Alan Warburton
About — Alan Warburton The Wizard of AI – Data as Culture – ODI – The Open Data Institute (theodi.org)
Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023.
Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023. A provocative investigation of the future of photography and human perception in the age of AI. “We are constantly
unthinking photography
Home | unthinking.photography Unthinking Photography is an online resource that explores photography’s increasingly automated, networked life. Unthinking Photography is a strand of The Photographers’ Gallery digital programme, an online platform for mapping and responding to photography’s role in contemporary culture.
conceptual strategies and algorithmic art
This post contains links to articles that consider algorithms as conceptual art: Are Algorithms Conceptual Art’s Next Frontier? | Artsy Augmentation of the Senses (or The Machine Becomes an Idea that Makes Art) | NGV chroma.mit.edu/p/sol-lewitt-and-his-coded-art/ (PDF) Algorithmic Art and
Depth Effects: Dimensionality from Camera to Computation
Depth Effects by Brooke Belisle – Paperback – University of California Press (ucpress.edu)
Siobhan Angus. Camera Geologica: An Elemental History of Photography. Duke University Press, 2024.
Siobhan Angus. Camera Geologica: An Elemental History of Photography. Duke University Press, 2024. In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses
Researching a Posthuman World : Interviews with Digital Objects
Adams, Catherine., and Terrie Lynn. Thompson. Researching a Posthuman World : Interviews with Digital Objects. London: Palgrave Macmillan UK, 2016. This book provides a practical approach for applying posthumanist insights to qualitative research inquiry. Adams and Thompson invite readers to embrace
Performance, Performativity, and Subjectivity at the Intersection of Art and Digital Cultures
Bolt, Barbara. “Performance, Performativity, and Subjectivity at the Intersection of Art and Digital Cultures.” In Choreomata, 95–121. 1st ed. CRC Press, 2024. This chapter addresses the contemporary moment in which the performative of digital cultures comes into intra-action with the performative
Uncomputable by Alexander Galloway
Uncomputable: Play and Politics In the Long Digital Age | Verso Books
A Geology of Media by Jussi Parika 2015
A Geology of Media — University of Minnesota Press (umn.edu)
Review by Alison Bennett of Marshmallow Laser Feast: Works of Nature at ACMI
Marshmallow Laser Feast: Works of Nature – Artlink
Digital Imaging Strategies Reading List
This link to the reading list associated with a course called Digital Imaging Strategies (VART3638), an options course in RMIT School of Art masters by coursework programs. https://rmit.alma.exlibrisgroup.com/leganto/public/61RMIT_INST/lists/48394481990001341?auth=SAML
Lure of the image
[PERMANENT BETA] THE LURE OF THE IMAGE
execute_photography
execute_photography – RMIT Gallery “As a technical medium and cultural form, photography is constantly dying and being reborn. This exhibition – presented as both an exploration and a provocation – brings together works by Australian and international artists that offer
2024 Virtual Photography Conference at University of Westminster
VIRTUAL PHOTOGRAPHY EXPLAINED – CREAM Open Call: Photography in Virtual Culture | unthinking.photography
Whitelaw, Mitchell 2012, ‘Transmateriality: Presence Aesthetics and the Media Arts’,
Whitelaw, Mitchell, ‘Transmateriality: Presence Aesthetics and the Media Arts’, in Throughout: Art and Culture Emerging With Ubiquitous Computing, ed. by Ulrik Ekman (MIT Press, 2012), pp. 223–236 https://mtchl.net/transmateriality-presence-aesthetics-and-the-media-arts/
Powerhouse Museum Photofields Day
Photofields is an industry-centred program engaging with contemporary issues and ideas at the intersection of photography, architecture and design. Panellists will discuss a range of image-making practices and how they affect the way we relate to natural and built environments.
