Image: Matisse Stynes, People, Places and Pictures, 2022.
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Aaron Ashwood
Recipient of the Composite Moving Image Agency and Media Bank Award and the Jack Willet 1301SW Honours Award. _________________________________ HERE/THERE (AND ME IN-BETWEEN) Just like walking in an alley, looking to see what will happen, then walking into another alley
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Aidan Calabria
The imagery in my work is akin to a form of assemblage and is intended to challenge notions of totality. Through relations of exteriority and emergent properties, these works may be understood in terms of material, expression, stability and coding.
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Aisha Hara
Recipient of the ACAE Gallery Award. _________________________________ PAINTING AS AN ACT OF TRANSLATION Through painting, I aim to echo musical forms into the visual. The resultant body of work explores the kinetic symbology of music, linguistics, hybridity, and inner worlds.
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Alanna Baxter
FROM YOUR BIRTH TO THE ONE YOU GAVE ME Within my work I aim to explore notions of rebirth and queer femme identity, utilising text and humour. In the digital age, I am surrounded by constant sources of stimuli, which
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Alex Kynaston
Recipient of the The ADFAS (Australian Decorative & Fine Arts Society), Yarra Branch Award _________________________________ ISOLATED FACES metaphorically explores anxieties of isolation and belonging. This project is a self-reflexive study that utilises non-traditional portraiture by shadowing the faces of loved ones to
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Alexandra Calabria
IMPRINT & IMPRESSION An exploration of the materiality of fabric through the print medium. How one material can be transformed through the matrix, and furthermore, the print itself. A print-based triptych that explores the nature of fabric in its form
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Alice Jordan
Recipient of the BDS Sculpture Prize. _________________________________ BENEATH DAPHNE I am an aspiring sculptural and installation-based artist located in Kulin country, Melbourne Australia. I will soon be graduating with my Bachelor of Fine Art, specialising in Sculpture at RMIT. I
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Altsoy
ADDITIONAL VALUE A series of matchbox sculptures to explore material and consumerism. In the wave of consumerism, commodities are taking over our lives and defining everyone. I am hoping to expose this power and draw attention to the power of
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Alyssa Henderson
My work is a wide-ranging entanglement of found imagery and intersecting concepts that manifest in chaotic and often psycho-surreal narratives. Ultimately, I see my practice as a form of sensation seeking and psychoanalytical tool that speaks of the human condition
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Amelia Spencer
MAKING SPACE FOR DETAIL Reflecting the adolescent urge to document everything, my work is an act of noticing, collecting, and giving attention to the minute minutiae, the detritus of our culture and the beauty of the mundane, transforming each detail
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Amelia Whiting
FOUND MOVEMENT IN FOUND SPACE Dance as art and choreology are the foundation of my current practice, looking at the relationship between personal movement style and visual aesthetic as the remnants of an artist left in their work. Starting with
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Amy Gagnon
THE DIVINE EQUINE. Amy Gagnon (b.2000) is an artist residing and practising on Wurundjeri Land in Naarm (Melbourne). She is currently in her final year of a Bachelor of Fine Arts (Painting) at RMIT University. Recent exhibitions include the group
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Anh Truong
REFRACTIONS OF REFLECTIONS is an exploration of the inner self channelled through the waves of water—an embodied experience of fluidity within my identity. The extensions of water, and the structure it holds is as transient as our flow with life
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Anika Macela
SCENERY FROM THE SUBCONSCIOUS A subconscious exploration of memory and place through the use of intuitive marks and abstraction. This multi-media project explores the artistic potential of the subconscious mind and its relationship to place. More specifically, the natural world
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Anita Kwong
OF AIR , LIGHT AND WATER Shifting colours move through bands of blues and violets with a shimmer of red. The atmosphere becomes dusky as the large fabric installation lights up: iridescent silky silver-blue flows from above, mingling with
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Anna Kennedy
BODY VERTICAL My video installation uses advanced editing, special effects and compositing techniques to interrogate patriarchally-skewed cinematic codes embedded in mainstream film. Crucially, it responds to feminist screen theory in seeking new ways to represent the material female body. By
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Anna of Pearl
OBJECTIFIED SWANS Through the lens of a sexual fantasy featuring the feminine within a 70s kitsch-pornographic-inspired environment, Objectified Swans attempts to undermine female binaries and expose them to be patriarchal weapons adopted to suppress a woman’s sexual
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Annie Wallwork
Recipient of the Drawing Studio Award. _________________________________ THE NATURE OF LOVE ‘Trauma and shit going down in childhood is [not] inherently interesting…it’s chronic, commonplace, sometimes dramatic and often tedious in its stranglehold of repetitions, daily struggles, and predictable and
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Aurora Markel
THERE WON’T BE ANOTHER TIME is an exploration of childhood. Looking at both the universality of childhood experience, and the differences in my and my parent’s upbringing, I consider the question: What would it be like to meet our parents
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Beth Kay
THE FEMININE ART OF SHOOTING: the collision between fine art and firearms My shooting is still. Not violence, not fervour. My shooting is controlled breath as I kneel in the grass, surrounded by trees. Millimetric adjustments of my cheek and
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Beth Sanderson
Recipient of the Emily Hope Award for a figurative work— Donor Professor AD Hope Endowment. _________________________________ DOMESTIC RITUAL My practice explores the domestic space and the mundane with a focus on the processes and objects involved in food preparation. The
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Billy Raffin
Recipient of the Experimenta Internship Award. _________________________________ EXPLORING COLLECTIVE CONSCIOUSNESS THROUGH MOVING IMAGE AND MUSIC PROJECTS SITUATED IN PUBLIC SPACE In my Master’s research, I have been using the moving image and music to explore collective consciousness, dreams, and time.
