![Aurea Palmer, ‘Our Regrettable Prophecy’ in progress, 2023, copper, photographed by Saud Alsaleh](https://sites.rmit.edu.au/artschoolgraduates/files/2023/11/023-GS-Fine-Arts-Aurea-Palmer-In-progress-flower-2000-1-original.jpg)
Bachelor of Arts (Fine Art)
Gold & Silversmithing Studio
image: Aurea Palmer, ‘Our Regrettable Prophecy’, 2023 [in-progress], copper. Photo: Saud Alsaleh
2023 Awards
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Ciara Steggerda
Koodak Award for the Highest Academic Achievement in Third Year Gold & Silversmithing. CONTEMPORARY TALISMANS is a body of work exploring the involvement of jewellery and objects in everyday rituals. Ciara’s practice explores the idea of the talisman, informed by more …
2023 Graduates
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Angelica Zumpo
THE SYMPHONY OF JOCULARITY: UNVEILING THE JOURNEY FROM CHILDHOOD TO ADULTHOOD is a project that explores the harmonious interplay between craft and childhood by weaving together found objects and metals in an effort to explore connections between past and present
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Angelique Fry
ETERNAL LOOP~REIMAGINING THE BUCKLE In this project I explored contemporary buckle making through the lens of intuitive making. This work seeks to create discussion on the functionality of different buckles by abstracting their form, scale and function. I’m interested
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Aurea Palmer
OUR REGRETTABLE PROPHECY A sculptural installation that calls into question our future under current social condition. It questions society’s cause of climate change and its radical effects on everything, reinforced through the showcase of mundane elements. A portrayal of a
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Ciara Steggerda
Koodak Award for the Highest Academic Achievement in Third Year Gold & Silversmithing. CONTEMPORARY TALISMANS is a body of work exploring the involvement of jewellery and objects in everyday rituals. Ciara’s practice explores the idea of the talisman, informed by
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Dee Robinson
FLOTILLA OF BOATS In my creative practice I have explored theories of flow, play, and the relationship between making with memory and place. I combine these concepts by fabricating a fleet of vessels, using traditional gold and silversmithing
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Grace Elizabeth Flinn
PURSUIT OF TRANSLATION An exploration of the many transformative processes of casting metal in relation to my automatic drawings. Drawing has always been the cornerstone of my practice. Drawn lines have a magical nature to them, a nature I have
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Junke Zhang
SUGAR RESTRICTION This object is made of 9 x 9cm plastic board, interspersed with red and white thread as decoration, capsules containing red and white cotton thread are collaged on the bottom plate. This work is intended to express the
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Rintaro Mieda
I explore the beauty in the patterns created in nature, aiming to reintroduce the often-overlooked sensation that nature brings to our daily lives. Although my jewellery is wearable, I am equally interested in how my jewellery can connect its wearer
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Rose Gamble
QUIETUDE is an installation work that incorporates and melts into the surrounding exhibition space, the work documenting a play on light (natural and artificial) through an array of pinholes and enamel plique-à-jour windows, across a series of mild steel plates. Quietude
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Saud Alsaleh
THE SPONTANEOUS WONDERING In the scope of this project, I conduct an in-depth analysis of human behaviour, juxtaposing it with the behaviours observed in the animal kingdom. This juxtaposition serves to elucidate the distinctions between conscious and unconscious behavioural patterns,
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Vivian Qiu
THE LAND YOU STAND ON SHAPES WHO YOU ARE. Vivian has lived and studied across three countries: China, Australia and Sweden. Each culture changes her ways of seeing and making. Vivian interweaves the essence of different cultures, while exploring her
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