QUEER IDENTITY: GROWING UP IN REGIONAL AUSTRALIA AND ITS INFLUENCE ON ONE’S EVERYDAY LIFESTYLE

My creative research investigates the impact on queer people of an upbringing in rural Australia, examining their understanding of identity, community and connections between themselves and others. Through a series of interviews with people who have experienced an upbringing in rural Australia, my project captures and expresses many of the ideas and feelings of the impact of this on individuals. My project also examines the transition these individuals face in the migration between rural and metropolitan areas.

Paying homage to the stories and people involved in the project, I have created a book for everyone to embody and document their thoughts and feelings about their upbringing. With the intention of creating an archive of queer stories, I have also attempted to examine what a queer archive can be, and how it might manifest. Certain aspects of my project aim to challenge the idea of what a book can look like by using various materials in relation to the construction of the cover of each book.

Every book contains a copper plate print made from a previous or expended plate from my practice, and as a signifier, this has been devised to create a deeper connection to one’s past and to reflect our journeys. The works are based directly on transcribed interviews in the form of a quote.

instagram.com/josh.bread

 

Front cover for Shelby's book, which shows the rough textured surface of the concrete cover and the oversized metal binding rings.
Joshua Starick, Shelby, 2022
Concrete, paper, copper plate etching, metal binding rings
19 x 24.5 x 4cm
Title page and back of the front cover for Shelby's concrete book.
Joshua Starick, Shelby, 2022
Concrete, paper, copper plate etching, metal binding rings
19 x 24.5 x 4cm
 
Open book fro Shelby showing the bright orange copper plate print.
Joshua Starick, Shelby, 2022
Concrete, paper, copper plate etching, metal binding rings
19 x 24.5 x 4cm
Actated covered booked in which the title page is visible through the cover.
Joshua Starick, Ashika, 2022
Acetate, paper, copper plate etching, metal binding rings
15.5 x 22.5 x 1cm
Open book showing a brightly coloured green copper plate etching.
Joshua Starick, Ashika, 2022
Acetate, paper, copper plate etching, metal binding rings
15.5 x 22.5 x 1cm
Open book showing a transcribed interview.
Joshua Starick, Ashika, 2022
Acetate, paper, copper plate etching, metal binding rings
15.5 x 22.5 x 1cm
open book showing the title page for Janes books
Joshua Starick, Jane, 2022
Cardboard, paper, copper plate etching, metal binding rings
14.8 x 21 x 1 cm
Open booking showing vivid pink copper plate etching.
Joshua Starick, Jane, 2022
Cardboard, paper, copper plate etching, metal binding rings
14.8 x 21 x 1 cm
Open book detailing the transcribed interview with Jane.
Joshua Starick, Jane, 2022
Cardboard, paper, copper plate etching, metal binding rings
14.8 x 21 x 1 cm
leather front cover for Darcys book.
Joshua Starick, Darcy, 2022
Leather, paper, copper plate etching, metal binding rings
16 x 23.5 x 2cm
Titled page for Darcy's leather covered book.
Joshua Starick, Darcy, 2022
Leather, paper, copper plate etching, metal binding rings
16 x 23.5 x 2cm
Open book with Darcy copper plate etching showing, coloured in a muted grey tone
Joshua Starick, Darcy, 2022
Leather, paper, copper plate etching, metal binding rings
16 x 23.5 x 2cm
Installation of a dining table where people sit down and read a book.
Joshua Starick, Queer identity: Growing up in regional Australia and its influences on one’s everyday lifestyle, 2022, Installation.
Installation of a dining table where people sit down and read a book.
Joshua Starick, Queer identity: Growing up in regional Australia and its influences on one’s everyday lifestyle, 2022, Installation.
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Joshua Starick