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Caitlin Rigby
Recipient of the Chapman & Bailey Award for Excellence in Contemporary Painting. _________________________________ LANDSCAPE / ESCAPE ‘As an artist I’m trying to reflect something back to myself. A feeling, understanding, sense of the world…’ —Kiki Smith Exploring the silent language
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Carly Spiteri
THE GOTHIC NURSERY An exploration of childhood spaces through immersive art. From one world you will stepinto another yet unmetShadows rising in the corners,are you one of the mourners?The child no longer seeninto a world in betweenEverything left to
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Catherine Pickop
Recipient of the Dean’s Award for Academic Excellence and contribution to the program, Master of Fine Art. _________________________________ TOWARDS REPOSE An exploration of materiality and ephemerality through the use of organic matter and geometric patterns. This multidisciplinary research project frames
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Catherine Smith
CATHERINE’S REEF Through ceramic hand-building, I create sculptures that are heavily textured, painted with bold, bright primary and secondary colours. My ceramic outcome often consists of an installation of sculptural objects grouped to create a larger work. Present-day environmental issues,
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Celeste Perry
LESS OF AN INTERNAL MONOLOGUE MORE A PATCHY CONFERENCE CALL is a body of work that seeks to understand and connect with others, through the exploration of my own inner workings. As a woman with ADHD, my works are inevitably a
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Charlie Lochert
DIGITAL SKIN (she/they)Charlie is a Naarm-based artist working on the land of the Wurundjeri people. Starting their practice as a fine art painter, Charlie now explores new media with a focus on hybrid retro-future technologies, creating installations that consider feelings
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Charlotte Armstrong
I acknowledge the traditional owners of the lands of the Wurundjeri people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nations on whose unceded lands we live, work and learn. I would also like to
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Charlotte Hall
STILL WATERS RUN DEEP explores the existence of a ‘safe space’ in response to personal sufferings of anxiety and insomnia. The large acrylic paintings on calico material are designed with intuitive, unconscious gestures as a means of healing through the
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Chiara Zeta
Recipient of the 44 Frame Factory Graduate Award. ___________________________________ IN/VISIBLE: FEMIN-INE/IST RESPONSES TO DOMESTIC VIOLENCE This project uses hand-made textiles and print-informed media to explore women’s responses to domestic violence. It is informed by my developing understanding of trauma theory
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Chispa Flaskas
Recipient of the Journal of Public Space Prize. _________________________________ APOCALYPTIC THERAPEUTIC A speculative journey into the future of our climate vulnerable ecologies through virtual reality and participation Apocalyptic therapeutic is a laboratory of drawings, writing, virtual renders, and participatory
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Chloe Vella
WUNDERKAMMERN OF OBJECTIFIED SIGNIFICANCE – WOMAN CLAIMS THAT A LEFT FOOT BOOT IS HER DAUGHTER AND HER HUSBAND IS A DIRTY COUCH I am a Naarm (Melbourne) based multi-disciplinary artist, who makes installations, video and sculptural works as well as
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Chris Bilby
IMMORTAL CLICKSTREAM IMMORTAL CLICKSTREAM uses my browser history as source material for a series of mixed media works exploring meaning and identity in a world overburdened with data and indiscriminate visual noise. Images related to my internet search history are archived
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Christine Murray
Christine Murray (she/her) is an object-based artist trained in gold & silver smithing with a Bachelor of Arts (Fine Art) at RMIT. She has also completed a Bachelor of Contemporary Arts majoring in Animation and Digital Culture (Deakin University). Murray
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Claudia Ridgway
Internal dialogue, self-image, grotesque, gothic, infested, decay, temporality, memento mori, bodily and paradox are words and phrases that could describe my work. Through a self-reflective lens, I use oil painting, drawing and sculpture as a visual language to explore themes,
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clouds
COSMIC SALAD: DE-FIGURES AND UN-SCENES life’s about hazard and fate. – dad I think there is a structure to chaos, and a divinity in the absurd. Through visual experimentation and the re-contextualisation of found objects, my work explores
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Connotie Yu
[1] FUTUREFOUND BUTTON:A dialogue between C (she) and F (the plant) C: They say regrets are based on wrong premises. What do you think.F: I think very little.C: Why are you here.F: To fill in the silence. F: What’s Sam
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Cristina. T. Ingbritsen (Tattooed Blonde Punk Art)
FEMINISM & THE OCCULT attempts to challenge the viewer as to whether or not their pre-conceived ideas as to what a witch is have been informed by, and/or contributed to, the misogyny, ageism, racism and violence that often overshadows the
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Dan Su
CHAOS AFTER SORROWS Dan Su’s intuitive abstract painting explores the tensions that stir as we enter and pass through heightened emotions and states. Beginning with a linen or canvas substrate, and employing the visual language of abstraction, Su uses broad
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Daniel Song
ARTIFACT 7 explores the lines between documentation and artwork through the installation of unorthodox print, video, and painting. I paint on hard surfaces over long durations, and then pour PVA adhesive over it and peel it back as a pseudo monoprint.
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Darcy Lazarus
THE VERY STATE I am Darcy Lazarus and tonight, you are my voyeur. They are listening to you. While you’re on the phone to your Mum, engaging in half-whispered pillow talk or speaking to your cat in a nauseating
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Daria Niall
POINT OF VIEW (musing from previous years of art school) I can see the internet as a machine that has already swallowed us all whole. The internet then spews over itself, reformulating its own contents to produce more—feeding itself on
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Deanna Versace
SADNESS TOWARDS FADED TEARS My name is Deanna Versace. I’m an emerging artist in Australia who uses the pronouns she/her. I have been part of the RMIT institution for four years, completing my bachelor’s degree in printmaking. I had the
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Deb Lemcke
Recipient of the NAVA Ignition Prize. _________________________________ WHISPER WAVES This research project grew out of an interest in how our brains work and the different ways that we can influence them by engaging with creativity and the natural world. The
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Deborah Fisher
Recipient of the Bold and Beautiful Art Prize and the Wolf Wennrich Award for Craftmanship – Mr Michael Wennrich Endowment. _________________________________ In my creative practice, I have explored the inter-dependency of species using the symbiotic relationships between coral and people
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Debra Iris Batton