Simondon, ‘On the Mode of Existence of Technical Objects’
“A groundbreaking study on the universe of technical objects by one of France’s most important thinkers of the second half of the twentieth century. There is much we can learn from our technical objects, and while it has been said
DIGICULT
Estabilished in 2005 Digicult is an online platform that examines the impact of digital technologies and applied sciences on art, design, culture and contemporary society. Digicult is an editorial project that daily publish news, informations, articles, interviews, reports and essays.
‘The Networked Image in Post-Digital Culture’ edited by Andrew Dewdney and Katrina Sluis, Routledge, 2023.
‘The Networked Image in Post-Digital Culture’ edited by Katrina Sluis and Andrew Dewdey, published by Routledge 2023. This collection of essays examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners
Rosa Menkman IRL! 12:30-1:30 Tue 8 Aug 2023 @ Kaleide Theatre RMIT Melbourne
RMIT Culture and the Imaging Futures Lab are delighted to present a performative lecture by iconic creative researcher Rosa Menkman IN REAL LIFE! ROSA MENKMAN ‘Refractions of Light and Time’: 12:30-1:30 Tuesday 8 August 2023 at RMIT Kaleide Theatre. Secure
The Sculptural in the (Post-)Digital Age
The Sculptural in the (Post-)Digital Age de Gruyter 2023 Edited by: Mara-Johanna Kölmel and Ursula Ströbele With contributions by: Buket Altinoba , Claudia Giannetti , Elizabeth Johnson , Mara-Johanna Kölmel , Verena Kuni , Michael Rottmann , Karin Sander , Jens Schröter , Sasha Sobrino , Ursula Ströbele and Alexandra Weigand “Digital technologies have profoundly impacted the arts and expanded the field of sculpture
Brain Art: Brain-Computer Interfaces for Artistic Expression, 2019
Anton Nijholt 2019, Brain Art: Brain-Computer Interfaces for Artistic Expression, Springer Link “The first book that surveys how brain activity can be monitored and manipulated for artistic purposes, with contributions by interactive media artists, brain-computer interface researchers, and neuroscientists. Demonstrates
Rosa Menkman ‘im/possible images’ SubnetTALK 2022
“Images are pervasive; they are used to entertain, to guide, to serve as evidence or as tools for discovery. But they can also be invisible, made for machines and by machines in order to filter, track, classify, sort, or delete.
IF_LAB event: Dr Katrina Sluis ‘on the photographic pipelines of machine vision’ 1:30-2:30 Wed 26 July 2023 @ RMIT School of Art in Room 6.2.3
RMIT Photography and IF_LAB are delighted to welcome Dr Katrina Sluis, who will give a talk ‘on the photographic pipelines of machine vision’ to RMIT staff and students 1:30 Wednesday 26 July at RMIT School of Art in Building 6
Vertical Perspective
Hito Steyerl ‘In Free Fall: A Thought Experiment on Vertical Perspective’, eflux https://www.e-flux.com/journal/24/67860/in-free-fall-a-thought-experiment-on-vertical-perspective/ “Needless to say, this reinvention of the subject, time, and space was an additional toolkit for enabling Western dominance, and the dominance of its concepts—as well as
POST-IMAGE
“Digitalization has brought a new dimension to the ‘photographic paradigm of the image’ which was forged in the fifteenth century with notions of linear perspective and resulted in the forced convergence of vision and representation based on the hypothesis of
Softimage: Towards a New Theory of the Digital Image
“With today’s digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays
Operational Images: From the Visual to the Invisual by Jussi Parikka 2023
An in-depth look into the transformation of visual culture and digital aesthetics Serving as an extensive guide to a key concept in contemporary art, design, and media theory, Operational Images explores the implications of machine vision and the limits of human agency.
Dewdney: ‘Zombie Photography: what is the photographic image still doing?
read this article by Andrew Dewdney on the photo museum winterthur website: https://www.fotomuseum.ch/en/series/zombie-photography-what-is-the-photographic-image-still-doing/