Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri
Zhongxin Guo, 2024.
Gail Hunt, In the studio, 2024.
Imogen Plesa ‘Can’t You See Me?’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle
Cooper Dunn, ‘The Isolated Eye’, 2024.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Jesse Grey, ‘The Beta’, 2024.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Mengke Li，2024，Photographer: Yona
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Li Letitia Shen, Portrait, 2024. Photographer: Loong.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Luke Morris, untitled, 2023, collage.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Wenjing Zhang in the studio, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Emily Song, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Celine Babet, creamy white glaze results, 2024.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Keenan Haagen, workshop view of polishing bronze, 2024.
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Li Letitia Shen, portrait, 2024. Photo: Loong.
Pujun Fan, at her bench, 2024. Photo: Cien
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Sabrina Petrucco, 2024.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Catherine Weng in the studio, 2024.
Angela Sexton, bending trials, 2024.
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