Recipient of the Dean’s Award for Academic Excellence and contribution to the program, Master of Arts (Art in Public Space). _________________________________ IN THE MIDDLE OF ZOË is a public performance experiment with arthouse circus and posthumanist philosophies. The work is
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Doris XinZhi Li
My watercolour painting practice reveals and communicates ideas of an ‘inner self’ via imagery that evokes a conscious and unconscious self, along with personal identity and attachment. Each of my paintings focuses on reconstructing something from the past via thoughts
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Drey Willows
Recipient of the Troppo Print Studio Graduate Award. __________________________________ RHYTHMIC DISTURBANCE is a creative project that explores the lived experience of traumatic grief under intense media scrutiny and public opinion. The project uses experimental print-informed techniques to reflect how the
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Edie Duffy
Recipient of the Wayne Conduit Memorial Award. _________________________________ When people ask, I say I paint pictures of vases. These paintings have been drawn from particularly endearing eBay listings of ‘fat lava’ pottery. Digital images have become so ubiquitous that we
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Eilish Sherlock
SQUISH Summary: Studying the nature of skin/flesh and its movement. Differing skin types, as in aged, blemished, scarred etc. and what those contexts translate to within the human structure. Skin in daily movement and light, stretched, pulled and squished in
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Elahje Kassis
STRUCTURED BODIES focuses on the never-ending relationship between memory, place and the body and explores these connections through drawing and painting. Driven by the impact of contextual surroundings on the self, the places we choose to inhabit, the places we
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Elouise McKinley
EMOTIONAL! is a children’s picture storybook that explores emotions as they are experienced in all of their new, strange intensity by children and aims to assist them in understanding these feelings. It follows the journey of a young, horned girl
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Elyse Pape
AND SHE WAS LYING IN THE GRASS When sharing experiences with others, it’s easy to assume that people feel or think the same way as we do. However, by simply being alive our perspective will never be the
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Emma x Zhang
DIGITAL WONDERSCAPES Exploring the wonder and new ways of seeing natural phenomena through atmospheric colourful light projections I use the ephemeral nature of light to explore and interrogate new ways of seeing, by employing digital techniques and by manipulating natural
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Erin Bussell
MATTERFLOW My creative practice is an exploration of material and transformation, and is focused on ceramic-based processes. I draw on traditional ceramic techniques, such as mould making, slip casting and glaze development, which I use in unconventional ways to create
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Evelyn Challinor
1994, YEAR OF THE MUTT Evelyn Challinor (b.1994) is a mixed-race Chinese-Australian artist, originally from Gadigal and Yuin Land. She currently resides in Naarm, practising between the fields of fine art and horticulture. Through the process of thinking-through-making, my practice
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Faith Spencer
A REBIRTH. My paintings move between abstraction and figuration, drawing imaginative succour from peasantry and European brides. My work explores the power of melancholia, weaving themes of longing and passing time through transparent colour fields and abstract compositions. I contrast
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Francesca Bardell
AFTER HOME. Through exploring connections to home, familiarity and nostalgia in conjunction with the ideas of the afterlife, the uncanny and the unsettling, this project merges the two to create a series that not only includes objects from home set
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Genevieve Mathews
A HOME FOR LOST THINGS In my creative practice, I have explored the body through drawing and the sculptural medium, unpacking notions of how we host our lived experiences within us, along with what it means to find a ‘home’
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Georgia Clarke
BLURRED is an abstract installation work encompassing themes of cultural identity, accidental photography, and liminal spaces. The intersection of these themes is an experience-based work on how blurred identity and layers of the self can become. Accidental photography and the
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Geraldine Richards
NOT NOTHING/IT’S SOMETHING explores an embodied approach to materiality to investigate the loss of self and gender politics in relation to creative freedom through a series of metaphorical artworks. Materiality and humour are used to interrogate gender oppression while seeking
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Gomathi Suresh
Recipient of the Lowenstein Arts Management Prize and the NAVA Ignition Prize. _________________________________ THE SECOND LANGUAGE Navigating Marginalised Ecologies Using a Multi-Disciplinary Practice. This multi-disciplinary project combines ceramic objects, paper, video, and the recorded voice to examine issues of ecological degradation
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Grace Wright
SENSE OF SELF Lover, You Should’ve Come Over [diptych], 2022, ink and acrylic on stretched canvas, 90cm x 90cm. SENSE OF SELF is an exploration of identity through spirituality, symbolism, colour and connection with mother nature. It involves heavily
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Guancong Shen (CHONG)
0 to ∞ ‘My painting is not limited at all. I have many possibilities, in terms of approach. And the reason I have that is because I’m not limited by a certain narrative that I want to get across.
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Halle Mickle
FOS”CELL“ISED For this sculptural project, I will sculpt and cast a collection of stylised cells out of plaster, using a silicone-based mould as well as brush-and-pour techniques to create a unique assemblage that represents my themes of materiality, identity and
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Hannah Hall
QUIET OBJECTS My Practice is a continuous cycle of making and material exploration, approaching each new work with curiosity and play. This body of work consists of various painting-and-textile wall works that sit alongside small-scale ceramic sculptures. Through the juxtaposition
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Harry Bayston
WE WILL BE YOUR HERO BABY An exploration of the painterly as a visual language for creating playfully critical narratives across a variety of historically loaded material surfaces. My studio based practice intuitively draws from a personalised painterly vocabulary
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Harry Burmeister
Recipient of the Robyn Beeche Award. _________________________________ OF STRANGE WEATHER Born of the 1924 Manifesto of Surrealism, ‘Breton demanded that a work of surrealist art should be a window through which the viewer could look upon some inner landscape of
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Harry McCumiskey
UN… DERR.. STANDING… COMMUNICATIVE DRAWING INSTALLATIONS This project looks at the busy mind as author—in the dialogue between the author and the viewer, between the internal and external. The work functions as a gateway between the two, as a means
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Hattie Pervan
WHAKAPAPA BLEEDS RED a material exploration of blood quantum discourse in a decolonial context Ko Ngongotaha te maunga (Ngongotaha is my mountain) Ko Rotorua te roto (Rotorua is my lake) Ko Te Arawa te waka (Te Arawa is my
