Alan Warburton
About — Alan Warburton The Wizard of AI – Data as Culture – ODI – The Open Data Institute (theodi.org)
Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023.
Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023. A provocative investigation of the future of photography and human perception in the age of AI. “We are constantly
The future of photography under AI
The future of photography under AI – ABC listen
Critical AI in the Art Museum: Practices & Politics
http://criticalai.art/
Extending Heritage project
The Extending Heritage project was part of the RMIT School of Art Future Ancestors Global Art Intensive in Hanoi 27 Nov – 8 Dec 2023, funded by the New Colombo Plan and Enabling Capability Platform (Design and Creative Practice). The
Alexandra Kirwood
Info – Alexandra Kirwood Time-Images and Digital Fashion Sculpture: Investigating the In-Between Image in Fashion – RMIT University Practice Research (practice-research.com)
AI poison
This new data poisoning tool lets artists fight back against generative AI | MIT Technology Review
AI statistics for 2023
‘AI Has Already Created As Many Images As Photographers Have Taken in 150 Years. Statistics for 2023.’, according to Alina Valyaeva in Everypixel Journal, August 2023 https://journal.everypixel.com/ai-image-statistics
2AND3D PHOTOGRAPHY
https://www.rijksmuseum.nl/en/whats-on/lectures-symposiums/2and3d-photography Rijksmuseum 29 – 31 May 2024 “2and3D Photography is about sharing. We are bringing photographers, restorers, conservators, studio planners, data analysts and scientists together so that they can exchange knowledge and experience enabling them to collaborate on even more
Powerhouse Museum Photofields Day
Photofields is an industry-centred program engaging with contemporary issues and ideas at the intersection of photography, architecture and design. Panellists will discuss a range of image-making practices and how they affect the way we relate to natural and built environments.
Artificial figures: gender-in-the-making in algorithmic culture – Dr Thao Phan 16 Nov
Hancock Lecture: Artificial figures: gender-in-the-making in algorithmic culture Join us on 16 November for the 2023 Hancock Lecture. Dr Thao Phan from Monash University will explore how, in the making of AI systems and technologies, gender too is being made. Digital assistants with
AI & Art with Memo Akten 21 Sep
21 Sep, 6pm Gandel Digital Future Lab 1 ACMI Join Memo Akten, Rita Arrigo and Rebecca Giblin as they discuss Akten’s work Distributed Consciousness, and the intersection between art, technology, activism and culture. Exploring how Artificial Intelligence is changing creative practices and
Ciaran Begley, ‘Rational Magic’
An astonishing deconstruction of the architecture of the screen and the image “This PhD investigates art encounters that challenge preconceptions of light phenomena. It offers an understanding of how shifting perceptions in an artwork’s presence connect visitors with artists in
Never Permanent 2023 – 24 Aug
Never Permanent 2023 | Semi Permanent Technology is evolving at a pace never seen before, but its most successful applications remain powered by human innovation. Never Permanent is a one-of-a-kind talks program that celebrates and explores the rich intersection of
Digital Materialities Project
The Digital Materialities Project is an transdisciplinary pilot project between students and staff from RMIT Master of Fashion Design, Master of Photography, and the Master of Animation, Games and Interactivity. Working with industry partner Splice Boys with funding from RMIT
Justin Ridler at RMIT Open Day 12:30 Sun 13 Aug
RMIT Photography are delighted to have confirmed JUSTIN RIDLER as a speaker on our Open Day alumni panel 12:30 Sunday 13 August in Building 2, Level 2, Room 8. He is an exemplary example of a commercial photographer working with
Matrix Re-loaded: On-Site 02 with Xanthe Dobbie
The future is now…but for how long? In an exploration of their expansive practice, Xanthe Dobbie re-spawns cyberfeminism to bring you On-Site: Matrix Re-loaded. As part of their ongoing research, Dobbie explores historical and contemporary cyberfeminism through intersections of art,
444.2: XR by Nirma Madhoo
Exciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
WILD HOPE: Conversations for a Planetary Commons at RMIT Design Hub
