Join us for our second session on AI in imaging practice with a focus on documentation. Speakers:Morganna MageeTJ ThomsonAdam Ferguson 10 September, 12:30Room 6.2.3/4 IF_Lab and RMIT Photo presents a series of panel discussions with practitioners exploring the use of
IF_Lab and RMIT Photo presents a series of panel discussions with practitioners exploring the use of AI across creative spaces. Join us for a session on AI in imaging practice with a focus on creative speculation. Speakers:J. RosenbaumMing LiewAndrey WalklingRoom
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r e a: NATIVE (griffith.edu.au) r e a – artist | curator | activist | academic | cultural educator (rea-noir.com)
12:30-15:30 Wednesday 23 Oct 2023. Venue tbc. Thank you for your interest in building this community of practice. We had a wonderful gathering at the Vx Lab 5 June 2024! This is a placeholder for a second gathering. Ideas for next
🍃 sidney mcmahon
About — Alan Warburton The Wizard of AI – Data as Culture – ODI – The Open Data Institute (theodi.org)
Lawrence Lek 陆明龙 is an artist known for his ongoing series of films, soundtracks, and video games, often set within a Sinofuturist universe. Sinofuturism (1839–2046 AD) Video Essay, 60m, 2016
The Dumpster: About the Project (whitney.org) About the Dumpster Project The Dumpster is an interactive online visualization that attempts to depict a slice through the romantic lives of American teenagers. Using real postings extracted from millions of online blogs, visitors to the project
Marshmallow Laser Feast: Works of Nature – Artlink
execute_photography – RMIT Gallery “As a technical medium and cultural form, photography is constantly dying and being reborn. This exhibition – presented as both an exploration and a provocation – brings together works by Australian and international artists that offer
Prompt Battle | Fri 15 Mar 2024 Photo24 | ACMI: Your museum of screen culture Photo 24 , ACMI & RMIT present: Prompt Battle ‘Prompt engineer’ has been touted as a career of the future. But what does that mean, and
The Computational Culture Lab works at the intersection of theory, practice and policy to investigate the politics, aesthetics and applied potentials of post-digital culture. Located at the School of Art & Design, we work in partnership with contemporary art and cultural
Info – Alexandra Kirwood Time-Images and Digital Fashion Sculpture: Investigating the In-Between Image in Fashion – RMIT University Practice Research (practice-research.com)
https://www.emaf.de/en/ Media artists from all over the world can submit their works now for the European Media Art Festival 2024. The online platform https://emaf.filmchief.com/entry-forms is now open. Works from the areas of Film, Installation and Expanded (live projects such as
21 Sep, 6pm Gandel Digital Future Lab 1 ACMI Join Memo Akten, Rita Arrigo and Rebecca Giblin as they discuss Akten’s work Distributed Consciousness, and the intersection between art, technology, activism and culture. Exploring how Artificial Intelligence is changing creative practices and
An astonishing deconstruction of the architecture of the screen and the image “This PhD investigates art encounters that challenge preconceptions of light phenomena. It offers an understanding of how shifting perceptions in an artwork’s presence connect visitors with artists in
Never Permanent 2023 | Semi Permanent Technology is evolving at a pace never seen before, but its most successful applications remain powered by human innovation. Never Permanent is a one-of-a-kind talks program that celebrates and explores the rich intersection of
Dr Karen Ann Donnachie works in the expanded fields of photography, electronic and data art, and experimental art publishing. From 1990 through 2010 she was based in Milan, Italy where, among other activities, she founded the art periodical This is a
https://zachblas.info/biography/ Zach Blas (b. Point Pleasant, West Virginia, USA) is an artist, filmmaker, and writer whose practice spans moving image, computation, theory, performance, and science fiction. Blas engages the materiality of digital technologies while also drawing out the philosophies and
https://www.lumenprize.com
RMIT Photography are delighted to have confirmed JUSTIN RIDLER as a speaker on our Open Day alumni panel 12:30 Sunday 13 August in Building 2, Level 2, Room 8. He is an exemplary example of a commercial photographer working with