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Heejoo
I want to express a highly free modern aesthetic work beyond the pictorial framework of orthodox painting. The project explores the formal and conceptual aesthetics of Minhwa paintings in a nuanced way through material explorations. For me, these paintings
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Holden Osbourne-Snell
EUDAEMONIA: A rebellious approach to expanded painting Osborne-Snell’s practice encompasses functional art displayed on the body as well as textile wall pieces. His emphasis on unconventional, wearable art creates multidisciplinary parallels between art, fashion and design. Snell works with a
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Ieesha Wild
WHAT CAME FIRST; THE GIRL OR THE BODY is an exploration into what makes us who we are. It is an insight into my own personal being, an answer to the question; ‘am I my own person, or am I
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Indigo Krule (they/them)
I AM, I WAS. I was, I am is a textual and painterly exploration of neurodivergence and queerness. The ideas of facets of one’s being are always present, inseparable from childhood to adulthood. I was, I am utilises striking text,
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Indra Liusuari
Recipient of the Liquid Architecture Prize. _________________________________ MISCEGENASIAN My practice is interdisciplinary and includes audio-visual media, performance, installation, and publication. Conceptually, my creative work is focused on critical discourses around white supremacy in gay culture, which forms via exaggeration and
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Ivry Elisabeth Barker
SEX ME UP Ivry Elisabeth is currently creating paintings and tufted tapestry works that explore gender—particularly limiting perceptions of the female identity. Within these works, she has a tendency towards the incorporation of figurative or symbolic elements and kitsch aesthetics
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Jade Armstrong
DISTANT RAYS Thermoformed acrylic, citrus dichroic film, a dedo light, a turning mechanism, fishing line, brass eyelets, a speaker and a looped 10-minute soundscape (a recording of the artist playing a rain stick she made and Tibetan bowls). Jade’s work
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Jade Feakes
Recipient of the Perry Summers Sculpture Book Prize. _________________________________ RELOADED LANDS I am a sculptural installation artist located in Wathaurong Country, Ocean Grove, Victoria. Throughout my practice, I explore environmental themes and eco-activist art. I am influenced by my intrinsic
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Jake Christian Brown
Recipient of the Artbox Commission Graduate Award. _________________________________ PAPER DETECTIVE is an exploration of non-destructive collage, digital reproduction, and the symbiotic nature of culture and media. Clippings from 90s comic books and fine art books are recontextualised to create modern stories
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Jakub Stadnik
IMAGINATIVE EXPLORATION OF CREATIVITY is an interactive video installation that explores the potential of our imagination and the human ability to think. Through the use of video projection, sculptural objects and audience participation, I invite my viewer to join the
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Jale Sezai
I’LL NEVER LOVE ANYONE AS MUCH AS I LOVE YOU… OR YOU… OR YOU… OR YOU… This body of work is as an exploration of self and is a love letter to the many characters I have loved across my
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Jasmine Duong
THE HEART THAT BLEEDS IS THE HEART THAT GROWS. A series of illustrative works exploring the essence of healing in solitude. The story-like depictions present a lonely and treacherous process of healing and understanding one’s inner conflict. The objective nature
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Jaweria Shoaib
واﻧﮕﮭﻨﺎ (Light Sleep)
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Jazz Duncan
SKIRMISH springs forward, embellishing the gallery space with contemporary allegory. Jazz Duncan’s figures breach the confines of dreams in lively gesticulation. Each evoking curiosity, revelation, and gestalt shift in the onlooker. JAVELIN, the first work in this series, envisions a
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Jemma Prescott
Recipient of the BDS Sculpture Prize. _________________________________ COMFORT IN THE FEAR is a work exploring the relationship we, as humans, have with our childhood, and how as we grow into adults we change to see what was once a familiar
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Jennifer Pattinson
LIMINAL In the summer—weather permitting—I tend to sleep with my bedroom window open. Recently, I have been alerted to the presence of ringtail possums by the tell-tale scratching sound of their tiny claws as they run up and down the
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Jennifer Wu
MARRIAGE Everyone has a different interpretation of marriage at different stages of their lives. Different cultures and family backgrounds also shape people’s view of marriage. Based on her culture and background, Jennifer presents her unique views and interpretations of marriages
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Jess Dybing
Recipient of the Northcote Pottery Award and the RMIT Ceramic Student Association Club Year 3 Award. _________________________________ CLAY, CONTROL AND I. Jess Dybing’s work explores the changing states between flow and matter on the pottery wheel. Whilst the process of
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Jessica Phippen
https://www.jessicaphippen.com https://www.instagram.com/icaphi/
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Jiefei Chen
Recipient of the Sculpture Workshop Prize. _________________________________ ✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿ ╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯ My name is Jiefei Chen. I was born in Sichuan Province, China, and moved to Adelaide, Australia, with my family when I was fifteen, and live in
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Jing Liang
COMING HOME My art practice explores my deep relationships to people and places. I create artworks that raise questions and expand my perspective in understanding the complexity of an environment, as well as the fragility of life and memory. ‘Coming
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Joshua Starick
QUEER IDENTITY: GROWING UP IN REGIONAL AUSTRALIA AND ITS INFLUENCE ON ONE’S EVERYDAY LIFESTYLE My creative research investigates the impact on queer people of an upbringing in rural Australia, examining their understanding of identity, community and connections between themselves and
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Joyce Lee Yue Ling
MY BODY, MY POETRY The focus of My Body, My Poetry is the exploration of my Chinese culture with a focus on themes relating to loneliness and gender empowerment. The work employs photographing and capturing video footage of body movement
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Juqi Wang
SAFE ZONE SAFE ZONE—an exploration of psychological healing through a performative multimedia installation—explores my everyday emotional struggles, dreams, and memories during the years spent in Covid lockdown. By using a methodology of documenting and sharing, I aim to create an
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Jyoti Murray
NARRATIVES OF THE SUBTLE BODY Based in Melbourne (Naarm), my current practice investigates the subtle body as a spiritual-physical system via the framework of Tantra and Hatha Yoga. Through the process of lost wax casting using non-precious and precious materials,
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Kasandra Hendy
