Image: The Museum Theorem, 2022, Urich Lau Wai Yuen. Courtesy of the artist WHAT: Imaging Pasts and Futures: creative digital practices in the arts symposium WHEN: Friday 22 – Saturday 23 November 2024 WHERE: LASALLE College of the Arts, University of the Arts Singapore Organized
12:00-15:00 Wednesday 5 June 2024 at RMIT Vx Lab. Researchers working in creative technologies at RMIT are invited to gather at the RMIT Vx Lab to meet and share with colleagues also working in the realm of creative technologies research.
Hacking Visual Culture: Intersections of art, creativepractice, copyright, storytelling and technology. Submissions are being sought for Hacking Visual Culture, a 2-day conference and exhibition hosted by the Faculty of Law and Creative Practice Research Group (Faculty of Arts & Social Sciences) at
https://www.emaf.de/en/ Media artists from all over the world can submit their works now for the European Media Art Festival 2024. The online platform https://emaf.filmchief.com/entry-forms is now open. Works from the areas of Film, Installation and Expanded (live projects such as
https://www.rijksmuseum.nl/en/whats-on/lectures-symposiums/2and3d-photography Rijksmuseum 29 – 31 May 2024 “2and3D Photography is about sharing. We are bringing photographers, restorers, conservators, studio planners, data analysts and scientists together so that they can exchange knowledge and experience enabling them to collaborate on even more
https://www.lumenprize.com
University of Westminster and The Photographers’ Gallery, London Deadline for Proposals: 18th September, 2023 Following the first successful Virtual Photography Symposium held at the University of Westminster, London in 2022, we are delighted to announce the call for contributions to a new
Be part of the BIFB x 3-minute AI vs Photography presentations at the The Real Thing Public Forum at Ballarat International Foto Biennale What will the future of photography look like? Artists and researchers will go head-to-head to share their
https://thewrong.org/ Celebrating digital culture since 2o13, The Wrong organises art driven, multicultural, innovative and collaborative projects, online and offline, bringing together curators, artists and institutions. The Wrong provides decentralised platforms open to participation, as a melting pot for the established, the emerging
https://projetlitote.org/sof/ In this rapidly evolving digital era, where technology intertwines with our lives, the concept of subjectivity has taken on new dimensions. The Server of Flesh Pavilion (SOF) seeks to engage with artists whose work explores the intricate relationship between
IF_LAB are delighted to partner with the Ballarat International Foto Biennale and ArtLink to present: The Real Thing Public Forum | Ballarat International Foto Biennale (ballaratfoto.org) What will the future of photography look like? Images have become the vernacular of
The International Symposium on Electronic Art (ISEA) is a prominent event that brings together scholars, artists, and scientists from around the world to explore the intersection of art, science, and technology. The symposium was first held in 1988 and has
The theme for IEEE VISAP 2023 is Perpetual Presence. Submissions are due 2 June 2023. More information: https://visap.net/2023/call-for-entries
Submit your work & be a presenter at SIGGRAPH Asia. Calling all professionals in the field of research, animation, art, hardware, software, visualization, games, visual effects, virtual reality, augmented reality, high performance computing, computer graphics and interactive techniques. SIGGRAPH Asia
rencontres internationales paris/berlin new cinema and contemporary art submissions due 22 April 2023: https://www.art-action.org/site/en/upper/call/index.php
The editors of Philosophy of Photography invite contributions to a special issue: Expanded Visualities: Photography and Emerging Technologies Guest Editors: Theopisti Stylianou-Lambert, Kleanthis Neocleous and Andrew Fisher Emerging technologies have had a significant impact on photographic representations, as well as