The future is now…but for how long? In an exploration of their expansive practice, Xanthe Dobbie re-spawns cyberfeminism to bring you On-Site: Matrix Re-loaded. As part of their ongoing research, Dobbie explores historical and contemporary cyberfeminism through intersections of art,
Wild Hope: Conversations for a Planetary Commons – RMIT Design Hub 15.08.2023 – 30.09.2023 WILD HOPE: Conversations for a Planetary Commons Experience a world where imagination and urgency converge, where art and design become catalysts for change. Welcome to Wild Hope,
Yoon C Han is an interaction designer, multimedia artist, and researcher. Her research include data visualization, biometric data visualization and sonification, new interface for musical expression, and mobile user experience design. She studied Graphic Design and Interaction Design at Seoul National
Memo Akten: Distributed Consciousness | Exhibition 16 June 2023 – 16 June 2024 | ACMI: Your museum of screen culture
RMIT School of Art is hosting the Art Education Conference 2023 Friday 7 July. Details here: Conference 2023 | Art Education Victoria (aev.vic.edu.au) Dr Alison Bennett, co-lead of the IF_LAB, is presenting a 90-minute workshop: Stepping into webXR and augmented
RMIT Culture and the Imaging Futures Lab are delighted to present a performative lecture by iconic creative researcher Rosa Menkman IN REAL LIFE! ROSA MENKMAN ‘Refractions of Light and Time’: 12:30-1:30 Tuesday 8 August 2023 at RMIT Kaleide Theatre. Secure
ECHOES FROM THE FUTURE Speculative Creatures & Post-Human BotanicalsVirtual Exhibition: MacKenzie Art Gallery, Regina (Saskatchewan, Canada) Virtual Opening: June 29, 2023, 8-9 pm CESTAt: echoesfromthefuture.showArtists: Bianca Shonee Arroyo-Kreimes (CRI/CAN), Aviv Benn (ISR/UK), Laura Colmenares Guerra (COL/BE), Reiner Maria Matysik (DE), Sarah Oh-Mock
Anton Nijholt 2019, Brain Art: Brain-Computer Interfaces for Artistic Expression, Springer Link “The first book that surveys how brain activity can be monitored and manipulated for artistic purposes, with contributions by interactive media artists, brain-computer interface researchers, and neuroscientists. Demonstrates
“Images are pervasive; they are used to entertain, to guide, to serve as evidence or as tools for discovery. But they can also be invisible, made for machines and by machines in order to filter, track, classify, sort, or delete.
Shanti Escalante-De Mattei, 2023, ‘Sotheby’s Sale of Glitch Art Postponed After Gender Parity Scandal’ ARTnews.com Sotheby’s paused its “Glitch-ism” auction Sunday, days after its March 24 launch, after prominent glitch artists pointed out that the auction, held by Sotheby’s digital
Rosa Menkman (she / her) Dutch artist and researcher of resolutions with a special focus on glitches, cyclopes, impossible rainbows and unnamed colours. ︎︎︎︎︎ BiographyRosa Menkman is a Dutch artist and researcher. Her work focuses on noise artifacts that result from accidents
Hito Steyerl: This is the Future – Portland Art Museum: Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is
Kate Geck 2023, ‘Mycorrhizal Materialities: positioning the entanglement of human and machine intelligence‘, International Symposium on Electronic Art, Paris Machine intelligence is increasingly being used in the world with sometimes dramatic effects on human and other-than-human lives through its decision
https://www.ianhaig.net/ https://www.rmit.edu.au/contact/staff-contacts/academic-staff/h/haig-dr-ian
https://martinecorompt.net https://www.rmit.edu.au/contact/staff-contacts/academic-staff/c/corompt-dr-martine
Dr Fiona Hillary is a Melbourne based artist working in the public realm. Her passion lies in site specific practices and the human/non-human relationships that reveal themselves across time. Exploring scale through publicly shared moments of awe and wonder to
What are the implications of an AI generated image winning the world’s largest photography competition?
Dr Rebecca Najdowski is Co-Director of the RMIT Imaging Futures Lab and Co-Program Manager of the Bachelor of Arts (Photography)
Dr Alison Bennett is co-director of the RMIT Imaging Futures Laboratory, aka the IF_LAB, and Associate Dean, Photography, RMIT School of Art.