DYSTOPIA IN THE WORLD OF FLORA I’m Kasandra Hendy, and I’ve lived here in Naarm/Melbourne, Australia my whole life. I’m 22 years old (b. 3/8/2000), and I’m almost at the end of my study of Fine Arts at RMIT University
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Kat Rae
Recipient of the Kayell Digital Print Award. __________________________________ MONUMENTS OF PAPER AND SHADOW I am an emerging print-informed artist who draws on my experience as a contemporary female Australian Army veteran and war widow to investigate a tense and problematic
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Kate Driscoll
INVITATION TO A MICROCOSMOS is an experiment into the documentation of singular experiences, moments and people in my everyday life. Images are built from photographs of friends, family and environments. This form, a kind of self-portraiture, captures elements of celebration and
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Kate Weeks
Recipient of the Alpha60 Prize. _________________________________ NO ONE TOLD ME I WAS LIVING IN A BRUTALIST NIGHTMARE My installation No One Told Me I was Living in a Brutalist Nightmare seeks to question the impact of growing up in a
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薛杨
海洋污染一直是人类面临的严重问题。海洋覆盖了地球表面的70%。随着社会经济的发展，人们的工业对海洋造成了严重的危害。我的项目与海洋污染有关。我收集了关于海洋污染及其对海洋生物的影响的信息。在我的项目中使用的主要材料是塑料。我订购了一些废塑料，并试图重新利用它们。
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Zoe Willis
In this portfolio, I present a series of photographs, each embodying a distinct theme and narrative. Inspired by cinematic aesthetics and fashion nuances, these images are more than visual representations – they aim to communicate truths, evoke emotions, and transform
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Zoé Pietrzniak
CHAMBER: HEARING THROUGH SILENCE Musical scores document my rhythmic thought processes, with spheres and lines fulfilling the composition. This personal visual language is paired with figures which serve as emotive, or tempo markings. No visual hierarchy is given
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Zoe Inei
AN UN-COMING OF AGE The still-life object acts as a vessel in the exploration of the beauty of the everyday. Its accessibility and familiarity allow the bowl, the vase, the cup, to resonate universally. The stylisation of the vase becomes
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Zo Damage
FLOW: Embodying aesthetic experience through process-based analogue photography This heuristic investigation uses process-based analogue photography to embody my aesthetic responses to life experiences. Informed by theoretical readings in cognitive neuroscience, philosophy, psychology and art, the research aims to harness the merging of
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Zina-Lily Carley Rice (zeeen)
FESTERING DESIRE – A LONGING FOR THE MAKE-BELIEVE you are what I drown myself in, a virus, my obsession. This series of work culminates as a result of years of therapeutic abreaction – bringing forth repressed emotions of fear, guilt,
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Zarria Sin Cheng Fong
THE MAGICAL JOURNEY: CORAL AND PHOENIX is a fictional story about the magical adventure journeys of Princess Coral and Phoenix. The five metre long mixed media painting is divided into twelve storylines. The stories reference Western and Eastern myths, religious stories,
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Zainab Qureshi
UNSTILL My work engages with ideas relating to inspiration and influence. Our perspective on everything doesn’t come naturally, we learn how and what we see. Unstill is a series of non-narrative, still life oil paintings, made using multiple layers where
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Zahava Pinson
Project ILLUMINATE Documentation of the ancient Jewish ritual of Candle-Lighting on Friday night before sunset, as well as on the eve of Jewish holidays. The custom is for women over the age of three to light a candle (married women
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Zach Edwards
RMIT University Library Art Prize & Joseph Beuys Cafe Drawing Award for excellence in expanded approach to drawing: MY LAWYER THE BUS STOP: a discussion of the unseen, exploring contextualisation through spaces and realms. Currently, in my practice, I have
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Yvonne Rambeau
I SAY I HAVE BEEN A STRONG LOVER explores the paradoxical experience of desire and its effects on the lover. Encompassing at once absence and presence, pleasure and pain, desire is described for the first time as bittersweet – glukupikron – by
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Yuzhen Lu
DYING BUT ALIVE IN THE FALSE WORLD Reborn—Can The Cyber God release souls of Bionic Ghosts from purgatory? This project focuses on cyberculture and contemporary beliefs regarding spirits and ghosts, expressed through the medium of an immersive space.
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Yumeng Li
这个项目对探索家的数字化软件来寻找记忆和收藏之间的联系，的项目还包括我在重建过程中的使用过程。 我的作品为基础，制作项目的，并制作视频，以扩大与观众的创作范围和日常联系范围，以唤起与时俱进的场景。感觉离场感是席位实践创作的关键要素。出现的情绪，看似乡愁传达出一种个性化的情绪。 随着工作的推进，我的制作场景设置在一个更接近的时期，软件中的现在逐渐成为我物理世界的延伸。 李玉萌，数字家庭，2022 李玉萌，数字家庭，2022 李玉萌，数字家庭，2022 李玉萌，数字家庭，2022
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Yujun Jiang
THE TACTILITY OF NOSTALGIA: Exploring the healing power of maternal energy by using the narrative expression of contemporary jewellery. My MFA project explores the intimacy that exists between my mother and I, and the healing that comes from maternal energy
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Yonah Ma (Curseye)
PERSONA I have slowly slipped into the life of an immigrant since 2017 when I started studying in New Zealand—then attending university in Melbourne from 2020 to 2022, where I will be graduating at the end of the year, and
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Yolanda Scholz Vinall
Recipient of the Reflektor Prize. _________________________________ Originally from the traditional unceded lands of the Kaurna people on what is now known as the Adelaide Plains, I moved to Naarm/Melbourne, where my current creative work has generally developed into an expanded
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Yiling Ooi
TRANSMUTATION AND INTERTWINING HUMAN – ORGANIC STRUCTURES is an exploration into the themes of home, loss, and regrowth. This project investigates the profound connections that bind humanity’s subconscious thoughts with our intrinsic ties to the natural world. These works are
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Yidan Fang
Recipient of the NAVA Ignition Prize. _________________________________ DIALOGUE WITH NATURE This research project uses temporary public artworks and multi-dimensional methods to foster embodied and symbiotic relationships between the human, the environment and nature. The research utilises different forms of public
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Yi Cheng
BY THE POND is a series of works in response to the pond in Carlton Gardens. These paintings draw from my experiences of this place and the duck’s impressions on me. Over the past year, I have been visiting the
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Yao Chen
KNOCK ON VOID employs a multidisciplinary approach, utilising culturally specific objects to manifest the concept of emptiness within Taoism. By creating a series of discrete objects within the context of traditional Go game, scroll paintings, and bamboo slips, the project
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Ya Juan Long
Recipient of the The Bold and the Beautiful Art Prize. _________________________________ THE LANGUAGE OF MATERIALS In my project I have investigated how after immigrating to Australia in 1998, having been brought up in a traditional Chinese culture, I was exposed
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Xinyi Wang
