Join the School of Art in celebrating the powerful, innovative, and experimental work of our 2022 graduating students.
Grace Allen, Despised, 2022.
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Aaron Ashwood
Recipient of the Composite Moving Image Agency and Media Bank Award and the Jack Willet 1301SW Honours Award. _________________________________ HERE/THERE (AND ME IN-BETWEEN) Just like walking in an alley, looking to see what will happen, then walking into another alley
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Adrian J. Song
Recipient of the Kallman Feitel Endowment and the World Centred Award: The Perimeter Books Award. _________________________________ WHISPERING A SECRET INTO A SEALED BAG explores what Édouard Glissant describes as the ‘right to opacity’. The book presents itself, both in form
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Aidan Calabria
The imagery in my work is akin to a form of assemblage and is intended to challenge notions of totality. Through relations of exteriority and emergent properties, these works may be understood in terms of material, expression, stability and coding.
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Aisha Hara
Recipient of the ACAE Gallery Award. _________________________________ PAINTING AS AN ACT OF TRANSLATION Through painting, I aim to echo musical forms into the visual. The resultant body of work explores the kinetic symbology of music, linguistics, hybridity, and inner worlds.
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Al-Hayya Siddiqui
ROOH OF PAKISTAN Encapsulating the essence of Pakistan with its traditional cuts, meticulous craftsmanship and vivacious colours, each edit from this collection draws inspiration from the rich Pakistani culture and heritage bound to make you look classy and stylish. Rooh
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Alanna Baxter
FROM YOUR BIRTH TO THE ONE YOU GAVE ME Within my work I aim to explore notions of rebirth and queer femme identity, utilising text and humour. In the digital age, I am surrounded by constant sources of stimuli, which
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Alex Kynaston
Recipient of the The ADFAS (Australian Decorative & Fine Arts Society), Yarra Branch Award _________________________________ ISOLATED FACES metaphorically explores anxieties of isolation and belonging. This project is a self-reflexive study that utilises non-traditional portraiture by shadowing the faces of loved ones to
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Alexander Munday
LIGHT, SHADOW, AND OTHER SOUNDS is a body of multi-media work that explores the symbiotic relationship between image and sound. Presented in the considered form of a classic CD digipak, the work combines photography, sound art, music and graphic design
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Alexander Tuxford
Recipient of the Dean’s Award for Academic Excellence, Bachelor of Arts (Photography)(Honours) Highly Commended. _________________________________ UNTITLED This was the first place I went to with the aim of making new pictures. I wasn’t too sure why. There was something about
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Alexandra Calabria
IMPRINT & IMPRESSION An exploration of the materiality of fabric through the print medium. How one material can be transformed through the matrix, and furthermore, the print itself. A print-based triptych that explores the nature of fabric in its form
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Ali Choudhry
Recipient of the Dean’s Award for Academic Excellence, Bachelor of Arts (Photography)(Honours) sponsored by Kayell Australia. _________________________________ BREAKING BREAD Historical critique of power relationships in photography has focused on broad, categorical, systemic relationships, such as those of, and existing between,
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Alice Jordan
Recipient of the BDS Sculpture Prize. _________________________________ BENEATH DAPHNE I am an aspiring sculptural and installation-based artist located in Kulin country, Melbourne Australia. I will soon be graduating with my Bachelor of Fine Art, specialising in Sculpture at RMIT. I
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Alicia Lo
VICARIOUS YOUTH is a street photography series, that depicts the psychological struggles of adolescents attempting to reintegrate into the cacophony of the post-lockdown world. It explores the idea of experiencing youth through the captured moments of others. This voyeuristic approach emulates
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Alyssa Henderson
My work is a wide-ranging entanglement of found imagery and intersecting concepts that manifest in chaotic and often psycho-surreal narratives. Ultimately, I see my practice as a form of sensation seeking and psychoanalytical tool that speaks of the human condition
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Amelia Spencer
MAKING SPACE FOR DETAIL Reflecting the adolescent urge to document everything, my work is an act of noticing, collecting, and giving attention to the minute minutiae, the detritus of our culture and the beauty of the mundane, transforming each detail
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Amelia Whiting
FOUND MOVEMENT IN FOUND SPACE Dance as art and choreology are the foundation of my current practice, looking at the relationship between personal movement style and visual aesthetic as the remnants of an artist left in their work. Starting with
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Amy Gagnon
THE DIVINE EQUINE. Amy Gagnon (b.2000) is an artist residing and practising on Wurundjeri Land in Naarm (Melbourne). She is currently in her final year of a Bachelor of Fine Arts (Painting) at RMIT University. Recent exhibitions include the group
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Amy McGrath
AFTER SCHOOL is a reflection of youth culture and adolescence, the moments between childhood and adulthood that are chaotic, and formative. Based on memory, experience and observations, the lighthearted scenes suggest freedom, pleasure and excitement for what is to come.
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Angelique Joy
This series explores neuroqueer (autistic/queer) (dis)embodiment and alienation. Through a queer, posthuman and xenofeminist framework, the work brings into focus the inherently queer interbodily experiences of the neuroqueer bodymind. The work offers a narrative imagining for the neuroqueer networked self; a self joyfully enmeshed with the technological and the non-human.
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Angelo Mao
Inside the installation space, scripted spaces unfold, interact and nest with and inside each other. The body transforms into data; the data flow from our fingertip, through the camera, into the central processing unit. At this moment, we are all cyborgs.
