Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Shaemus Anketell, painting in studio, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Daniel Williams, 2024.
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Shaemus Anketell, painting in studio, 2024.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Lee O’Donoghue, ‘spirit’, 2024, photograph.
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
Ruby Hughes, ‘Tidal Traces’, 2024.
Deborah McHugh in the studio, 2024.
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Sun Wai Wise Yeung
Jemma Findlay, 2024.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Daniel Williams, 2024
Celine Babet, red cornicello forms, 2024 [detail].
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Zhongxin Guo,” thousands of me”, 2024, photograph
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Mengke Li，at the workbench 2024，Photographer: Yona
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Elisa Crowe, ‘This is Home’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Keenan Haagen, polished bronze prior to patina, 2024.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan
Betty Knibbs in the studio, 2024.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Studio Documentation by Ciaran O’Dwyer
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print.
Photographer: Yiming Wang
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Deborah McHugh, 2024.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.
Emily Song in the studio, 2024.
Celine Babet, hanging cornicellos, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Idgie Kagan in studio, 2024. Photographer: Meg Kelso.
Studio Documentation by Ciaran O’Dwyer
Keenan Haagen, workshop view of polishing bronze, 2024.
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