ARTS EDUCATION IS AVAILABLE FOR ALL CHILDREN A business plan for a non-profit arts education platform. Inequality in educational resources is a problem in every country. In comparison, big cities will have more educational resources than small cities. Due
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Xinyi Chen
ART IN PUBLIC SPACE DURING THE PERIOD OF COVID-19 Public art refers to works of art in any medium planned and executed outside the gallery environment, which are specifically used for exhibitions in public spaces. There are many ways to
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Xiaoyou Fu
MIRROR AND ILLUSION Xiaoyou Fu is a contemporary artist. By exploring photography and mixed media, I looked at other ways to communicate emotion and depict ambience. I also exhibited certain ethereal aspects of Eastern culture in an abstract form. Through
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WooJai Lee
WooJai Lee’s practice is centered around materials. Through material experimentations, he searches for the hidden potential of ordinary material. By transforming the materials into unconventional applications of furniture, interior elements, and sculptures, WooJai challenges the stereotypical ways of working with
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Woo Hyun Kang
I Squared Gallery Exhibition Award for excellence in drawing-based practices: ADORATION: DROWNING INTO THE PAST. This practice involves a process of a gradual transition from affection to an attachment, ultimately an obsession. The symbolic space, objects, and colour repeat and
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Will Aronsten-Whytcross
RIBS AND STARS is a series of painting works that bring together abstraction, figurative work and symbolism to explore contemporary ontology, spirituality and existentialism. This body of work considers the questions: ‘What knowledge, intuitions and instincts have outlived all traditions, institutions
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Wensi Sun
DEEP BLUE ‘Because desire is full of endless distance. Blue is the colour of longing for the distances you never arrive in, for the blue world.’ — Rebecca Solnit Blue, representing distance, searching, melancholy, warmth, memory and dreams
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Wan-Shan Jan
MY SOUVENIRS FROM MELBOURNE This project is based on observations of buildings in the City of Melbourne. I employ digital illustration and animation to create a series of sketches, combining my Asian background with further city exploration while on my
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Vivienne Tate
TOWARDS A TONAL CENTRE is a journey through public space. This research project uses methods of deep and immersive listening, and responsive improvisation, in a blended method that includes site-specific installation and performance. I use sound to analyse and understand
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Vivienne Adeney
Recipient of the Print Studio Experimental Print Award. __________________________________ This project is an investigation into how I can create a more sustainable printmaking practice by making a relief block that is infinitely recyclable. A lino block is a thick
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Vivian Qiu
THE LAND YOU STAND ON SHAPES WHO YOU ARE. Vivian has lived and studied across three countries: China, Australia and Sweden. Each culture changes her ways of seeing and making. Vivian interweaves the essence of different cultures, while exploring her
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Vittoria Greco
MODERN DAY ROMANTICS – an exploration of hook-up culture and the modern dating scene. With online dating being at the forefront of the modern dating scene, this print-based research project investigates hook-up culture and the impact that the cyber
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Vittoria Cugno
CANDID: AN APPRECIATION OF MOMENTS THAT ARE OFTEN OVERLOOKED Vittoria Cugno (b.2001) is an emerging Melbourne based artist who specialises in oil portrait paintings. In the past year, Vittoria has focused on capturing candid moments in her lived life, and
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Victoria Vyvyan
My practice is inconsistent, uncomfortable, awkward, and dematerialised. It is activist and challenges notions of authorship and capitalism through an approach to art making that promotes the collective above the individual. I propose that an ethics of care and intentional
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Victoria Lynagh
Walkers Ceramic Award & Stockroom Ceramic Award: FACETS OF A CHANGING LANDSCAPE This body of work reflects the different facets of the changing Australian landscape. Drawing inspiration from controlled burns and wildfires, I blend and contrast the devastation they cause
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Vani Newby
Recipient of the Kayell Digital Print Award. __________________________________ THE SPACE BETWEEN Propelled by an endless fascination with the natural world and our relationship to it, my work is often site-responsive, based on my own engagement with the urban and natural
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Vanessa Vun
SUBLIMINAL DREAMSCAPES Subliminal Dreamscapes is a series of works that aim to explore the fragility of mortality, nuanced morality and the essence of life. Through dark aesthetic choices and compelling
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Valentin Ostrom
Valentin Ostrom is a French-born jewellery artist whose Mediterranean countryside upbringing defines much of his identity. Valentin’s sensitivity to the natural world and previous science background play out his exploration of biology, botany and natural phenomena in an artistic context.
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Val Carmody-Stephens
TO GRANDMOTHER’S HOUSE A series of multimedia works exploring the tradition of storytelling With a deep passion and love for storytelling, my series of works are the result of my constant rumination on the topic as I ponder on the
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Tyler McMahon Porter
WHAT LURKS IN THE DARK Enforcing the innate fear of the dark and what hides within, Tyler’s painting depict various unappealing andunsettling entities alike. A collection of over thirty different artworks shrouded in darkness in a semi-interactive experience for the
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Tully-Rose Villiers
THE STAIR, AND THE STAIR is a sculptural installation that mimics the shape of an RMIT staircase. The work is a presentation of a section of the stair through the eyes of the artist’s mode of thought. The stair is
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Tracey Jones
Exploring the notion that materials are imbued with memory, my practice investigates the affective power of objects when included in figurative and still-life imagery. Collecting and preserving objects that once sat as quiet backdrops to our daily lives has become
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Tracey Ann Jones
AN EMBER IN THE PAINT: A STRATEGIC APPROACH TO AFFECT AND TIME. My project investigated the possibility of embedding something into a painting while it was being made so that, at some future point, it would spark into life and
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Terisa Ercoles
MY MOTHER’S SILENCES COME TUMBLING OUT OF ME A documentation of moments and memories I never existed within or remained a part of, through exploring the significance of our finite existence and the unpredictability of memory. Engaging with the opportunity
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Teegan Horat
A World We Left Behind Do you remember your dreams upon waking? What is the earliest memory you can recall? This project is intently concerned with memory, but doesn’t aim to depict any type of overt imagery related to existing memories.