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Anh Truong
REFRACTIONS OF REFLECTIONS is an exploration of the inner self channelled through the waves of water—an embodied experience of fluidity within my identity. The extensions of water, and the structure it holds is as transient as our flow with life
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Anika Macela
SCENERY FROM THE SUBCONSCIOUS A subconscious exploration of memory and place through the use of intuitive marks and abstraction. This multi-media project explores the artistic potential of the subconscious mind and its relationship to place. More specifically, the natural world
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Anita Kwong
OF AIR , LIGHT AND WATER Shifting colours move through bands of blues and violets with a shimmer of red. The atmosphere becomes dusky as the large fabric installation lights up: iridescent silky silver-blue flows from above, mingling with
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Anna Kennedy
BODY VERTICAL My video installation uses advanced editing, special effects and compositing techniques to interrogate patriarchally-skewed cinematic codes embedded in mainstream film. Crucially, it responds to feminist screen theory in seeking new ways to represent the material female body. By
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Anna of Pearl
OBJECTIFIED SWANS Through the lens of a sexual fantasy featuring the feminine within a 70s kitsch-pornographic-inspired environment, Objectified Swans attempts to undermine female binaries and expose them to be patriarchal weapons adopted to suppress a woman’s sexual
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Annie Wallwork
Recipient of the Drawing Studio Award. _________________________________ THE NATURE OF LOVE ‘Trauma and shit going down in childhood is [not] inherently interesting…it’s chronic, commonplace, sometimes dramatic and often tedious in its stranglehold of repetitions, daily struggles, and predictable and
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Anthony Hart
Recipient of the Client Centred Award: Sun Studios Award and the Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) sponsored by Arten Framing. _________________________________ THE JOURNEY OF CHOCOLATE is made up of seven handmade chocolate slides, each designed to create
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Aurora Markel
THERE WON’T BE ANOTHER TIME is an exploration of childhood. Looking at both the universality of childhood experience, and the differences in my and my parent’s upbringing, I consider the question: What would it be like to meet our parents
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Beth Sanderson
Recipient of the Emily Hope Award for a figurative work— Donor Professor AD Hope Endowment. _________________________________ DOMESTIC RITUAL My practice explores the domestic space and the mundane with a focus on the processes and objects involved in food preparation. The
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Billy Raffin
Recipient of the Experimenta Internship Award. _________________________________ EXPLORING COLLECTIVE CONSCIOUSNESS THROUGH MOVING IMAGE AND MUSIC PROJECTS SITUATED IN PUBLIC SPACE In my Master’s research, I have been using the moving image and music to explore collective consciousness, dreams, and time.
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Boyu Zhang
Analyze the practice of immersive theater in small cities of China ——Case study “Youjian Pingyao” The Chinese performing arts market has been developing at an unprecedented rate in recent years, providing more choices for people’s spiritual life. Many performance groups
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Bren White
Recipient of the Kallman Feitel Endowment and the Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) Highly Commended. _________________________________ BLUE is a visual and written exploration of the self, following an adult ADHD and ASD diagnosis and coming to an
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Caitlin Rigby
Recipient of the Chapman & Bailey Award for Excellence in Contemporary Painting. _________________________________ LANDSCAPE / ESCAPE ‘As an artist I’m trying to reflect something back to myself. A feeling, understanding, sense of the world…’ —Kiki Smith Exploring the silent language
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Caleb Elliott
DATA CYMATIC explores the fluidity of digital data through the creation of visuals and sound and their connectivity. Audio-reactive connections between a combination of renders and source imagery have been coded to the sound source to rip the visual data
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Carly Spiteri
THE GOTHIC NURSERY An exploration of childhood spaces through immersive art. From one world you will stepinto another yet unmetShadows rising in the corners,are you one of the mourners?The child no longer seeninto a world in betweenEverything left to
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Catherine Pickop
Recipient of the Dean’s Award for Academic Excellence and contribution to the program, Master of Fine Art. _________________________________ TOWARDS REPOSE An exploration of materiality and ephemerality through the use of organic matter and geometric patterns. This multidisciplinary research project frames
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Catherine Smith
CATHERINE’S REEF Through ceramic hand-building, I create sculptures that are heavily textured, painted with bold, bright primary and secondary colours. My ceramic outcome often consists of an installation of sculptural objects grouped to create a larger work. Present-day environmental issues,
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Celeste Perry
LESS OF AN INTERNAL MONOLOGUE MORE A PATCHY CONFERENCE CALL is a body of work that seeks to understand and connect with others, through the exploration of my own inner workings. As a woman with ADHD, my works are inevitably a
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Chanoknan Khongkadae
ART AND MUSEUM MANAGEMENT DURING THE COVID-19 DIGITAL ADAPTATION Most of my research projects are written with reference to the situation of Covid-19. I have been living in Melbourne during my study. I have seen so many ways that art
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Charlie Lochert
DIGITAL SKIN (she/they)Charlie is a Naarm-based artist working on the land of the Wurundjeri people. Starting their practice as a fine art painter, Charlie now explores new media with a focus on hybrid retro-future technologies, creating installations that consider feelings
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Charlotte Armstrong
I acknowledge the traditional owners of the lands of the Wurundjeri people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nations on whose unceded lands we live, work and learn. I would also like to
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Charlotte Hall
STILL WATERS RUN DEEP explores the existence of a ‘safe space’ in response to personal sufferings of anxiety and insomnia. The large acrylic paintings on calico material are designed with intuitive, unconscious gestures as a means of healing through the
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Chelsea Lee
THE PAIN OF LOVE REMOVED is an art-based project by Chelsea Lee Picken exploring discourses of sexual dysphoria, contemporary gender issues as a form of therapy to reconcile with her own being. Combining written passages with intimate black and white
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Chiara Zeta
Recipient of the 44 Frame Factory Graduate Award. ___________________________________ IN/VISIBLE: FEMIN-INE/IST RESPONSES TO DOMESTIC VIOLENCE This project uses hand-made textiles and print-informed media to explore women’s responses to domestic violence. It is informed by my developing understanding of trauma theory
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Chispa Flaskas
Recipient of the Journal of Public Space Prize. _________________________________ APOCALYPTIC THERAPEUTIC A speculative journey into the future of our climate vulnerable ecologies through virtual reality and participation Apocalyptic therapeutic is a laboratory of drawings, writing, virtual renders, and participatory
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Chloe Vella
WUNDERKAMMERN OF OBJECTIFIED SIGNIFICANCE – WOMAN CLAIMS THAT A LEFT FOOT BOOT IS HER DAUGHTER AND HER HUSBAND IS A DIRTY COUCH I am a Naarm (Melbourne) based multi-disciplinary artist, who makes installations, video and sculptural works as well as
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Chris Bilby
IMMORTAL CLICKSTREAM IMMORTAL CLICKSTREAM uses my browser history as source material for a series of mixed media works exploring meaning and identity in a world overburdened with data and indiscriminate visual noise. Images related to my internet search history are archived
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Christine Murray
Christine Murray (she/her) is an object-based artist trained in gold & silver smithing with a Bachelor of Arts (Fine Art) at RMIT. She has also completed a Bachelor of Contemporary Arts majoring in Animation and Digital Culture (Deakin University). Murray
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Claudia Cuthbert
SEX: EVERYONE AND YOU Sex education plays an incredibly important role in the development of early sexual experiences and sexual behaviours into adulthood. The absence of adequate sexual health education leads to the prevalence of several health and human development
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Claudia Ridgway
Internal dialogue, self-image, grotesque, gothic, infested, decay, temporality, memento mori, bodily and paradox are words and phrases that could describe my work. Through a self-reflective lens, I use oil painting, drawing and sculpture as a visual language to explore themes,
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Connotie Yu
[1] FUTUREFOUND BUTTON:A dialogue between C (she) and F (the plant) C: They say regrets are based on wrong premises. What do you think.F: I think very little.C: Why are you here.F: To fill in the silence. F: What’s Sam
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Cristina Mariani
Cristina Mariani (@marianiunsupervised) • Instagram photos and videos Home | Mariani Unsupervised
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Cristina. T. Ingbritsen (Tattooed Blonde Punk Art)
FEMINISM & THE OCCULT attempts to challenge the viewer as to whether or not their pre-conceived ideas as to what a witch is have been informed by, and/or contributed to, the misogyny, ageism, racism and violence that often overshadows the
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Daniel Song
ARTIFACT 7 explores the lines between documentation and artwork through the installation of unorthodox print, video, and painting. I paint on hard surfaces over long durations, and then pour PVA adhesive over it and peel it back as a pseudo monoprint.