Wild Hope: Conversations for a Planetary Commons – RMIT Design Hub 15.08.2023 – 30.09.2023 WILD HOPE: Conversations for a Planetary Commons Experience a world where imagination and urgency converge, where art and design become catalysts for change. Welcome to Wild Hope,
CFP: Photography in Virtual Culture due 18 Sept 2023
University of Westminster and The Photographers’ Gallery, London Deadline for Proposals: 18th September, 2023 Following the first successful Virtual Photography Symposium held at the University of Westminster, London in 2022, we are delighted to announce the call for contributions to a new
BIFB x 3-minute AI vs Photo presentations: EOI due 1 Sept 2023
Be part of the BIFB x 3-minute AI vs Photography presentations at the The Real Thing Public Forum at Ballarat International Foto Biennale What will the future of photography look like? Artists and researchers will go head-to-head to share their
The Wrong Bienale open call due 15 Aug 2023
https://thewrong.org/ Celebrating digital culture since 2o13, The Wrong organises art driven, multicultural, innovative and collaborative projects, online and offline, bringing together curators, artists and institutions. The Wrong provides decentralised platforms open to participation, as a melting pot for the established, the emerging
OPEN CALL: The Wrong Biennale ‘Server of Flesh’ Pavillion due 29 July 2023
https://projetlitote.org/sof/ In this rapidly evolving digital era, where technology intertwines with our lives, the concept of subjectivity has taken on new dimensions. The Server of Flesh Pavilion (SOF) seeks to engage with artists whose work explores the intricate relationship between
Memo Akten: Distributed Consciousness
Memo Akten: Distributed Consciousness | Exhibition 16 June 2023 – 16 June 2024 | ACMI: Your museum of screen culture
The Real Thing: BIFB Forum 7 Oct 2023
IF_LAB are delighted to partner with the Ballarat International Foto Biennale and ArtLink to present: The Real Thing Public Forum | Ballarat International Foto Biennale (ballaratfoto.org) What will the future of photography look like? Images have become the vernacular of
Rosa Menkman IRL! 12:30-1:30 Tue 8 Aug 2023 @ Kaleide Theatre RMIT Melbourne
RMIT Culture and the Imaging Futures Lab are delighted to present a performative lecture by iconic creative researcher Rosa Menkman IN REAL LIFE! ROSA MENKMAN ‘Refractions of Light and Time’: 12:30-1:30 Tuesday 8 August 2023 at RMIT Kaleide Theatre. Secure
Speculative Creatures & Post-Human Botanicals (online exhibition)
ECHOES FROM THE FUTURE Speculative Creatures & Post-Human BotanicalsVirtual Exhibition: MacKenzie Art Gallery, Regina (Saskatchewan, Canada) Virtual Opening: June 29, 2023, 8-9 pm CESTAt: echoesfromthefuture.showArtists: Bianca Shonee Arroyo-Kreimes (CRI/CAN), Aviv Benn (ISR/UK), Laura Colmenares Guerra (COL/BE), Reiner Maria Matysik (DE), Sarah Oh-Mock
The Sculptural in the (Post-)Digital Age
The Sculptural in the (Post-)Digital Age de Gruyter 2023 Edited by: Mara-Johanna Kölmel and Ursula Ströbele With contributions by: Buket Altinoba , Claudia Giannetti , Elizabeth Johnson , Mara-Johanna Kölmel , Verena Kuni , Michael Rottmann , Karin Sander , Jens Schröter , Sasha Sobrino , Ursula Ströbele and Alexandra Weigand “Digital technologies have profoundly impacted the arts and expanded the field of sculpture
IF_LAB event: Dr Katrina Sluis ‘on the photographic pipelines of machine vision’ 1:30-2:30 Wed 26 July 2023 @ RMIT School of Art in Room 6.2.3
RMIT Photography and IF_LAB are delighted to welcome Dr Katrina Sluis, who will give a talk ‘on the photographic pipelines of machine vision’ to RMIT staff and students 1:30 Wednesday 26 July at RMIT School of Art in Building 6
Operational Images: From the Visual to the Invisual by Jussi Parikka 2023
An in-depth look into the transformation of visual culture and digital aesthetics Serving as an extensive guide to a key concept in contemporary art, design, and media theory, Operational Images explores the implications of machine vision and the limits of human agency.
Expanded Visualities: Photography and Emerging Technologies submissions due 1 May 2023
The editors of Philosophy of Photography invite contributions to a special issue: Expanded Visualities: Photography and Emerging Technologies Guest Editors: Theopisti Stylianou-Lambert, Kleanthis Neocleous and Andrew Fisher Emerging technologies have had a significant impact on photographic representations, as well as