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Tatts
RMIT Ceramic Student Association Award, Stockroom Ceramic Award, & R.L Foote Design Studio Award: VITAL MATERIALITY Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual
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Tarik Abouabdillah
My creations are the machinations of my subconscious, I never know what I’m doing when I do it. I simply start and keep on going, it doesn’t feel like I’m making work, rather that it’s making me. I have been
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Tara Sandie
RETURN INTO THE ARMS OF YOURSELF – A SANCTUARY is a biodegradable instillation intended to create a space of comfort and respite. The work aims to emphasise the need to check in on personal well-being, both physically and mentally. People get
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Tamara Perrett
DESIRING THE SELF: Embracing Autonomy & Rethinking The Gaze I am a young, queer, multi-disciplinary artist based in Melbourne/Naarm working across mediums of painting, drawing, sculpture and video performance. My artistic practice explores how self-reflexive eroticism and sexual exploration through
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Tahlia Diaz
BENEATH THE SURFACE Tahlia Diaz’s artworks reference nature expressed through the experience of mourning and grief. She has devised a unique form of coil rolling that creates a deteriorated and heavily textured clay surface by carefully assembling the repeated stretched
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Suzanne Mockridge
Why don’t more people visit cultural institutions? Why is this concerning and what can be done about it? This project seeks to establish the main reasons, or barriers that discourage people from accessing cultural institutions. It is based on the
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Sunday Smith
SWALLOW is a single-channel experimental short film created as an exploration of the cinematic psychological thriller and horror genre to engage with the discomfort of the self, exposing the deafening fear of being alone. The film blends the horror of
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Sun Wai Wise Yeung
HIDDEN AND CHANGE Yeung was born in China, grew up in Hong Kong and is studying in Melbourne. Yeung is a contemporary artist who combines wheel throwing, carving and the ceramic process to create sculpture and functional pottery. He is
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Sun Hutchinson
ILLUMINATE ME. For this body of work, I am interested in marrying mixed media with ready made domestic objects through a camp lens as a means to materialise introspective philosophies and the queer self. The choice of lamps is a
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Stephanie Rachael Corthorne
Recipient of the Lowenstein Arts Management Prize. _________________________________ A BRIGHT FUTURE seeks to evoke new understandings of value, reuse, and material, centred around my utopian ideal of a sustainable future. Through methodologies of collection, frugality, and recontextualisation, my series of
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Stephanie Jook
Elements of thought relating to the passage of time circulate with a focus gravitating towards human connection, relation and experience. In recognising the connection and collection of moments we share through solidarity and commonality, an exploration of mark-making, materiality and
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Stella Kyriakou
TO CARRY A PIECE OF HAPPINESS Χαρά – the Greek word for Joy, a feeling of delight. I am a second-generation, Greek-Australian artist living in Naarm. My ceramic practice utilises a combination of walking and play to get into creative
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Spike Isaacs
PEACOCKING is a ceramic exploration into sexuality and the reproductive systems of animals and humans. This year I focused my investigation on the courtship displays shown by certain birds-of-paradise and the seductive body language shown by humans. My research has led
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Sophia Liddy
A GESTURE OF GRACIOUSNESS is an exploration of the relationship between fractal formations, symbiosis and our relationship with all other members of the biosphere. I see fractal patterns, including their healing, connective and structural properties as essential to life, underpinning everything
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Sona Kocharyan
WET CAPSULES/SOFT-GORE My work employs the basic internal and external structures that mammals belonging to earth are made up of. Skin, muscle, organs and bone are the physical elements that highlight the simple yet interesting organisation of our bodily systems
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Soile Paloheimo
Recipient of the Megalo Graduate Residency Program and Open Bite Student Association Travel Award. _________________________________ WHERE THE OCEAN IS THE SKY I & II My practice for the last decade has been in graphic design. However, after moving to Melbourne from
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Sirui Yang
BOTANICAL CHIMAERA Sirui has a strong passion for exploring how aesthetic forms in nature have inspired the development of her jewellery project in creating its unique aura or atmosphere. She wants to evoke her unique feelings of the vitality in
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Sinéad Wheeler
A DELICATE CONFLUENCE. My practice explores the place where polar forces converge, where light and matter meet, the immaterial and material, the ethereal and the structured; where destructive harshness and soft delicacy exist in the same space. My multimedia works
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Sin Tung Liu (Cheryl)
SLEEP METAPHYSICS How is sleeping an unaware pause on our conscious control over our body? The project explores the conceptual framework that shapes our perception of the world through the observation and reinterpretation of everyday human behaviours. By representing sleeping
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Sienna Mensch
LIQUID CHAOS Sienna Mensch (She/They) is a Geelong/Djilang based queer abstract artist, who lives and works on Wadawurrung and Wurundjeri country. Sienna’s work is an exploration of how different colours and forms interact with one another to evoke emotion from
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Sienna Barton
OVER AND OVER AGAIN Sienna Barton is a Naarm-based painter and textile artist. Her artistic practice is obsessive and time-consuming. Often serving as a means of soothing fidgety fingers, her work seeks to transform anxious energy into tangible works of
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Sherline A Shen
HER VOICE. This installation artwork concerned with oriental feminism is inspired by the White Paper Movement in China which protested the COVID-zero lockdown. The white paper was blank in the initial development to reflect that anyone can express their voice
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Sharon Xin Xu
SAFETY WITHIN DIVERSE BODIES Sharon Xin Xu (b.2000), 徐欣, is an emerging Cantonese-Australian artist working on unceded lands of the Eastern Kulin nation, Naarm (Melbourne), and the Eora nation, Warrane (Sydney). Her work predominantly examines or re-defines neglected aspects of
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Sharon Lesley
CAVE LINES & TOUCHSTONES / LEY LINES & SHADOWLANDS This project references origins, cultural identity, and transference, based on an exploration of my Celtic European ancestry. It is designed as a contemplation of my colonist-settler heritage as an approach to
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Sharon Lesley
CONCILIATION: THE ARID GARDEN Roots are intriguing. They are an engagement – a plant’s engagement with the soil, a grounding, a base, an establishment, support to stand up and remain standing against outside forces and elements, a seeking of sustenance
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SELENA WENEN XIAO
Selena Xiao is an artist who has drawn inspiration from both China and Australia, capturing the elements of our world through her unique perspective. She not only explores traditional Eastern artistic techniques but also boldly experiments with new media combinations.