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Daniel Walton
OCEAN CULTURES is a photo documentary of my personal journey in finding a connection towards the ocean. This documentary investigates the perspectives of different maritime figures such as fishermen, shipwrights, and maritime curators to learn from their lived experiences and to
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Darcy Lazarus
THE VERY STATE I am Darcy Lazarus and tonight, you are my voyeur. They are listening to you. While you’re on the phone to your Mum, engaging in half-whispered pillow talk or speaking to your cat in a nauseating
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Daria Niall
POINT OF VIEW (musing from previous years of art school) I can see the internet as a machine that has already swallowed us all whole. The internet then spews over itself, reformulating its own contents to produce more—feeding itself on
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Deanna Versace
SADNESS TOWARDS FADED TEARS My name is Deanna Versace. I’m an emerging artist in Australia who uses the pronouns she/her. I have been part of the RMIT institution for four years, completing my bachelor’s degree in printmaking. I had the
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Deb Lemcke
Recipient of the NAVA Ignition Prize. _________________________________ WHISPER WAVES This research project grew out of an interest in how our brains work and the different ways that we can influence them by engaging with creativity and the natural world. The
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Deborah Fisher
Recipient of the Bold and Beautiful Art Prize and the Wolf Wennrich Award for Craftmanship – Mr Michael Wennrich Endowment. _________________________________ In my creative practice, I have explored the inter-dependency of species using the symbiotic relationships between coral and people
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Debra Iris Batton
Recipient of the Dean’s Award for Academic Excellence and contribution to the program, Master of Arts (Art in Public Space). _________________________________ IN THE MIDDLE OF ZOË is a public performance experiment with arthouse circus and posthumanist philosophies. The work is
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Dominique Viggiani
WORLD BUILDING AND SPATIAL DRAWING: PLAY THE GAME, DON’T DIE Rooted in modalities of playfulness, my current work spans object-based installation, drawing and painting. These works navigate structures and hierarchies of gender through symbols and the personification of objects. The
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Doris XinZhi Li
My watercolour painting practice reveals and communicates ideas of an ‘inner self’ via imagery that evokes a conscious and unconscious self, along with personal identity and attachment. Each of my paintings focuses on reconstructing something from the past via thoughts
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Doudi Wang
ASHES OF TIME ASHES OF TIME explores the idea of harmony between Eastern philosophy and nature, through a surrealist approach to landscape photography, aiming to achieve a visual dissonance that questions human intervention in nature. At the same time, the
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Drey Willows
Recipient of the Troppo Print Studio Graduate Award. __________________________________ RHYTHMIC DISTURBANCE is a creative project that explores the lived experience of traumatic grief under intense media scrutiny and public opinion. The project uses experimental print-informed techniques to reflect how the
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Edie Duffy
Recipient of the Wayne Conduit Memorial Award. _________________________________ When people ask, I say I paint pictures of vases. These paintings have been drawn from particularly endearing eBay listings of ‘fat lava’ pottery. Digital images have become so ubiquitous that we
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Eilish Sherlock
SQUISH Summary: Studying the nature of skin/flesh and its movement. Differing skin types, as in aged, blemished, scarred etc. and what those contexts translate to within the human structure. Skin in daily movement and light, stretched, pulled and squished in
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Elahje Kassis
STRUCTURED BODIES focuses on the never-ending relationship between memory, place and the body and explores these connections through drawing and painting. Driven by the impact of contextual surroundings on the self, the places we choose to inhabit, the places we
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Eloise Beath
UNDEFINED Utilising a combination of self-portraiture, social media screenshots, archival photography and handwritten reflections from personal journals, Eloise explores the disenchantment of love and modern dating with honesty and a sense of humour. With UNDEFINED, she deconstructs the idyllic narratives
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Elouise McKinley
EMOTIONAL! is a children’s picture storybook that explores emotions as they are experienced in all of their new, strange intensity by children and aims to assist them in understanding these feelings. It follows the journey of a young, horned girl
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Elyse Pape
AND SHE WAS LYING IN THE GRASS When sharing experiences with others, it’s easy to assume that people feel or think the same way as we do. However, by simply being alive our perspective will never be the
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Emily Short
GRANDMA’S WARDROBE is an exploration of Australian fashion throughout history. Using vintage clothing that corresponds to specific dates and eras, a timeline of fashion is thus laid out. Ten decades have been explored, with their distinct styles and trends showcasing
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Emma Rothberg
NEOMA: NEW MOON (Greek origin) Time is abstract. Time is constantly moving forward. Time is fluid. This project documents the abstract nature of time and the visual cues that remind us of time passing. Everywhere around us, time flows, leaves
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Emma x Zhang
NAVA Ignition Prize. DIGITAL WONDERSCAPES Exploring the wonder and new ways of seeing natural phenomena through atmospheric colourful light projections I use the ephemeral nature of light to explore and interrogate new ways of seeing, by employing digital techniques and
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Erin Bussell
MATTERFLOW My creative practice is an exploration of material and transformation, and is focused on ceramic-based processes. I draw on traditional ceramic techniques, such as mould making, slip casting and glaze development, which I use in unconventional ways to create
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Eugenie Gullifer-Laurie
FAST/SLOW WE HOLOMETABOLISE Holometabolism, also called complete metamorphosis, is a form of insect development which includes four life stages: egg, larva, pupa and imago (adult) –Wikipedia Fast/Slow We Holometabolise is a multimedia diary of transformation in the face of illness,
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Evelyn Challinor
1994, YEAR OF THE MUTT Evelyn Challinor (b.1994) is a mixed-race Chinese-Australian artist, originally from Gadigal and Yuin Land. She currently resides in Naarm, practising between the fields of fine art and horticulture. Through the process of thinking-through-making, my practice
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Faith Spencer
A REBIRTH. My paintings move between abstraction and figuration, drawing imaginative succour from peasantry and European brides. My work explores the power of melancholia, weaving themes of longing and passing time through transparent colour fields and abstract compositions. I contrast
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Felix Abercrombie Wood
AHH! MY EYES! Exploration of frames, surfaces, absence, mise en abyme, self reference, eye-brain connection, paradox, distortion of perception. My practice revolves around the interface between the senses and ‘objective’ reality.
