Celine Babet, white cornicello forms, 2024 [detail].
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Vintage Brush
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Celine Babet, creamy white glaze results, 2024.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Jeffrey Chieu, in the studio, 2024.
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Pujun Fan, at her bench, 2024. Photo: Cien
Arianna Piccoli ‘Essence of Her’, 2024, photography.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Angela Sexton, bending trials, 2024.
Lee O’Donoghue, ‘soul’, 2024, photograph
Charlotte Nheu, work-in-progress, 2024.
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Elisa Crowe, ‘This is Home’, 2024.
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Qianxun Li in the studio, 2024.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Zhongxin Guo,” thousands of me”, 2024, photograph
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Cooper Dunn, ‘The Isolated Eye’, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.
Leonardo Valladares, 2024. Photo: Luke Morris
Maeve Hatton in the studio, 2024.
Detaching brush bristles.
Jodie Grillmeier
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Imogen Plesa ‘Can’t You See Me?’, 2024.
Keenan Haagen, polished bronze prior to patina, 2024.
Gail Hunt, In the studio, 2024.
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Angela Sexton, kinetic trial in steel, 2024.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