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Saud Alsaleh
THE SPONTANEOUS WONDERING In the scope of this project, I conduct an in-depth analysis of human behaviour, juxtaposing it with the behaviours observed in the animal kingdom. This juxtaposition serves to elucidate the distinctions between conscious and unconscious behavioural patterns,
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Sarah Vandepeer
WHAT’S IN MY ARSENAL explores the intertwined narratives of what it is like to be a woman who has given a life of service, in support of her country, within an historically male bastion. The resulting work is multi-layered, delving
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Sarah Lockey
Koodak Award for the Highest Academic Achievement in Third Year Gold & Silversmithing — Donor Mr Gabriel Ripka. _________________________________ AT WHAT COST By focusing on the use of materials possessed with an honest simplicity, together with a deep-seated respect for nature and the environment, my
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Sarah Lockey
IN THE GARDEN: AN EXPLORATION OF MEANING, MATERIAL AND CONNECTION Whilst acknowledging that all our actions impact others, both human and non-human, and that all beings are connected, I explore how the meshing of humankind and the plant world
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Sarah Karnis
Recipient of the Firestation Print Studio Graduate Print Access Prize.__________________________________ SETTING A PLACE I am an emerging, print-based artist living and working in Djilang/Geelong, Victoria. Having spent the last couple of decades raising my two daughters, I decided to return to
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Sarah Catania
UNTITLED This multidisciplinary project incorporating textiles, printmaking, and installation, explores the effect of negative thought patterns on everyday life. Focusing on repetitive and obsessive making, I investigate how the creative process can imitate ruminations and reveal a new way of
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Sang Shen
HARMONIOUS COSMOS explores lyrical narratives by combining Daoist philosophy with magic realist paintings. Drawing upon Daoist philosophy, my fundamental concept is embracing the flow of life and nature. I depict a boundless pictorial space to translate these natural rhythms of
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Sandra Flores
GOSSAMERY I am a Peruvian-born sculptural installation artist working in Naarm, Australia. My work explores how we experience embodied meaning through interconnection with our environment. I pick my materials based on their sensorial and somaesthetic qualities. As such I have
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Sandra Flores
MATTERS proposes that creating multi-sensory atmospheres in sculptural installation art can reconnect us to our sensitive and material nature, blurring the boundaries between participants, artwork and environment. These gatherings could become sites for (renewed) embodiment whilst revolting against hegemonic power structures
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Sam Pradd
Hillooo! Everybody, listen everybody beautiful artworks on the website uwu. w-well I love all things random, but I am inspire huge by music players named Britney smalls. Some people known me to say (sigh) *demands pats*. Of the other hand
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Sam Meekan
Drawing Studio Award for excellence in drawing-based practices: SPIKE THE CANON – This body of painting re-enacts hyper-masculine forms of ‘play violence’ drawn from niche hobbies such as 90s table top and video games. It investigates the vying solipsisms of
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Saiqu Ma
Recipient of the Koodak Award for Enamelling Prize for Technical Excellence— Donor Mr Gabriel Ripka. _________________________________ ACCOMPANYING IS NOT WAITING This project consists of a series of realistic, full-figure animal enamel portraiture forged using metal plates and enamels. The choice
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Sade Marat (Marley)
YOU’VE STARTED SOMETHING IMPORTANT, AND NOW IT’S TIME TO COMPLETE IT encapsulates the art experience, and spans multiple mediums and projects. The conventions of structure and reason hold no ground on creativity. Agitation, as one can never truly be safe. Utilising
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Sabrina Xu
BLOCK HEAD MOVING FEET: Natural Solace or Escaping ‘I took a walk in the woods and came out taller than the trees’ –Henry David Thoreau Embracing the traditional with a touch of modernity, I seek to delve into watercolour techniquesthat
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Rubyanna Edwards
Colour is Content – a scandalous notion. Colour, I keep telling myself, can be anything it wants to be. An untouchable, anthropomorphic body of expression. An agitator. A goddess. It seems however, that the higher values of colour are all too well
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Ruby Tirekidis
Highly commended – Wayne Conduit Prize: Narrative is what drives my art practice. My most recent body of work explores the notion of visual storytelling and has been inspired by a personal mythology I have been writing. My paintings tend
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Rosegennan Whitlock-Whyte
SUBTERRANEAN ARTEFACTS At the core of my artistic practice lies an exploration into trauma, memory, personal, and collective histories, mechanisms of healing and repair, and the relationship between body and space. This exploration is viewed through the intersection of existential
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Rose Smith
NOBODY PUTS BABY IN A CORNER My studio practice throughout this year has largely been an expression of internal dialogue and emotions translated onto canvas through a surrealist lens. My current project focuses primarily on the notion of infantilisation and
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Rose Gamble
QUIETUDE is an installation work that incorporates and melts into the surrounding exhibition space, the work documenting a play on light (natural and artificial) through an array of pinholes and enamel plique-à-jour windows, across a series of mild steel plates. Quietude
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Rose Evans
DANCE MUSIC: RHYTHMIC EXPRESSION IN PASTEL AND SOUND I am an emerging artist and practising musician based in Ocean Grove, Victoria. My bold and fluid style, both in drawing and music, has emerged from a quiet self-confidence that allows me
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Rochelle Morris
BODIES TUMBLED INTO BODIES: Exploring multispecies entanglements Welcome to the rhizome, you can erase a line in the web but little spores still blow towards you in the wind. ‘Ecology’ is derived from the Greek word ‘oikos’, which is defined
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River Leigh O’Dwyer
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Rintaro Mieda
I explore the beauty in the patterns created in nature, aiming to reintroduce the often-overlooked sensation that nature brings to our daily lives. Although my jewellery is wearable, I am equally interested in how my jewellery can connect its wearer
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Rini Siahay
TRANSIENT STATES OF CONSCIOUSNESS explores the socialisation of beauty ideals, particularly in the context of girlhood, and how those values affect one’s perception of oneself and the world around them. There is a stage where a girl comes to realise
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Renee Coster
Recipient of the Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) Highly Commended. _________________________________ PURE INTENTIONS investigates the implications and complexities of purity culture and considers the intersection and contradictions of ideology and desire. Purity culture promotes conservative religious teachings
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Rebecca Porter
DRAINS, WALLS. I paint in a subtractive way and flood the gaps with whatever annoying thing persists in previous work that I’ve erased or destroyed. At the same time I was thinking of connections between Wittgenstein’s rejection of a fountain,
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Reagan Wyles
WALLS I am an abstract oil painter that lives and works in Melbourne. My paintings focus on colour perfection and fun shapes. I graduated high school dux in studio art, and am about to graduate with my Bachelor of Fine
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Raven Dawn
Sometimes, the classroom environment needs JUST A LITTLE BIT OF SPICE! and for creatives that divulge in more audacious aesthetics, navigating between common morale, responsibility, and free expression can be challenging. The ambiguity of censorship laws often looms behind many in the collective art