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Fiorella Fabian
THE CHANGING ROOM PROJECT is a research-based investigation on the quest for ideal structural and related processes for a socially engaged arts organisation in 2023. The call for structural change within arts organisations and their funders is made loud
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Francesca Bardell
AFTER HOME. Through exploring connections to home, familiarity and nostalgia in conjunction with the ideas of the afterlife, the uncanny and the unsettling, this project merges the two to create a series that not only includes objects from home set
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Gabriel Orloff
REWORKING LANDSCAPES The following imagery has been produced on Boon Wurrung, Wadda Wurrung, Woi Wurrung and Latji Latji lands of the Eastern and Western Kulin nations. I acknowledge these language groups to be the traditional owners of the land and
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Gail Harradine
FIRST PEOPLES ART CURATION METHODOLOGY AND KEY ANALYSIS OF AUDIENCE INTERPRETATION IN VICTORIA, FOCUSING ON THE KOORIE HERITAGE TRUST, INC. AND MELBOURNE MUSEUM. Wotjobaluk/Djubagalk/Jadawadjali Arts practitioner, Curator and Teacher In 2022, the push for insights into First Peoples lives and
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Genevieve Mathews
A HOME FOR LOST THINGS In my creative practice, I have explored the body through drawing and the sculptural medium, unpacking notions of how we host our lived experiences within us, along with what it means to find a ‘home’
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George Downing
HOUSE OF WAX comments on reproduction and re-appropriation. I am re-appropriating horror films that have either been remade or were heavily influenced by other films. The images focus on themes of the uncanny (castration, double, involuntary repetition and animistic conceptions of
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Georgia Clarke
BLURRED is an abstract installation work encompassing themes of cultural identity, accidental photography, and liminal spaces. The intersection of these themes is an experience-based work on how blurred identity and layers of the self can become. Accidental photography and the
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Georgina Jefford
in honour of arachne and all those who came after her Georgina works predominately as a portrait photographer in Melbourne. She creates self-portraits exploring the metaphor of craft as woman, often incorporating multiple mediums including embroidery, sewing and collage. Georgina
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Geraldine Richards
NOT NOTHING/IT’S SOMETHING explores an embodied approach to materiality to investigate the loss of self and gender politics in relation to creative freedom through a series of metaphorical artworks. Materiality and humour are used to interrogate gender oppression while seeking
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Gomathi Suresh
Recipient of the Lowenstein Arts Management Prize and the NAVA Ignition Prize. _________________________________ THE SECOND LANGUAGE Navigating Marginalised Ecologies Using a Multi-Disciplinary Practice. This multi-disciplinary project combines ceramic objects, paper, video, and the recorded voice to examine issues of ecological degradation
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Grace Allen
Recipient of the Baillot & Balfour Endowment. _________________________________ HEAVENLY CREATURES is a photographic project exploring alternative methods of representing the female body in fashion photography. The commercially-inspired photographs accentuate rather than hide aspects of the female body that society deems
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Grace Robinson
BEHIND THE GRAPHICS – UNDER THE HOOD is the photographic exploration of the typically unseen light of infrared photography and the enhancement of graphic design and its power to completely alter traditional elements of photography while expressing the use of
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Grace Wright
SENSE OF SELF Lover, You Should’ve Come Over [diptych], 2022, ink and acrylic on stretched canvas, 90cm x 90cm. SENSE OF SELF is an exploration of identity through spirituality, symbolism, colour and connection with mother nature. It involves heavily
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Guancong Shen (CHONG)
0 to ∞ ‘My painting is not limited at all. I have many possibilities, in terms of approach. And the reason I have that is because I’m not limited by a certain narrative that I want to get across.
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Halle Mickle
FOS”CELL“ISED For this sculptural project, I will sculpt and cast a collection of stylised cells out of plaster, using a silicone-based mould as well as brush-and-pour techniques to create a unique assemblage that represents my themes of materiality, identity and
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Zoe Inei
AN UN-COMING OF AGE The still-life object acts as a vessel in the exploration of the beauty of the everyday. Its accessibility and familiarity allow the bowl, the vase, the cup, to resonate universally. The stylisation of the vase becomes
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Zarria Sin Cheng Fong
THE MAGICAL JOURNEY: CORAL AND PHOENIX is a fictional story about the magical adventure journeys of Princess Coral and Phoenix. The five metre long mixed media painting is divided into twelve storylines. The stories reference Western and Eastern myths, religious stories,
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Zainab Qureshi
UNSTILL My work engages with ideas relating to inspiration and influence. Our perspective on everything doesn’t come naturally, we learn how and what we see. Unstill is a series of non-narrative, still life oil paintings, made using multiple layers where
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Zachariah Micallef
LATENT HALIDE The core mechanisms of the photographic process involve a blank medium exposed to external phenomena in order to record an event. Traditionally, light alone is given the sole role in representation despite other phenomena playing an important role
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Yuzhen Lu
DYING BUT ALIVE IN THE FALSE WORLD Reborn—Can The Cyber God release souls of Bionic Ghosts from purgatory? This project focuses on cyberculture and contemporary beliefs regarding spirits and ghosts, expressed through the medium of an immersive space.
