THE NATURAL PROGRESSION
This is a body of work initiated with the intention of depicting the fish in the tanks at a Chinese Restaurant as a homage to my childhood memories of gazing up at the tanks filled with living creatures. The intention was to use scale to convey the sense of awe I felt as a small child looking up at these tanks. This concept, however, has shifted to form a different narrative—one of morbid realisation perhaps? Of childhood naivety and innocence giving way to the experience of life and death.
Through the painting process, I have been navigating my memories, dreams, and other aspects of my subconscious. I retain dreams as though they are disjointed memories, attributing this to the fact that during my dreams I experience senses other than perceived sight, such as scent and touch. As I paint, I experience in full depth the feelings and emotions that are recessed within these memories which at times can be intensely painful and at times tender and gentle. I believe that these qualities are inherently communicated through my gesture and mark making.
![Photograph of Lara Gough in front of her three paintings.](https://sites.rmit.edu.au/artschoolgradshow2022/files/2022/09/lala.jpg)
![A painting in progress of fish carcasses hanging.](https://sites.rmit.edu.au/artschoolgradshow2022/files/2022/09/lara3thisbetterfkin-werk-2.jpg)