI]MATERIA")
https://anti-materia.org [ANTI]MATERIA is a self-managed project founded by Doreen A. Ríos that, since 2015, has sought to promote a new generation of digital artists through free and open access exhibitions and academic resources, written in Spanish and, mainly, from Mexico.
https://www.lumenprize.com
RMIT Photography are delighted to have confirmed JUSTIN RIDLER as a speaker on our Open Day alumni panel 12:30 Sunday 13 August in Building 2, Level 2, Room 8. He is an exemplary example of a commercial photographer working with
The future is now…but for how long? In an exploration of their expansive practice, Xanthe Dobbie re-spawns cyberfeminism to bring you On-Site: Matrix Re-loaded. As part of their ongoing research, Dobbie explores historical and contemporary cyberfeminism through intersections of art,
Wild Hope: Conversations for a Planetary Commons – RMIT Design Hub 15.08.2023 – 30.09.2023 WILD HOPE: Conversations for a Planetary Commons Experience a world where imagination and urgency converge, where art and design become catalysts for change. Welcome to Wild Hope,
University of Westminster and The Photographers’ Gallery, London Deadline for Proposals: 18th September, 2023 Following the first successful Virtual Photography Symposium held at the University of Westminster, London in 2022, we are delighted to announce the call for contributions to a new
Be part of the BIFB x 3-minute AI vs Photography presentations at the The Real Thing Public Forum at Ballarat International Foto Biennale What will the future of photography look like? Artists and researchers will go head-to-head to share their
https://thewrong.org/ Celebrating digital culture since 2o13, The Wrong organises art driven, multicultural, innovative and collaborative projects, online and offline, bringing together curators, artists and institutions. The Wrong provides decentralised platforms open to participation, as a melting pot for the established, the emerging
https://projetlitote.org/sof/ In this rapidly evolving digital era, where technology intertwines with our lives, the concept of subjectivity has taken on new dimensions. The Server of Flesh Pavilion (SOF) seeks to engage with artists whose work explores the intricate relationship between
Memo Akten: Distributed Consciousness | Exhibition 16 June 2023 – 16 June 2024 | ACMI: Your museum of screen culture
IF_LAB are delighted to partner with the Ballarat International Foto Biennale and ArtLink to present: The Real Thing Public Forum | Ballarat International Foto Biennale (ballaratfoto.org) What will the future of photography look like? Images have become the vernacular of
RMIT School of Art is hosting the Art Education Conference 2023 Friday 7 July. Details here: Conference 2023 | Art Education Victoria (aev.vic.edu.au) Dr Alison Bennett, co-lead of the IF_LAB, is presenting a 90-minute workshop: Stepping into webXR and augmented
RMIT Culture and the Imaging Futures Lab are delighted to present a performative lecture by iconic creative researcher Rosa Menkman IN REAL LIFE! ROSA MENKMAN ‘Refractions of Light and Time’: 12:30-1:30 Tuesday 8 August 2023 at RMIT Kaleide Theatre. Secure
ECHOES FROM THE FUTURE Speculative Creatures & Post-Human BotanicalsVirtual Exhibition: MacKenzie Art Gallery, Regina (Saskatchewan, Canada) Virtual Opening: June 29, 2023, 8-9 pm CESTAt: echoesfromthefuture.showArtists: Bianca Shonee Arroyo-Kreimes (CRI/CAN), Aviv Benn (ISR/UK), Laura Colmenares Guerra (COL/BE), Reiner Maria Matysik (DE), Sarah Oh-Mock
RMIT Photography and IF_LAB are delighted to welcome Dr Katrina Sluis, who will give a talk ‘on the photographic pipelines of machine vision’ to RMIT staff and students 1:30 Wednesday 26 July at RMIT School of Art in Building 6
Hito Steyerl: This is the Future – Portland Art Museum: Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is
The International Symposium on Electronic Art (ISEA) is a prominent event that brings together scholars, artists, and scientists from around the world to explore the intersection of art, science, and technology. The symposium was first held in 1988 and has
https://www.civa.at
WHAT: This lunchtime panel discussion will invite two leading creative researchers to reflect on how they hold together the ecological and technological in their practice. WHO: This panel will feature Dr Rewa Wright (QUT) & Dr Rebecca Najdowski (RMIT), chaired
THURSDAY 6 MAY 202110.00–3.30PM Online via Microsoft Teams The Imaging Futures Lab at RMIT University presents a symposium on expanded photography and the future of the image. Involving academics, post graduate students and industry professionals, this one day symposium seeks to explore