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Yumeng Li
这个项目对探索家的数字化软件来寻找记忆和收藏之间的联系，的项目还包括我在重建过程中的使用过程。 我的作品为基础，制作项目的，并制作视频，以扩大与观众的创作范围和日常联系范围，以唤起与时俱进的场景。感觉离场感是席位实践创作的关键要素。出现的情绪，看似乡愁传达出一种个性化的情绪。 随着工作的推进，我的制作场景设置在一个更接近的时期，软件中的现在逐渐成为我物理世界的延伸。 李玉萌，数字家庭，2022 李玉萌，数字家庭，2022 李玉萌，数字家庭，2022 李玉萌，数字家庭，2022
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Yonah Ma (Curseye)
PERSONA I have slowly slipped into the life of an immigrant since 2017 when I started studying in New Zealand—then attending university in Melbourne from 2020 to 2022, where I will be graduating at the end of the year, and
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Yolanda Scholz Vinall
Recipient of the Reflektor Prize. _________________________________ Originally from the traditional unceded lands of the Kaurna people on what is now known as the Adelaide Plains, I moved to Naarm/Melbourne, where my current creative work has generally developed into an expanded
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Yidan Fang
Recipient of the NAVA Ignition Prize. _________________________________ DIALOGUE WITH NATURE This research project uses temporary public artworks and multi-dimensional methods to foster embodied and symbiotic relationships between the human, the environment and nature. The research utilises different forms of public
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Yi Cheng
BY THE POND is a series of works in response to the pond in Carlton Gardens. These paintings draw from my experiences of this place and the duck’s impressions on me. Over the past year, I have been visiting the
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Ya Juan Long
Recipient of the The Bold and the Beautiful Art Prize. _________________________________ THE LANGUAGE OF MATERIALS In my project I have investigated how after immigrating to Australia in 1998, having been brought up in a traditional Chinese culture, I was exposed
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Xueying Fu
DREAMS THAT SWALLOW PEOPLE III presents China’s hot water culture to a perhaps unfamiliar audience. Although the history of Chinese drinking hot water is only seventy years old, it has had a profound impact on every Chinese person. Tracing the
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Xinyi Wang
ARTS EDUCATION IS AVAILABLE FOR ALL CHILDREN A business plan for a non-profit arts education platform. Inequality in educational resources is a problem in every country. In comparison, big cities will have more educational resources than small cities. Due
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Xinyi Chen
ART IN PUBLIC SPACE DURING THE PERIOD OF COVID-19 Public art refers to works of art in any medium planned and executed outside the gallery environment, which are specifically used for exhibitions in public spaces. There are many ways to
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Xiaoyou Fu
MIRROR AND ILLUSION Xiaoyou Fu is a contemporary artist. By exploring photography and mixed media, I looked at other ways to communicate emotion and depict ambience. I also exhibited certain ethereal aspects of Eastern culture in an abstract form. Through
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WooJai Lee
WooJai Lee’s practice is centered around materials. Through material experimentations, he searches for the hidden potential of ordinary material. By transforming the materials into unconventional applications of furniture, interior elements, and sculptures, WooJai challenges the stereotypical ways of working with
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Wensi Sun
DEEP BLUE ‘Because desire is full of endless distance. Blue is the colour of longing for the distances you never arrive in, for the blue world.’ — Rebecca Solnit Blue, representing distance, searching, melancholy, warmth, memory and dreams
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Wan-Shan Jan
MY SOUVENIRS FROM MELBOURNE This project is based on observations of buildings in the City of Melbourne. I employ digital illustration and animation to create a series of sketches, combining my Asian background with further city exploration while on my
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Vivienne Adeney
Recipient of the Print Studio Experimental Print Award. __________________________________ This project is an investigation into how I can create a more sustainable printmaking practice by making a relief block that is infinitely recyclable. A lino block is a thick
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Vittoria Greco
MODERN DAY ROMANTICS – an exploration of hook-up culture and the modern dating scene. With online dating being at the forefront of the modern dating scene, this print-based research project investigates hook-up culture and the impact that the cyber
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Vimi Song
ME is a series of fashion portraits exploring female identity. This initiative engages the cooperation of a professional photographer along with women who challenge the male-centric gaze discourse. Portraits have produced new concerns for women as developments in photography have given
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Veronica Purcell
NO NAMES // IMPRESSIONS MADE The concept of immortalisation, of leaving an impact after death, a proof of existence, is something so specifically human. Like graveyards and museums, books or photography. ‘The bush’ exists outside of that, in a constant
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Vasilios Argiropoulos
URBAN TIME I have always been influenced by the world of both photography and advertising. Having completed two years of this course online during a global pandemic, I was intrigued by how companies were adapting to the new climate and
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Vani Newby
Recipient of the Kayell Digital Print Award. __________________________________ THE SPACE BETWEEN Propelled by an endless fascination with the natural world and our relationship to it, my work is often site-responsive, based on my own engagement with the urban and natural
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Valentin Ostrom
Valentin Ostrom is a French-born jewellery artist whose Mediterranean countryside upbringing defines much of his identity. Valentin’s sensitivity to the natural world and previous science background play out his exploration of biology, botany and natural phenomena in an artistic context.
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Tracey Jones
Exploring the notion that materials are imbued with memory, my practice investigates the affective power of objects when included in figurative and still-life imagery. Collecting and preserving objects that once sat as quiet backdrops to our daily lives has become
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Terisa Ercoles
MY MOTHER’S SILENCES COME TUMBLING OUT OF ME A documentation of moments and memories I never existed within or remained a part of, through exploring the significance of our finite existence and the unpredictability of memory. Engaging with the opportunity
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Teegan Horat
A World We Left Behind Do you remember your dreams upon waking? What is the earliest memory you can recall? This project is intently concerned with memory, but doesn’t aim to depict any type of overt imagery related to existing memories.
