RMIT IMAGING FUTURES LAB
The Imaging Futures Lab is a network of artists, academics and researchers interested in the ontological implications of emerging paradigms for the expanded image. Our work explores the creative and discursive potential and implications of emerging computational image-making technologies and their application to expanded photography and imaging practices.
The IF_LAB is led by Dr Alison Bennett and Dr Rebecca Najdowski.
Follow us in Instagram at instagram.com/imaging_futures_lab/
RMIT staff and students can subscribe to IF_LAB updates by signing up HERE
POSTINGS
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Imaging Pasts and Futures: creative digital practices in the arts
Read more: Imaging Pasts and Futures: creative digital practices in the artsImage: The Museum Theorem, 2022, Urich Lau Wai Yuen. Courtesy of the artist WHAT: Imaging Pasts and Futures: creative digital practices in the arts symposium WHEN: Friday 22 – Saturday 23 November 2024 WHERE: LASALLE College of the Arts, University of the Arts Singapore Organized
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RMIT DSC/STEMM Creative Technologies gathering #2
Read more: RMIT DSC/STEMM Creative Technologies gathering #212:30-15:30 Wednesday 23 Oct 2023. Venue tbc. Thank you for your interest in building this community of practice. We had a wonderful gathering at the Vx Lab 5 June 2024! This is a placeholder for a second gathering. Ideas for next
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RMIT DSC/STEMM Creative Technologies pecha kucha #1
Read more: RMIT DSC/STEMM Creative Technologies pecha kucha #112:00-15:00 Wednesday 5 June 2024 at RMIT Vx Lab. Researchers working in creative technologies at RMIT are invited to gather at the RMIT Vx Lab to meet and share with colleagues also working in the realm of creative technologies research.
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444.2: XR by Nirma Madhoo
Read more: 444.2: XR by Nirma MadhooExciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
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Never Permanent 2023 – 24 Aug
Read more: Never Permanent 2023 – 24 AugNever Permanent 2023 | Semi Permanent Technology is evolving at a pace never seen before, but its most successful applications remain powered by human innovation. Never Permanent is a one-of-a-kind talks program that celebrates and explores the rich intersection of
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Simondon, ‘On the Mode of Existence of Technical Objects’
Read more: Simondon, ‘On the Mode of Existence of Technical Objects’“A groundbreaking study on the universe of technical objects by one of France’s most important thinkers of the second half of the twentieth century. There is much we can learn from our technical objects, and while it has been said
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Digital Materialities Project
Read more: Digital Materialities ProjectThe Digital Materialities Project is an transdisciplinary pilot project between students and staff from RMIT Master of Fashion Design, Master of Photography, and the Master of Animation, Games and Interactivity. Working with industry partner Splice Boys with funding from RMIT
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RMIT Open Day 3D Scanning in 2.2.1
Read more: RMIT Open Day 3D Scanning in 2.2.1Consent forms and info 2023 RMIT Photo Open Day photographs of visitors – 3D Scans.docx INSTRUCTIONS Open: 3D models by Alison Bennett (@alisonbennett) – Sketchfab Open the model in Sketchfab Open EMBED uncheck ‘Show Caption check all options in 2nd
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Karen Ann Donnachie
Read more: Karen Ann DonnachieDr Karen Ann Donnachie works in the expanded fields of photography, electronic and data art, and experimental art publishing. From 1990 through 2010 she was based in Milan, Italy where, among other activities, she founded the art periodical This is a
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Zach Blas
Read more: Zach Blashttps://zachblas.info/biography/ Zach Blas (b. Point Pleasant, West Virginia, USA) is an artist, filmmaker, and writer whose practice spans moving image, computation, theory, performance, and science fiction. Blas engages the materiality of digital technologies while also drawing out the philosophies and