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Imaging Pasts and Futures: creative digital practices in the arts
Image: The Museum Theorem, 2022, Urich Lau Wai Yuen. Courtesy of the artist WHAT: Imaging Pasts and Futures: creative digital practices in the arts symposium WHEN: Friday 22 – Saturday 23 November 2024 WHERE: LASALLE College of the Arts, University of the Arts Singapore Organized
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RMIT DSC/STEMM Creative Technologies gathering #2
12:30-15:30 Wednesday 23 Oct 2023. Venue tbc. Thank you for your interest in building this community of practice. We had a wonderful gathering at the Vx Lab 5 June 2024! This is a placeholder for a second gathering. Ideas for next
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RMIT DSC/STEMM Creative Technologies pecha kucha #1
12:00-15:00 Wednesday 5 June 2024 at RMIT Vx Lab. Researchers working in creative technologies at RMIT are invited to gather at the RMIT Vx Lab to meet and share with colleagues also working in the realm of creative technologies research.
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444.2: XR by Nirma Madhoo
Exciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
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Future AI Lab: collation of AI tools
This website is a useful tool collating AI tools: https://www.futureailab.com
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Selling, Collecting and Producing Art Online: From Open Cultures to NFTs
https://nodecenter.net/course/online-art-market The contemporary art market is facing a deep revolution determined by the proliferation of digital production technologies on the one hand and by online platforms of distribution and sales on the other. Since the late 1990s, an increasingly complex
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Expanded Visualities: Photography and Emerging Technologies submissions due 1 May 2023
The editors of Philosophy of Photography invite contributions to a special issue: Expanded Visualities: Photography and Emerging Technologies Guest Editors: Theopisti Stylianou-Lambert, Kleanthis Neocleous and Andrew Fisher Emerging technologies have had a significant impact on photographic representations, as well as
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Professor Daniel Palmer
Professor Daniel Palmer is Associate Dean of Research and Innovation in the School of Art at RMIT University. Daniel Palmer’s research and professional practice focuses on contemporary art and cultural theory, with a particular emphasis on photography and digital media.
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Dr Rebecca Najdowski
Dr Rebecca Najdowski is Co-Director of the RMIT Imaging Futures Lab and Co-Program Manager of the Bachelor of Arts (Photography)
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Dr Alison Bennett
Dr Alison Bennett is co-director of the RMIT Imaging Futures Laboratory, aka the IF_LAB, and Associate Dean, Photography, RMIT School of Art.
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Critical Media Lab
The CRITICAL MEDIA LAB (CML) is a community, a space and a platform for research and practice at the intersections of design, media, art and technology, situated in Basel (CH). We combine perspectives and methods of history, anthropology, sociology, media studies, cultural
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IF LAB panel discussion: holding the ecological & technological in creative practice (11 May 2023)
WHAT: This lunchtime panel discussion will invite two leading creative researchers to reflect on how they hold together the ecological and technological in their practice. WHO: This panel will feature Dr Rewa Wright (QUT) & Dr Rebecca Najdowski (RMIT), chaired
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QR code to IF_LAB
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Generator Symposium (6 May 2021)
THURSDAY 6 MAY 202110.00–3.30PM Online via Microsoft Teams The Imaging Futures Lab at RMIT University presents a symposium on expanded photography and the future of the image. Involving academics, post graduate students and industry professionals, this one day symposium seeks to explore
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The Real Thing: BIFB Forum 7 Oct 2023
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Hito Steyerl: This is the Future
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Kate Geck, ‘Mycorrhizal Materialities: positioning the entanglement of human and machine intelligence’, ISEA Paris 2023
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Mind-Video
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Paragraphica Camera
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interview with Boris Eldagsen about AI
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Prompt Battle
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Future AI Lab: collation of AI tools