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Tahlia Diaz
BENEATH THE SURFACE Tahlia Diaz’s artworks reference nature expressed through the experience of mourning and grief. She has devised a unique form of coil rolling that creates a deteriorated and heavily textured clay surface by carefully assembling the repeated stretched
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Sunday Smith
SWALLOW is a single-channel experimental short film created as an exploration of the cinematic psychological thriller and horror genre to engage with the discomfort of the self, exposing the deafening fear of being alone. The film blends the horror of
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Steven Charles
PHOTOBOOK CAPTURING RMIT SCHOOL OF ART STUDENTS, FEATURING INDIVIDUAL PROFILES OF THEIR PRACTICE. instagram.com/steven.charles.photography
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Stephanie Rachael Corthorne
Recipient of the Lowenstein Arts Management Prize. _________________________________ A BRIGHT FUTURE seeks to evoke new understandings of value, reuse, and material, centred around my utopian ideal of a sustainable future. Through methodologies of collection, frugality, and recontextualisation, my series of
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Stephanie Jook
Elements of thought relating to the passage of time circulate with a focus gravitating towards human connection, relation and experience. In recognising the connection and collection of moments we share through solidarity and commonality, an exploration of mark-making, materiality and
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Spike Isaacs
PEACOCKING is a ceramic exploration into sexuality and the reproductive systems of animals and humans. This year I focused my investigation on the courtship displays shown by certain birds-of-paradise and the seductive body language shown by humans. My research has led
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Spenser Paul
ROAD NOISE Spenser Paul’s Honours project, Road Noise, explores the symbiotic relationship between the culture and activity of motorcycling and the landscape that it inhabits. Motorcyclists exist as features within the landscape, with little insulation from the world around them,
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Sophie Spence
In this work, histories of the Convent of the Good Shepherd (Abbotsford) are visualised. Experiences of the Convent are vast, complex and many of them painful. Each image is a speculative retelling, based on traces of conversations with women who
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Sophie Smith
THE IDEAL AND ILLUSORY FEMININE My youth is dotted with memories. Sitting in the waiting rooms of beauty salons while my mum was being waxed, plucked or lasered, I would entertain myself by flicking through the glossy magazines fanned out
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Sona Kocharyan
WET CAPSULES/SOFT-GORE My work employs the basic internal and external structures that mammals belonging to earth are made up of. Skin, muscle, organs and bone are the physical elements that highlight the simple yet interesting organisation of our bodily systems
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Soile Paloheimo
Recipient of the Megalo Graduate Residency Program and Open Bite Student Association Travel Award. _________________________________ WHERE THE OCEAN IS THE SKY I & II My practice for the last decade has been in graphic design. However, after moving to Melbourne from
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Sirui Yang
BOTANICAL CHIMAERA Sirui has a strong passion for exploring how aesthetic forms in nature have inspired the development of her jewellery project in creating its unique aura or atmosphere. She wants to evoke her unique feelings of the vitality in
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Sienna Barton
OVER AND OVER AGAIN Sienna Barton is a Naarm-based painter and textile artist. Her artistic practice is obsessive and time-consuming. Often serving as a means of soothing fidgety fingers, her work seeks to transform anxious energy into tangible works of
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Sharon Lesley
CAVE LINES & TOUCHSTONES / LEY LINES & SHADOWLANDS This project references origins, cultural identity, and transference, based on an exploration of my Celtic European ancestry. It is designed as a contemplation of my colonist-settler heritage as an approach to
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Sarah Lockey
Koodak Award for the Highest Academic Achievement in Third Year Gold & Silversmithing — Donor Mr Gabriel Ripka. _________________________________ AT WHAT COST By focusing on the use of materials possessed with an honest simplicity, together with a deep-seated respect for nature and the environment, my
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Sarah Karnis
Recipient of the Firestation Print Studio Graduate Print Access Prize.__________________________________ SETTING A PLACE I am an emerging, print-based artist living and working in Djilang/Geelong, Victoria. Having spent the last couple of decades raising my two daughters, I decided to return to
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Sandra Flores
GOSSAMERY I am a Peruvian-born sculptural installation artist working in Naarm, Australia. My work explores how we experience embodied meaning through interconnection with our environment. I pick my materials based on their sensorial and somaesthetic qualities. As such I have
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Rose Smith
NOBODY PUTS BABY IN A CORNER My studio practice throughout this year has largely been an expression of internal dialogue and emotions translated onto canvas through a surrealist lens. My current project focuses primarily on the notion of infantilisation and
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Rose Evans
DANCE MUSIC: RHYTHMIC EXPRESSION IN PASTEL AND SOUND I am an emerging artist and practising musician based in Ocean Grove, Victoria. My bold and fluid style, both in drawing and music, has emerged from a quiet self-confidence that allows me
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Rochelle Morris
BODIES TUMBLED INTO BODIES: Exploring multispecies entanglements Welcome to the rhizome, you can erase a line in the web but little spores still blow towards you in the wind. ‘Ecology’ is derived from the Greek word ‘oikos’, which is defined
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River Leigh O’Dwyer
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Rhy Dyball
Recipient of the RMIT Lightscapes Award. _________________________________ UNTITLED This series responds to the commonly shared, pervasive sense of dread that characterises life in our era, evoking the ambient anxiety that permeates the contemporary consciousness. Taking elements from the society we live
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Renee Coster
Recipient of the Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) Highly Commended. _________________________________ PURE INTENTIONS investigates the implications and complexities of purity culture and considers the intersection and contradictions of ideology and desire. Purity culture promotes conservative religious teachings
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Reagan Wyles
WALLS I am an abstract oil painter that lives and works in Melbourne. My paintings focus on colour perfection and fun shapes. I graduated high school dux in studio art, and am about to graduate with my Bachelor of Fine
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Rani Bartholomeusz
Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) Sponsored by Sun Studios. WATER AND LIGHT My body of work explores light and water’s relationship with the sublime. Looking at various bodies of water, I capture how different lighting can manipulate
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Ramak Bamzar
Moustachioed Women and Rhinoplastic Girls This photography project is my experimental and cultural exploration of religious dogma, gender inequality and censorship in contemporary Iran. In this practice I use social media as a source to inspire the creation of staged
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Rachel Simoons
FUTURE RELICS I am aiming to make ‘future relics’: items that imagine a distant civilisation finding the detritus of our consumer society, combined with remnants of nature, and being intrigued by these symbols of past riches. My pieces often begin
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Rachael McCarthy
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Quek Jia Yi
BIG BAD WOLF: WHAT BIG EYES YOU HAVE Once upon a time, there was a pretty little girl who would always wear a red riding cloak, and everyone called her Little Red Riding Hood. One morning, Little Red Riding Hood
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Qin Liu
RESEARCH AND ANALYSIS ON THE DEVELOPMENT PROSPECT OF THE ARTS MANAGEMENT INDUSTRY AND THE CAREER PLANNING OF PRACTITIONERS. With the development of society and the improvement of our living standards, more and more people have had the ability and time
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Prue Wilkinson
Recipient of the Tolarno Hotel Award. _________________________________ VIOLENCE AND INNOCENCE My artistic practice is an exploration of my identity and place within my family’s history in post-WW2 Australia. It is a direct response to my relationship with my family’s photographic
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Ourania (Rani) Amvrazis
Recipient of the Journal of Public Space Prize. _________________________________ SPECULATIVE FUTURES: SIMULATION OF FUTURE CITIES CONSTRUCTED THROUGH SOUND Speculative Futures is a large-scale, multidisciplinary and interactive installation that encourages playfulness and self-guided inquiry through the activation of senses. Inspired by
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Olivia Roskovic
I make work that anthropomorphises animals—namely pigeons—to showcase common negative feelings of anxiety and mental health in general. Watching and being watched, we are all judging without knowing it all. I create works that pose questions and have multiple meanings
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Olivia McGregor
UNTITLED This series of videos uses performance to subvert internalised patriarchal views on gender. Using the body and ‘play’, the subject questions common rituals and habits associated with femininity. instagram.com/liiv.mcgregor
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Olivia McCarten
EYE DROPS: A collection of works taking reference and inspiration from personal photos of a moment of significance, using bold colour and abstraction to visually warp. The chosen images are distorted in a way to hide a clear visual representation
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Oliver L
GENESIS An exploration of materiality and mythology through the use of organic mineral materials and Ukiyo-e presentations. Oliver’s work explores the relevance of traditional forms in Japanese Ukiyo-e and Asian mythology, by exploring traditional media such as gold leaf and
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Oliver Brown
DRiPPY Oliver Brown (he/him, b.1997) is an experimental interdisciplinary artist who frequently works with sound, kinetic installation, and interactive media. He has a keen interest in (urban) ecologies and the interactions between humans, their technologies, and their natural environments. In
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Okhee Choi
Recipient of the The ADFAS (Australian Decorative & Fine Arts Society), Yarra Branch Award. _________________________________ This project seeks to explore life through painting. This project also seeks to explore painting through life. Through this project, I create abstract paintings based on
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Obi Herron
HIKIKOMORI (VR FILM) SHEAPPEAREDTOMEINMYBATHROOMDURINGANIGHTLYPERIODOFISOLATION. SHESENSEDSOMETHINGWASMISSINGFROMTHEHOUSEANDSHEWASRIGHT ITHASNTFELTTHESAMESINCE. SHETOLDMESHECOULDMAKEITALLBETTER. SHETOLDMETHATSHECOULDTAKEMESOMEWHEREELSE. ICOULDBEHAPPYALLTHETIME. SHETOLDMETHATIDIDNTNEEDTOBESOSADANYMORE. ANDILISTENEDTOHER. ILISTENEDANDIFOLLOWEDHERANDIWENTTOPLAYGROUND. YOUSHOULDJOINMEITSSOLOVELYHERE. IMNEVERGOINGTOLEAVE. ALLTHATSHITBACKHOMEISGONEANDIAMSOHAPPYANDICANBREATHEANDILOVEITHERE. WELCOME. TO. PLAYGROUND. You are a child again. Something is wrong in your home and you need to escape, you need to find somewhere safe,
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Nick Timson
STOMPING GROUND is a documentation of the diverse and unpredictable electronic music scene of Naarm (Melbourne). It focuses on who considers themselves part of the scene, what they’re wearing, how they dance and what keeps the events running. The project
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Nathan Harbutt
THE FILING CABINET IN THE BACK OF MY MIND I struggle to share my feelings, even with those close to me. The title of this body of work refers to the metaphorical filing cabinet in my mind that holds all
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Nathan Harbutt
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Natalie Grace Daskalou
THIS IS SO FUCKED UP My current work comes together through a combination of observing my everyday and my inner thoughts and then turning them into oil paintings. I do this by capturing my surroundings with photos taken on my
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Mythra Sage
On a cold snowy night deep in the Canadian forest, a converted yellow school bus stood. Inside, a blow-up pool with my young New Zealander mother and Welsh father, as they watched me come into the world. This bus continued
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Mya Cook
Recipient of the Print Studio Experimental Print Award. __________________________________ REWILDING THE GALLERY SETTING: Nurturing connection with the natural world Rewilding, as a general term, refers to the reintroduction of flora into spaces from which it has become absent. Through print-informed
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Muzi li Zhong
Recipient of the BDS Sculpture Prize. _________________________________ THE WASHING is an installation that documents a performance in a natural landscape. A daily act of washing and walking but in absurdity, and the tension of vitality. A nihilistic and Sisyphean portrait
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Monique De Bono
THROUGH THE AGES In this body of work, I aim to create photographs that encapsulate what an individual’s work area would look like in various eras and decades—whether it’s kitchen/wash area, study/den area–by perusing antique stores and op shops to
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Mollie-Rose Chislett
COMEDIC MELANCHOLY (Urban Metamorphosis of the Animal Body and Landscape) The artworks I create consider the relationship between animals and humans, within the Anthropocene. Emphasis is placed on understanding the animal experience. My work further considers themes of urbanisation, symbiosis,
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Moksha Richards
AT THE LIMIT OF SIGNIFICANCE is a body of paintings developed through subtle collections from what Bernard Spolski calls the ‘public linguistic space’, where the advertisements, graffiti, and overlapping voices of strangers combine to form the public linguistic landscape of
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Mirjana Savic
Recipient of the Tania Doropoulos Prize. _________________________________ ATTENTION ON PERIPHERAL MOVEMENTS Attending to materials and material determination. Shifting, transforming, sliding. Contained and coming undone. Un-restricting materials and re-contextualising the everyday through transformative processes. Transforming material narratives. Taking the functionality of
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Minh Khoa Tran (Olly)
FLOWER MONUMENT Grief and mourning are both deeply personal yet also universal experiences which are difficult to process and articulate. FLOWER MONUMENT is an attempt to create evocative visual images that communicate the vivid presence and feeling of loss and
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Mingzheng Liu
Recipient of the NAVA Ignition Prize and the Dean’s Award for Academic Excellence and contribution to the program, Master of Fine Art. _________________________________ HOW WILL I REMEMBER explores my Chinese-Australian bi-cultural identity by examining the concept of loss and grief.
