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Imaging Pasts and Futures: creative digital practices in the arts
Image: The Museum Theorem, 2022, Urich Lau Wai Yuen. Courtesy of the artist WHAT: Imaging Pasts and Futures: creative digital practices in the arts symposium WHEN: Friday 22 – Saturday 23 November 2024 WHERE: LASALLE College of the Arts, University of the Arts Singapore Organized
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RMIT DSC/STEMM Creative Technologies gathering #2
12:30-15:30 Wednesday 23 Oct 2023. Venue tbc. Thank you for your interest in building this community of practice. We had a wonderful gathering at the Vx Lab 5 June 2024! This is a placeholder for a second gathering. Ideas for next
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RMIT DSC/STEMM Creative Technologies pecha kucha #1
12:00-15:00 Wednesday 5 June 2024 at RMIT Vx Lab. Researchers working in creative technologies at RMIT are invited to gather at the RMIT Vx Lab to meet and share with colleagues also working in the realm of creative technologies research.
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444.2: XR by Nirma Madhoo
Exciting behind the scenes footage provides insight into the making of Nirma Madhoo’s remarkable XR fashion film ‘444.2’ The work combines both photogrammetry and volumetric video. Find our more about this work and Nirma Madhoo’s practice here: https://anatomythestudio.com/4442-xr
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RMIT researchers using plotters
View this post on Instagram A post shared by J. Rosenbaum (@minxdragon) View this post on Instagram A post shared by J. Rosenbaum (@minxdragon) View this post on Instagram A post shared by Ali Choudhry (@ali.choudhry.plots) View this post on
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The Tables Have Turned: Desire, Power and Abstraction in the Subject in AI Society
The Computational Culture Lab, School of Art & Design presents: The Tables Have Turned: Desire, Power and Abstraction in the Subject in AI Society with Olga GoriunovaRoyal Holloway, University of London 4:30pm-5:50pm, Tuesday 27 August 2024Level 1, RSSS Building Auditorium
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r e a
r e a: NATIVE (griffith.edu.au) r e a – artist | curator | activist | academic | cultural educator (rea-noir.com)
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Old Ways New
Old Ways New
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Sidney McMahon
🍃 sidney mcmahon
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CfP: Hacking Visual Culture
Hacking Visual Culture: Intersections of art, creativepractice, copyright, storytelling and technology. Submissions are being sought for Hacking Visual Culture, a 2-day conference and exhibition hosted by the Faculty of Law and Creative Practice Research Group (Faculty of Arts & Social Sciences) at
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Angelique Joy
Angelique is a multidisciplinary visual artist working within the expanding fields photography, textile sculpture and virtual extensions of their work. Throughout their practice Angelique has used self portraiture/performance, textiles and botanicals. Their work interrogates how beings, both human and non:
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Alan Warburton
About — Alan Warburton The Wizard of AI – Data as Culture – ODI – The Open Data Institute (theodi.org)
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Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023.
Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023. A provocative investigation of the future of photography and human perception in the age of AI. “We are constantly
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unthinking photography
Home | unthinking.photography Unthinking Photography is an online resource that explores photography’s increasingly automated, networked life. Unthinking Photography is a strand of The Photographers’ Gallery digital programme, an online platform for mapping and responding to photography’s role in contemporary culture.
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conceptual strategies and algorithmic art
This post contains links to articles that consider algorithms as conceptual art: Are Algorithms Conceptual Art’s Next Frontier? | Artsy Augmentation of the Senses (or The Machine Becomes an Idea that Makes Art) | NGV chroma.mit.edu/p/sol-lewitt-and-his-coded-art/ (PDF) Algorithmic Art and
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Depth Effects: Dimensionality from Camera to Computation
Depth Effects by Brooke Belisle – Paperback – University of California Press (ucpress.edu)
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Siobhan Angus. Camera Geologica: An Elemental History of Photography. Duke University Press, 2024.
Siobhan Angus. Camera Geologica: An Elemental History of Photography. Duke University Press, 2024. In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses
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Researching a Posthuman World : Interviews with Digital Objects
Adams, Catherine., and Terrie Lynn. Thompson. Researching a Posthuman World : Interviews with Digital Objects. London: Palgrave Macmillan UK, 2016. This book provides a practical approach for applying posthumanist insights to qualitative research inquiry. Adams and Thompson invite readers to embrace
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Performance, Performativity, and Subjectivity at the Intersection of Art and Digital Cultures
Bolt, Barbara. “Performance, Performativity, and Subjectivity at the Intersection of Art and Digital Cultures.” In Choreomata, 95–121. 1st ed. CRC Press, 2024. This chapter addresses the contemporary moment in which the performative of digital cultures comes into intra-action with the performative
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Lawrence Lek
Lawrence Lek 陆明龙 is an artist known for his ongoing series of films, soundtracks, and video games, often set within a Sinofuturist universe. Sinofuturism (1839–2046 AD) Video Essay, 60m, 2016
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Mary Lou Jepson – imaging the minds eye
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Uncomputable by Alexander Galloway
Uncomputable: Play and Politics In the Long Digital Age | Verso Books
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Whitney Museum ARTPORT
artport | Whitney Museum of American Art artport is the Whitney Museum’s portal to Internet art and an online gallery space for commissions of net art and new media art. Originally launched in 2001, artport provides access to original art
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The Dumpster
The Dumpster: About the Project (whitney.org) About the Dumpster Project The Dumpster is an interactive online visualization that attempts to depict a slice through the romantic lives of American teenagers. Using real postings extracted from millions of online blogs, visitors to the project
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A Geology of Media by Jussi Parika 2015
A Geology of Media — University of Minnesota Press (umn.edu)
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SORA text to video
Sora (openai.com) Prompt: A stylish woman walks down a Tokyo street filled with warm glowing neon and animated city signage. She wears a black leather jacket, a long red dress, and black boots, and carries a black purse. She wears
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Review by Alison Bennett of Marshmallow Laser Feast: Works of Nature at ACMI
Marshmallow Laser Feast: Works of Nature – Artlink
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Digital Imaging Strategies Reading List
This link to the reading list associated with a course called Digital Imaging Strategies (VART3638), an options course in RMIT School of Art masters by coursework programs. https://rmit.alma.exlibrisgroup.com/leganto/public/61RMIT_INST/lists/48394481990001341?auth=SAML
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RMIT Adobe & expanded photography
image credit: photogrammetry model featuring fashion design by Yiwei Ju as part of the Digital Materialities project between the RMIT disciplines of photography, fashion and digital design. WHAT IF photography expanded beyond the isolated two-dimensional frame? With the convergence of camera in
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Lure of the image
[PERMANENT BETA] THE LURE OF THE IMAGE
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execute_photography
execute_photography – RMIT Gallery “As a technical medium and cultural form, photography is constantly dying and being reborn. This exhibition – presented as both an exploration and a provocation – brings together works by Australian and international artists that offer
art, artificial intelligence, artist, creative researcher, event, exhibition, gallery, IF_LAB Project, theory, XRWhat: PHOTO festival, What: RMIT, What: RMIT Gallery, When: 2024, Where: Melbourne, Where: RMIT, Where: RMIT Gallery, Who Amrita Hepi, Who Max Pinkers, Who: Alan Warburton, Who: Alison Bennett, Who: Daniel Palmer, Who: Dries Depoorter, who: J Rosenbaum, Who: Katrina Sluis, Who: Memo Atken, Who: Rosa Menkman, Who: Sara Oscar, Who: Sebastian Schmieg, Who: Shane Hulbert -
Prompt Battle: 15 March 2024 @ ACMI
Prompt Battle | Fri 15 Mar 2024 Photo24 | ACMI: Your museum of screen culture Photo 24 , ACMI & RMIT present: Prompt Battle ‘Prompt engineer’ has been touted as a career of the future. But what does that mean, and
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The future of photography under AI
The future of photography under AI – ABC listen
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Critical AI in the Art Museum: Practices & Politics
http://criticalai.art/
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ANU Computational Culture Lab
The Computational Culture Lab works at the intersection of theory, practice and policy to investigate the politics, aesthetics and applied potentials of post-digital culture. Located at the School of Art & Design, we work in partnership with contemporary art and cultural
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Extending Heritage project
The Extending Heritage project was part of the RMIT School of Art Future Ancestors Global Art Intensive in Hanoi 27 Nov – 8 Dec 2023, funded by the New Colombo Plan and Enabling Capability Platform (Design and Creative Practice). The
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Alexandra Kirwood
Info – Alexandra Kirwood Time-Images and Digital Fashion Sculpture: Investigating the In-Between Image in Fashion – RMIT University Practice Research (practice-research.com)
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2024 Virtual Photography Conference at University of Westminster
VIRTUAL PHOTOGRAPHY EXPLAINED – CREAM Open Call: Photography in Virtual Culture | unthinking.photography
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AI poison
This new data poisoning tool lets artists fight back against generative AI | MIT Technology Review
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Indigenous Sovereignty in the Metaverse
INDIGENOUS SOVEREIGNTY IN THE METAVERSE In the second instalment of the Serpentine Legal Lab Live series, Alana Kushnir and Australian First Nations Cultural Broker and Author Vanessa Lee-Ah Mat explore Indigenous agency and data sovereignty in the metaverse, and the
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European Media Art Festival submissions due 7 Jan 2024
https://www.emaf.de/en/ Media artists from all over the world can submit their works now for the European Media Art Festival 2024. The online platform https://emaf.filmchief.com/entry-forms is now open. Works from the areas of Film, Installation and Expanded (live projects such as
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Whitelaw, Mitchell 2012, ‘Transmateriality: Presence Aesthetics and the Media Arts’,
Whitelaw, Mitchell, ‘Transmateriality: Presence Aesthetics and the Media Arts’, in Throughout: Art and Culture Emerging With Ubiquitous Computing, ed. by Ulrik Ekman (MIT Press, 2012), pp. 223–236 https://mtchl.net/transmateriality-presence-aesthetics-and-the-media-arts/
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Quixel Megascans
https://quixel.com/megascans
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AI statistics for 2023
‘AI Has Already Created As Many Images As Photographers Have Taken in 150 Years. Statistics for 2023.’, according to Alina Valyaeva in Everypixel Journal, August 2023 https://journal.everypixel.com/ai-image-statistics
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2AND3D PHOTOGRAPHY
https://www.rijksmuseum.nl/en/whats-on/lectures-symposiums/2and3d-photography Rijksmuseum 29 – 31 May 2024 “2and3D Photography is about sharing. We are bringing photographers, restorers, conservators, studio planners, data analysts and scientists together so that they can exchange knowledge and experience enabling them to collaborate on even more
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Powerhouse Museum Photofields Day
Photofields is an industry-centred program engaging with contemporary issues and ideas at the intersection of photography, architecture and design. Panellists will discuss a range of image-making practices and how they affect the way we relate to natural and built environments.
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Artificial figures: gender-in-the-making in algorithmic culture – Dr Thao Phan 16 Nov
Hancock Lecture: Artificial figures: gender-in-the-making in algorithmic culture Join us on 16 November for the 2023 Hancock Lecture. Dr Thao Phan from Monash University will explore how, in the making of AI systems and technologies, gender too is being made. Digital assistants with
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AI & Art with Memo Akten 21 Sep
21 Sep, 6pm Gandel Digital Future Lab 1 ACMI Join Memo Akten, Rita Arrigo and Rebecca Giblin as they discuss Akten’s work Distributed Consciousness, and the intersection between art, technology, activism and culture. Exploring how Artificial Intelligence is changing creative practices and
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Ciaran Begley, ‘Rational Magic’
An astonishing deconstruction of the architecture of the screen and the image “This PhD investigates art encounters that challenge preconceptions of light phenomena. It offers an understanding of how shifting perceptions in an artwork’s presence connect visitors with artists in
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Never Permanent 2023 – 24 Aug
Never Permanent 2023 | Semi Permanent Technology is evolving at a pace never seen before, but its most successful applications remain powered by human innovation. Never Permanent is a one-of-a-kind talks program that celebrates and explores the rich intersection of
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Simondon, ‘On the Mode of Existence of Technical Objects’
“A groundbreaking study on the universe of technical objects by one of France’s most important thinkers of the second half of the twentieth century. There is much we can learn from our technical objects, and while it has been said
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Digital Materialities Project
The Digital Materialities Project is an transdisciplinary pilot project between students and staff from RMIT Master of Fashion Design, Master of Photography, and the Master of Animation, Games and Interactivity. Working with industry partner Splice Boys with funding from RMIT
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RMIT Open Day 3D Scanning in 2.2.1
Consent forms and info 2023 RMIT Photo Open Day photographs of visitors – 3D Scans.docx INSTRUCTIONS Open: 3D models by Alison Bennett (@alisonbennett) – Sketchfab Open the model in Sketchfab Open EMBED uncheck ‘Show Caption check all options in 2nd
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Karen Ann Donnachie
Dr Karen Ann Donnachie works in the expanded fields of photography, electronic and data art, and experimental art publishing. From 1990 through 2010 she was based in Milan, Italy where, among other activities, she founded the art periodical This is a
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Zach Blas
https://zachblas.info/biography/ Zach Blas (b. Point Pleasant, West Virginia, USA) is an artist, filmmaker, and writer whose practice spans moving image, computation, theory, performance, and science fiction. Blas engages the materiality of digital technologies while also drawing out the philosophies and
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[ANTI]MATERIA
https://anti-materia.org [ANTI]MATERIA is a self-managed project founded by Doreen A. Ríos that, since 2015, has sought to promote a new generation of digital artists through free and open access exhibitions and academic resources, written in Spanish and, mainly, from Mexico.
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arebyte
arebyte advances new experimentation in digital cultures Meeting the growing demand for immersive experiences and digital content creation, arebyte pioneers new forms of engagement with creative technologies, to critically explore the impact of technology in contemporary society. From digital environments,
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DIGICULT
Estabilished in 2005 Digicult is an online platform that examines the impact of digital technologies and applied sciences on art, design, culture and contemporary society. Digicult is an editorial project that daily publish news, informations, articles, interviews, reports and essays.
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Lumen Prize for art and technology
https://www.lumenprize.com
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Justin Ridler at RMIT Open Day 12:30 Sun 13 Aug
RMIT Photography are delighted to have confirmed JUSTIN RIDLER as a speaker on our Open Day alumni panel 12:30 Sunday 13 August in Building 2, Level 2, Room 8. He is an exemplary example of a commercial photographer working with
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Matrix Re-loaded: On-Site 02 with Xanthe Dobbie
The future is now…but for how long? In an exploration of their expansive practice, Xanthe Dobbie re-spawns cyberfeminism to bring you On-Site: Matrix Re-loaded. As part of their ongoing research, Dobbie explores historical and contemporary cyberfeminism through intersections of art,
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NeRF
NeRF: Representing Scenes as Neural Radiance Fields for View Synthesis Ben Mildenhall, Pratul P. Srinivasan, Matthew Tancik, Jonathan T. Barron, Ravi Ramamoorthi, Ren Ng https://doi.org/10.48550/arXiv.2003.08934 2020
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WILD HOPE: Conversations for a Planetary Commons at RMIT Design Hub
Wild Hope: Conversations for a Planetary Commons – RMIT Design Hub 15.08.2023 – 30.09.2023 WILD HOPE: Conversations for a Planetary Commons Experience a world where imagination and urgency converge, where art and design become catalysts for change. Welcome to Wild Hope,
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CFP: Photography in Virtual Culture due 18 Sept 2023
University of Westminster and The Photographers’ Gallery, London Deadline for Proposals: 18th September, 2023 Following the first successful Virtual Photography Symposium held at the University of Westminster, London in 2022, we are delighted to announce the call for contributions to a new
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‘The Networked Image in Post-Digital Culture’ edited by Andrew Dewdney and Katrina Sluis, Routledge, 2023.
‘The Networked Image in Post-Digital Culture’ edited by Katrina Sluis and Andrew Dewdey, published by Routledge 2023. This collection of essays examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners
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BIFB x 3-minute AI vs Photo presentations: EOI due 1 Sept 2023
Be part of the BIFB x 3-minute AI vs Photography presentations at the The Real Thing Public Forum at Ballarat International Foto Biennale What will the future of photography look like? Artists and researchers will go head-to-head to share their
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Yoon Chun Han
Yoon C Han is an interaction designer, multimedia artist, and researcher. Her research include data visualization, biometric data visualization and sonification, new interface for musical expression, and mobile user experience design. She studied Graphic Design and Interaction Design at Seoul National
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The Wrong Bienale open call due 15 Aug 2023
https://thewrong.org/ Celebrating digital culture since 2o13, The Wrong organises art driven, multicultural, innovative and collaborative projects, online and offline, bringing together curators, artists and institutions. The Wrong provides decentralised platforms open to participation, as a melting pot for the established, the emerging
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OPEN CALL: The Wrong Biennale ‘Server of Flesh’ Pavillion due 29 July 2023
https://projetlitote.org/sof/ In this rapidly evolving digital era, where technology intertwines with our lives, the concept of subjectivity has taken on new dimensions. The Server of Flesh Pavilion (SOF) seeks to engage with artists whose work explores the intricate relationship between
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Memo Akten: Distributed Consciousness
Memo Akten: Distributed Consciousness | Exhibition 16 June 2023 – 16 June 2024 | ACMI: Your museum of screen culture
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The Real Thing: BIFB Forum 7 Oct 2023
IF_LAB are delighted to partner with the Ballarat International Foto Biennale and ArtLink to present: The Real Thing Public Forum | Ballarat International Foto Biennale (ballaratfoto.org) What will the future of photography look like? Images have become the vernacular of
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Joined Up research Panel
https://rmiteduau.sharepoint.com/sites/ResearcherCapabilityDevelopment/SitePages/Joining-up-with-Generative-AI–Opportunities-for-Researchers-and-Research-Practice.
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AEV Workshop: Stepping into webXR
RMIT School of Art is hosting the Art Education Conference 2023 Friday 7 July. Details here: Conference 2023 | Art Education Victoria (aev.vic.edu.au) Dr Alison Bennett, co-lead of the IF_LAB, is presenting a 90-minute workshop: Stepping into webXR and augmented
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Rosa Menkman IRL! 12:30-1:30 Tue 8 Aug 2023 @ Kaleide Theatre RMIT Melbourne
RMIT Culture and the Imaging Futures Lab are delighted to present a performative lecture by iconic creative researcher Rosa Menkman IN REAL LIFE! ROSA MENKMAN ‘Refractions of Light and Time’: 12:30-1:30 Tuesday 8 August 2023 at RMIT Kaleide Theatre. Secure
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Speculative Creatures & Post-Human Botanicals (online exhibition)
ECHOES FROM THE FUTURE Speculative Creatures & Post-Human BotanicalsVirtual Exhibition: MacKenzie Art Gallery, Regina (Saskatchewan, Canada) Virtual Opening: June 29, 2023, 8-9 pm CESTAt: echoesfromthefuture.showArtists: Bianca Shonee Arroyo-Kreimes (CRI/CAN), Aviv Benn (ISR/UK), Laura Colmenares Guerra (COL/BE), Reiner Maria Matysik (DE), Sarah Oh-Mock
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The Sculptural in the (Post-)Digital Age
The Sculptural in the (Post-)Digital Age de Gruyter 2023 Edited by: Mara-Johanna Kölmel and Ursula Ströbele With contributions by: Buket Altinoba , Claudia Giannetti , Elizabeth Johnson , Mara-Johanna Kölmel , Verena Kuni , Michael Rottmann , Karin Sander , Jens Schröter , Sasha Sobrino , Ursula Ströbele and Alexandra Weigand “Digital technologies have profoundly impacted the arts and expanded the field of sculpture
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Brain Art: Brain-Computer Interfaces for Artistic Expression, 2019
Anton Nijholt 2019, Brain Art: Brain-Computer Interfaces for Artistic Expression, Springer Link “The first book that surveys how brain activity can be monitored and manipulated for artistic purposes, with contributions by interactive media artists, brain-computer interface researchers, and neuroscientists. Demonstrates
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Rosa Menkman ‘im/possible images’ SubnetTALK 2022
“Images are pervasive; they are used to entertain, to guide, to serve as evidence or as tools for discovery. But they can also be invisible, made for machines and by machines in order to filter, track, classify, sort, or delete.
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IF_LAB event: Dr Katrina Sluis ‘on the photographic pipelines of machine vision’ 1:30-2:30 Wed 26 July 2023 @ RMIT School of Art in Room 6.2.3
RMIT Photography and IF_LAB are delighted to welcome Dr Katrina Sluis, who will give a talk ‘on the photographic pipelines of machine vision’ to RMIT staff and students 1:30 Wednesday 26 July at RMIT School of Art in Building 6
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Sotheby’s Sale of Glitch Art Postponed After Artists Complain About All-Male Sale
Shanti Escalante-De Mattei, 2023, ‘Sotheby’s Sale of Glitch Art Postponed After Gender Parity Scandal’ ARTnews.com Sotheby’s paused its “Glitch-ism” auction Sunday, days after its March 24 launch, after prominent glitch artists pointed out that the auction, held by Sotheby’s digital
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Rosa Menkman
Rosa Menkman (she / her) Dutch artist and researcher of resolutions with a special focus on glitches, cyclopes, impossible rainbows and unnamed colours. ︎︎︎︎︎ BiographyRosa Menkman is a Dutch artist and researcher. Her work focuses on noise artifacts that result from accidents
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Hito Steyerl: This is the Future
Hito Steyerl: This is the Future – Portland Art Museum: Steyerl is one of the foremost artists offering critical reflections on the complexities of the digital world, global capitalism, and the implications of artificial intelligence (AI) for society, which is
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ISEA 2024 in Brisbane – submissions for Creative Works due 28 Aug
The International Symposium on Electronic Art (ISEA) is a prominent event that brings together scholars, artists, and scientists from around the world to explore the intersection of art, science, and technology. The symposium was first held in 1988 and has
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Kate Geck, ‘Mycorrhizal Materialities: positioning the entanglement of human and machine intelligence’, ISEA Paris 2023
Kate Geck 2023, ‘Mycorrhizal Materialities: positioning the entanglement of human and machine intelligence‘, International Symposium on Electronic Art, Paris Machine intelligence is increasingly being used in the world with sometimes dramatic effects on human and other-than-human lives through its decision
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Vertical Perspective
Hito Steyerl ‘In Free Fall: A Thought Experiment on Vertical Perspective’, eflux https://www.e-flux.com/journal/24/67860/in-free-fall-a-thought-experiment-on-vertical-perspective/ “Needless to say, this reinvention of the subject, time, and space was an additional toolkit for enabling Western dominance, and the dominance of its concepts—as well as
