Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Daniel Williams, 2024
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Mengke Li，at the workbench 2024，Photographer: Yona
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Catherine Weng in the studio, 2024.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Celine Babet, white cornicello forms, 2024 [detail].
Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Charlotte Nheu, work-in-progress, 2024.
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Emily Song in the studio, 2024.
Shaemus Anketell, painting in studio, 2024.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Celine Babet, hanging cornicellos, 2024.
Susannah Collins, 2024.
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Jemma Findlay, 2024.
Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.
Luke Morris, untitled, 2023, collage.
Heidi Kwong, ‘Making 2’, 2024, stoneware.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen
Keenan Haagen, workshop view of polishing bronze, 2024.
Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri
Emily Song in the studio, 2024.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing
Angela Sexton, bending trials, 2024.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Emily Song, 2024.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Heidi Kwong, ‘Greenware’, 2024, stoneware.
Shaemus Anketell, painting in studio, 2024.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Celine Babet, creamy white glaze results, 2024.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Detaching brush bristles.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Jesse Grey, ