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Aisha Hara
Recipient of the ACAE Gallery Award. _________________________________ PAINTING AS AN ACT OF TRANSLATION Through painting, I aim to echo musical forms into the visual. The resultant body of work explores the kinetic symbology of music, linguistics, hybridity, and inner worlds.
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Alyssa Henderson
My work is a wide-ranging entanglement of found imagery and intersecting concepts that manifest in chaotic and often psycho-surreal narratives. Ultimately, I see my practice as a form of sensation seeking and psychoanalytical tool that speaks of the human condition
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Amelia Spencer
MAKING SPACE FOR DETAIL Reflecting the adolescent urge to document everything, my work is an act of noticing, collecting, and giving attention to the minute minutiae, the detritus of our culture and the beauty of the mundane, transforming each detail
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Amelia Whiting
FOUND MOVEMENT IN FOUND SPACE Dance as art and choreology are the foundation of my current practice, looking at the relationship between personal movement style and visual aesthetic as the remnants of an artist left in their work. Starting with
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Amy Gagnon
THE DIVINE EQUINE. Amy Gagnon (b.2000) is an artist residing and practising on Wurundjeri Land in Naarm (Melbourne). She is currently in her final year of a Bachelor of Fine Arts (Painting) at RMIT University. Recent exhibitions include the group
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Anita Kwong
OF AIR , LIGHT AND WATER Shifting colours move through bands of blues and violets with a shimmer of red. The atmosphere becomes dusky as the large fabric installation lights up: iridescent silky silver-blue flows from above, mingling with
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Beth Kay
THE FEMININE ART OF SHOOTING: the collision between fine art and firearms My shooting is still. Not violence, not fervour. My shooting is controlled breath as I kneel in the grass, surrounded by trees. Millimetric adjustments of my cheek and
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Caitlin Rigby
Recipient of the Chapman & Bailey Award for Excellence in Contemporary Painting. _________________________________ LANDSCAPE / ESCAPE ‘As an artist I’m trying to reflect something back to myself. A feeling, understanding, sense of the world…’ —Kiki Smith Exploring the silent language
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Carly Spiteri
THE GOTHIC NURSERY An exploration of childhood spaces through immersive art. From one world you will stepinto another yet unmetShadows rising in the corners,are you one of the mourners?The child no longer seeninto a world in betweenEverything left to
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Charlie Lochert
DIGITAL SKIN (she/they)Charlie is a Naarm-based artist working on the land of the Wurundjeri people. Starting their practice as a fine art painter, Charlie now explores new media with a focus on hybrid retro-future technologies, creating installations that consider feelings
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Charlotte Armstrong
I acknowledge the traditional owners of the lands of the Wurundjeri people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nations on whose unceded lands we live, work and learn. I would also like to
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Dan Su
CHAOS AFTER SORROWS Dan Su’s intuitive abstract painting explores the tensions that stir as we enter and pass through heightened emotions and states. Beginning with a linen or canvas substrate, and employing the visual language of abstraction, Su uses broad
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Edie Duffy
Recipient of the Wayne Conduit Memorial Award. _________________________________ When people ask, I say I paint pictures of vases. These paintings have been drawn from particularly endearing eBay listings of ‘fat lava’ pottery. Digital images have become so ubiquitous that we
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Elouise McKinley
EMOTIONAL! is a children’s picture storybook that explores emotions as they are experienced in all of their new, strange intensity by children and aims to assist them in understanding these feelings. It follows the journey of a young, horned girl
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Elyse Pape
AND SHE WAS LYING IN THE GRASS When sharing experiences with others, it’s easy to assume that people feel or think the same way as we do. However, by simply being alive our perspective will never be the
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Evelyn Challinor
1994, YEAR OF THE MUTT Evelyn Challinor (b.1994) is a mixed-race Chinese-Australian artist, originally from Gadigal and Yuin Land. She currently resides in Naarm, practising between the fields of fine art and horticulture. Through the process of thinking-through-making, my practice
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Faith Spencer
A REBIRTH. My paintings move between abstraction and figuration, drawing imaginative succour from peasantry and European brides. My work explores the power of melancholia, weaving themes of longing and passing time through transparent colour fields and abstract compositions. I contrast
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Francesca Bardell
AFTER HOME. Through exploring connections to home, familiarity and nostalgia in conjunction with the ideas of the afterlife, the uncanny and the unsettling, this project merges the two to create a series that not only includes objects from home set
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Guancong Shen (CHONG)
0 to ∞ ‘My painting is not limited at all. I have many possibilities, in terms of approach. And the reason I have that is because I’m not limited by a certain narrative that I want to get across.
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Hannah Hall
QUIET OBJECTS My Practice is a continuous cycle of making and material exploration, approaching each new work with curiosity and play. This body of work consists of various painting-and-textile wall works that sit alongside small-scale ceramic sculptures. Through the juxtaposition
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Heejoo
I want to express a highly free modern aesthetic work beyond the pictorial framework of orthodox painting. The project explores the formal and conceptual aesthetics of Minhwa paintings in a nuanced way through material explorations. For me, these paintings
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Holden Osbourne-Snell
EUDAEMONIA: A rebellious approach to expanded painting Osborne-Snell’s practice encompasses functional art displayed on the body as well as textile wall pieces. His emphasis on unconventional, wearable art creates multidisciplinary parallels between art, fashion and design. Snell works with a
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Indigo Krule (they/them)
I AM, I WAS. I was, I am is a textual and painterly exploration of neurodivergence and queerness. The ideas of facets of one’s being are always present, inseparable from childhood to adulthood. I was, I am utilises striking text,
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Ivry Elisabeth Barker
SEX ME UP Ivry Elisabeth is currently creating paintings and tufted tapestry works that explore gender—particularly limiting perceptions of the female identity. Within these works, she has a tendency towards the incorporation of figurative or symbolic elements and kitsch aesthetics
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Katinka Samuel
This series of works explores the intersection of intimate quotidian moments and unworldly places through the language of paint. Focusing on figuration, my work investigates how an imagined scene speaks to the human condition and evokes a sense of memory.
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Lara Gough
THE NATURAL PROGRESSION This is a body of work initiated with the intention of depicting the fish in the tanks at a Chinese Restaurant as a homage to my childhood memories of gazing up at the tanks filled with living
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Leon Zhan
Leon Zhan is an artist currently working across painting and sculpture. Born in Melbourne to Chinese immigrant parents, Zhan’s highly finished pictorial practice is heavily influenced by his own diasporic experience. Negotiating the orient and the occident, his work articulates
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Lily Baxter
Everything casts a shadow, but you can’t always see it. Maybe the shadow is what is left behind. Cat hair on a jumper, bike grease on your shins, food stuck in your teeth. Or maybe the shadow of an object
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Lucia Li
AWAKENINGS ON HIGHLANDS I was born in China and immigrated to New Zealand with my parents at the age of 14. I then spent my university years in Australia. The multiple locations confused the formation of my sense of personal
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Man Yi Wong
GROWING UP This series shares my study journey as an international student in Australia and the first time that I was separated from my family and friends in Hong Kong. It documents my psychological status around expanding my comfort zone
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Mollie-Rose Chislett
COMEDIC MELANCHOLY (Urban Metamorphosis of the Animal Body and Landscape) The artworks I create consider the relationship between animals and humans, within the Anthropocene. Emphasis is placed on understanding the animal experience. My work further considers themes of urbanisation, symbiosis,
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Mythra Sage
On a cold snowy night deep in the Canadian forest, a converted yellow school bus stood. Inside, a blow-up pool with my young New Zealander mother and Welsh father, as they watched me come into the world. This bus continued
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Natalie Grace Daskalou
THIS IS SO FUCKED UP My current work comes together through a combination of observing my everyday and my inner thoughts and then turning them into oil paintings. I do this by capturing my surroundings with photos taken on my
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Oliver L
GENESIS An exploration of materiality and mythology through the use of organic mineral materials and Ukiyo-e presentations. Oliver’s work explores the relevance of traditional forms in Japanese Ukiyo-e and Asian mythology, by exploring traditional media such as gold leaf and
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Olivia McCarten
EYE DROPS: A collection of works taking reference and inspiration from personal photos of a moment of significance, using bold colour and abstraction to visually warp. The chosen images are distorted in a way to hide a clear visual representation
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Olivia Roskovic
I make work that anthropomorphises animals—namely pigeons—to showcase common negative feelings of anxiety and mental health in general. Watching and being watched, we are all judging without knowing it all. I create works that pose questions and have multiple meanings
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Prue Wilkinson
Recipient of the Tolarno Hotel Award. _________________________________ VIOLENCE AND INNOCENCE My artistic practice is an exploration of my identity and place within my family’s history in post-WW2 Australia. It is a direct response to my relationship with my family’s photographic
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Reagan Wyles
WALLS I am an abstract oil painter that lives and works in Melbourne. My paintings focus on colour perfection and fun shapes. I graduated high school dux in studio art, and am about to graduate with my Bachelor of Fine
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Rochelle Morris
BODIES TUMBLED INTO BODIES: Exploring multispecies entanglements Welcome to the rhizome, you can erase a line in the web but little spores still blow towards you in the wind. ‘Ecology’ is derived from the Greek word ‘oikos’, which is defined
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Stephanie Jook
Elements of thought relating to the passage of time circulate with a focus gravitating towards human connection, relation and experience. In recognising the connection and collection of moments we share through solidarity and commonality, an exploration of mark-making, materiality and
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Tracey Jones
Exploring the notion that materials are imbued with memory, my practice investigates the affective power of objects when included in figurative and still-life imagery. Collecting and preserving objects that once sat as quiet backdrops to our daily lives has become
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Wan-Shan Jan
MY SOUVENIRS FROM MELBOURNE This project is based on observations of buildings in the City of Melbourne. I employ digital illustration and animation to create a series of sketches, combining my Asian background with further city exploration while on my
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Wensi Sun
DEEP BLUE ‘Because desire is full of endless distance. Blue is the colour of longing for the distances you never arrive in, for the blue world.’ — Rebecca Solnit Blue, representing distance, searching, melancholy, warmth, memory and dreams
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Xiaoyou Fu
MIRROR AND ILLUSION Xiaoyou Fu is a contemporary artist. By exploring photography and mixed media, I looked at other ways to communicate emotion and depict ambience. I also exhibited certain ethereal aspects of Eastern culture in an abstract form. Through
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Yi Cheng
BY THE POND is a series of works in response to the pond in Carlton Gardens. These paintings draw from my experiences of this place and the duck’s impressions on me. Over the past year, I have been visiting the
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Yonah Ma (Curseye)
PERSONA I have slowly slipped into the life of an immigrant since 2017 when I started studying in New Zealand—then attending university in Melbourne from 2020 to 2022, where I will be graduating at the end of the year, and
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Zainab Qureshi
UNSTILL My work engages with ideas relating to inspiration and influence. Our perspective on everything doesn’t come naturally, we learn how and what we see. Unstill is a series of non-narrative, still life oil paintings, made using multiple layers where
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Zarria Sin Cheng Fong
THE MAGICAL JOURNEY: CORAL AND PHOENIX is a fictional story about the magical adventure journeys of Princess Coral and Phoenix. The five metre long mixed media painting is divided into twelve storylines. The stories reference Western and Eastern myths, religious stories,
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Zoe Inei
AN UN-COMING OF AGE The still-life object acts as a vessel in the exploration of the beauty of the everyday. Its accessibility and familiarity allow the bowl, the vase, the cup, to resonate universally. The stylisation of the vase becomes