Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Amina Qasim Zada, Installation in progress, 2024.
Phuong Nguyen Le, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Lee O’Donoghue, ‘spirit’, 2024, photograph.
Sabrina Petrucco, 2024.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Daniel Williams, 2024
Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Tess Hider, sewing machine [process], 2024
Cast Bronze Brushes: work in progress
Jianing Qian, ‘A Hazy Whisper’, 2024.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Mengke Li，at the workbench 2024，Photographer: Yona
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Keenan Haagen, workshop view of polishing bronze, 2024.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Lee O’Donoghue, ‘soul’, 2024, photograph
Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Jemma Findlay, 2024.
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Qianxun Li in the studio, 2024.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Li Letitia Shen, Portrait, 2024. Photographer: Loong.
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Pujun Fan, at her bench, 2024. Photo: Cien
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Shaemus Anketell, painting in studio, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Stella Kemp, various offcuts, 2024.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Jasmin Seale, bilas (wet brain), 2022, video.
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Luke Morris, untitled, 2023, collage.
Pujun Fan, making cloisonné in the studio
Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Lachlan Vasic, 2024.
Betty Knibbs in the studio, 2024.
Ciaran O’Dwyer, ‘Eve’, 2024.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang
Emily Song in the studio, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Qianxun Li, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Jesse Grey, ‘The Beta’, 2024.
Daniel Williams, ‘Native Pride’, 2024.
Li Letitia Shen, portrait, 2024. Photo: Loong.
Angela Sexton, bending trials, 2024.
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Maeve Hatton in the studio, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
