Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Susannah Collins, 2024.
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle
Emily Song in the studio, 2024.
Shaemus Anketell, painting in studio, 2024.
Sabrina Petrucco, 2024.
Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Lachlan Vasic, 2024.
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Emily Song in the studio, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Daniel Williams, ‘Native Pride’, 2024.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Emily Song, working in the studio, 2024.
Jesse Grey, ‘The Beta’, 2024.
Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Charlotte Nheu, work-in-progress, 2024.
Amina Qasim Zada, Installation in progress, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.
Emily Marker, work in progress, 2024.
Emily Song in the studio, 2024.
Celine Babet, white cornicello forms, 2024 [detail].
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Cooper Dunn, ‘The Isolated Eye’, 2024.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Cast sterling silver shaved wood
Phuong Nguyen Le, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Li Letitia Shen, portrait, 2024. Photo: Loong.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Pujun Fan, at her bench, 2024. Photo: Cien
Declan Corr, ‘Narratives Of Legacy’, 2024.
Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.
Christina Rankin, in studio, 2024.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Lee O’Donoghue, ‘spirit’, 2024, photograph.
Gail Hunt, In the studio, 2024.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Emily Song, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Lize Myburgh, detail, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Grace Rokesky, studio, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Stella Kemp, various offcuts, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Studio Documentation by Ciaran O’Dwyer
Daniel Williams, 2024
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Jasmin Seale, bilas (wet brain), 2022, video.
Qianxun Li in the studio, 2024.
Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Emily Song, 2024.
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Elisa Crowe, ‘This is Home’, 2024.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Angela Sexton, kinetic trial in steel, 2024.
Jemma Findlay, 2024.
Cast Bronze Brushes: work in progress
Mengke Li，at the workbench 2024，Photographer: Yona
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