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Ming Liew
TO THE SOUTH OF HOME is a video essay that depicts an imagined conversation between my father and I, as his sudden death left us no chance for a final conversation. Through this work, I attempt to confront my childhood
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Mikelle Miller
GOD’S FAVOURITE is an ongoing drawing-video project that explores concepts of the human body and its interface with technology. I developed my themes of futurist body modification, sickness and spirituality using my body as the ‘host subject’. My approach to this
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Michaela Fernando
Recipient of the Client Centred Award: The Brownbill Effect Award. _________________________________ FAMILY FAVOURITES Welcome to Family Favourites. This project is a family cookbook that contains recipes from both my parents and food that I have grown up with throughout my
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Michael Lye
Recipient of the Australian Print Workshop Award. _________________________________ MIGRATIONAL DISPLACEMENT Ongoing complexities that surround the possibility of a posthuman period bares witness to generational migrational displacement and the breakdown of psychological and cultural identity. The aim of this project throughout
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Mia Kyritsis
My work relates to aspects of Pop Art and incorporates elements of painting, drawing, photography and collage through the subject matter of portraiture. My practice approaches aspects of traditional portraiture, such as the materiality of oil painting and coloured pencil,
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Mia Harrison
SURRENDER TO A DREAM Large scale installation, sound, sculpture, & video. I have reflected on my experience of a reoccurring fever dream experienced in my childhood. The dream entailed me as a child, in miniature scale, in my parents’ basin,
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Melissa Paul
SCUM ANGEL is an ode to the symbology of the bat. In a collaboration with artist and peer Anna Pearl, we created an installation which imitated a bats lair. Cages, poetry, paintings and objects in combination with screens
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Melissa Hermans
HOLD AND RELEASE An exploration of causality and trauma therapy through performance, kinetic energy and handmade sculptural elements. This work embodies the instance of trauma tethered to an individual until met with the tools to
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Mayah Eden Lasky
Mayah Eden Lasky, also known as ‘Melasko’, is a multidisciplinary artist based in Naarm. Primarily exhibiting photography, film, and video installation, her work deconstructs stereotypes and misconceptions by employing a socially-engaged documentary practice. Recently, she has delved into topics such
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Maud Freeman
AN IMAGE OF: An Image That Looks Like Other Images General Significant Images draws on Vilém Flusser’s concept of the technical image, which he defined as ‘…an image produced by apparatuses. As apparatuses themselves are the products of applied scientific texts,
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Matisse Stynes
PEOPLE, PLACES AND PICTURES explores friends, family and environments, all of which have brought me joy and inspired my artistic practice. These positive connections have been investigated through vivid colour, familiar symbols and organic shapes. The vibrant symbols, created by
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Matilda Lyons
HER HOME ON CHICKEN LEGS: an interweaving of feminism, folklore, and sorcery My creative practice examines folklore and fairy tales via a contemporary, feminist lens. The working method that I employ involves researching fables to locate stories that may have
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Maria Flores
Recipient of the Sunshine Print Artspace & Open Bite Student Association Graduate Award. _________________________________ STRATA reflects on the relationship between place and identity as a means of reconciling my immigrant experience. Utilising stone lithography and installation, I explore the concept
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Margot Stewart
Recipient of the RMIT Lightscapes Award. _________________________________ THE SECOND FLESH is an alternative approach to imaging the body, providing a means to avoid the commodifying gaze of patriarchy. The work intends to flip traditional viewing strategies—focusing on grotesque, internal-like imagery instead
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Man Yi Wong
GROWING UP This series shares my study journey as an international student in Australia and the first time that I was separated from my family and friends in Hong Kong. It documents my psychological status around expanding my comfort zone
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Maisie Mckenzie
MAMA SAID (SERIES OF FORMS) Using a combination of textile processes and mixing materials, Maisie creates textural and fluid forms to discuss the body’s many-faceted existence. The artist combines materials such as fabrics, latex, plastics, inks, mirror, wire and the
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Mairin Briody
Recipient of the Mary Oliphant Best MFA Tutorial Presentation Prize. _________________________________ THE RESONANCE OF A TANGLE engages with bodily agency and constraint through an interdisciplinary practice of painting. By employing material experimentation and improvisation, this project seeks to record an
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Madeleine Palmer
UNSTILL LIFE My painting practice forms as a way of gently unpicking assumptions about the way we see and think about the world. In exploring the tenuous state of human disturbances during the Anthropocene, each work sits in a place
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Lucy Keatch
Recipient of the School of Art Honours Travelling Grant. _________________________________ SOMETIMES I WRITE SO CONFIDENTLY I START TO BELIEVE MYSELF My practice-led research uses queer ecology as a framework to explore phenomenological spaces of encounter/occupancy. My practice constructs both metaphorical
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Lucinda Costa
USE/LESS I am an emerging sculptural artist located on Wurundjeri Land, Melbourne. In my practice, I typically explore childhood and comfort, often using glitter and iridescent materials to recreate the childlike excitement that fades in adulthood. Sewing is also an