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POST-IMAGE
“Digitalization has brought a new dimension to the ‘photographic paradigm of the image’ which was forged in the fifteenth century with notions of linear perspective and resulted in the forced convergence of vision and representation based on the hypothesis of
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Softimage: Towards a New Theory of the Digital Image
“With today’s digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays
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Dr Ian Haig
https://www.ianhaig.net/ https://www.rmit.edu.au/contact/staff-contacts/academic-staff/h/haig-dr-ian
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Dr Martine Corompt
https://martinecorompt.net https://www.rmit.edu.au/contact/staff-contacts/academic-staff/c/corompt-dr-martine
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Dr Fiona Hilary
Dr Fiona Hillary is a Melbourne based artist working in the public realm. Her passion lies in site specific practices and the human/non-human relationships that reveal themselves across time. Exploring scale through publicly shared moments of awe and wonder to
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Mind-Video
“We propose Mind-Video, which progressively learns spatiotemporal information from continuous fMRI data through masked brain modeling + multimodal contrastive learning + spatiotemporal attention + co-training with an augmented Stable Diffusion model that incorporates network temporal inflation.” https://mind-video.com/ “Reconstructing human vision
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Paragraphica Camera
Paragraphica is a context-to-image camera that uses location data and artificial intelligence to visualize a “photo” of a specific place and moment. The camera exists both as a physical prototype and a virtual camera that you can try. A speculative project
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CIVA Festival: Contemporary, Immersive and Virtual Art
https://www.civa.at
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Operational Images: From the Visual to the Invisual by Jussi Parikka 2023
An in-depth look into the transformation of visual culture and digital aesthetics Serving as an extensive guide to a key concept in contemporary art, design, and media theory, Operational Images explores the implications of machine vision and the limits of human agency.
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IEEE VISAP 2023 submissions due 2 June 2023
The theme for IEEE VISAP 2023 is Perpetual Presence. Submissions are due 2 June 2023. More information: https://visap.net/2023/call-for-entries
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interview with Boris Eldagsen about AI
What are the implications of an AI generated image winning the world’s largest photography competition?
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SIGGRAPH Asia art gallery submissions due 19 June 2023
Submit your work & be a presenter at SIGGRAPH Asia. Calling all professionals in the field of research, animation, art, hardware, software, visualization, games, visual effects, virtual reality, augmented reality, high performance computing, computer graphics and interactive techniques. SIGGRAPH Asia
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Prompt Battle
A remarkable event that revealed the workings of AI in a playful way https://promptbattle.com
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Dewdney: ‘Zombie Photography: what is the photographic image still doing?
read this article by Andrew Dewdney on the photo museum winterthur website: https://www.fotomuseum.ch/en/series/zombie-photography-what-is-the-photographic-image-still-doing/
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rencontres internationales paris/berlin new cinema and contemporary art submissions due 22 April 2023
rencontres internationales paris/berlin new cinema and contemporary art submissions due 22 April 2023: https://www.art-action.org/site/en/upper/call/index.php
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The Tables Have Turned: Desire, Power and Abstraction in the Subject in AI Society
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Alan Warburton
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Zylinska, Joanna. The Perception Machine : Our Photographic Future between the Eye and AI. 1st ed. Cambridge, Massachusetts: The MIT Press, 2023.
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Performance, Performativity, and Subjectivity at the Intersection of Art and Digital Cultures
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SORA text to video
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execute_photography
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Prompt Battle: 15 March 2024 @ ACMI
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The future of photography under AI
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Critical AI in the Art Museum: Practices & Politics
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ANU Computational Culture Lab
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2024 Virtual Photography Conference at University of Westminster