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Digital Materialities Project
The Digital Materialities Project is an transdisciplinary pilot project between students and staff from RMIT Master of Fashion Design, Master of Photography, and the Master of Animation, Games and Interactivity. Working with industry partner Splice Boys with funding from RMIT
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444.2: XR by Nirma Madhoo
Exciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
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rencontres internationales paris/berlin new cinema and contemporary art submissions due 22 April 2023
rencontres internationales paris/berlin new cinema and contemporary art submissions due 22 April 2023: https://www.art-action.org/site/en/upper/call/index.php
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Future AI Lab: collation of AI tools
This website is a useful tool collating AI tools: https://www.futureailab.com
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Selling, Collecting and Producing Art Online: From Open Cultures to NFTs
https://nodecenter.net/course/online-art-market The contemporary art market is facing a deep revolution determined by the proliferation of digital production technologies on the one hand and by online platforms of distribution and sales on the other. Since the late 1990s, an increasingly complex
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Expanded Visualities: Photography and Emerging Technologies submissions due 1 May 2023
The editors of Philosophy of Photography invite contributions to a special issue: Expanded Visualities: Photography and Emerging Technologies Guest Editors: Theopisti Stylianou-Lambert, Kleanthis Neocleous and Andrew Fisher Emerging technologies have had a significant impact on photographic representations, as well as
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Professor Daniel Palmer
Professor Daniel Palmer is Associate Dean of Research and Innovation in the School of Art at RMIT University. Daniel Palmer’s research and professional practice focuses on contemporary art and cultural theory, with a particular emphasis on photography and digital media.
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Dr Rebecca Najdowski
Dr Rebecca Najdowski is Co-Director of the RMIT Imaging Futures Lab and Co-Program Manager of the Bachelor of Arts (Photography)
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Dr Alison Bennett
Dr Alison Bennett is co-director of the RMIT Imaging Futures Laboratory, aka the IF_LAB, and Associate Dean, Photography, RMIT School of Art.
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Critical Media Lab
The CRITICAL MEDIA LAB (CML) is a community, a space and a platform for research and practice at the intersections of design, media, art and technology, situated in Basel (CH). We combine perspectives and methods of history, anthropology, sociology, media studies, cultural
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IF LAB panel discussion: holding the ecological & technological in creative practice (11 May 2023)
WHAT: This lunchtime panel discussion will invite two leading creative researchers to reflect on how they hold together the ecological and technological in their practice. WHO: This panel will feature Dr Rewa Wright (QUT) & Dr Rebecca Najdowski (RMIT), chaired
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QR code to IF_LAB
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Generator Symposium (6 May 2021)
THURSDAY 6 MAY 202110.00–3.30PM Online via Microsoft Teams The Imaging Futures Lab at RMIT University presents a symposium on expanded photography and the future of the image. Involving academics, post graduate students and industry professionals, this one day symposium seeks to explore
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The Tables Have Turned: Desire, Power and Abstraction in the Subject in AI Society
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Alan Warburton
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Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023.
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SORA text to video
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execute_photography
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Prompt Battle: 15 March 2024 @ ACMI
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The future of photography under AI
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Critical AI in the Art Museum: Practices & Politics
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ANU Computational Culture Lab
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2024 Virtual Photography Conference at University of Westminster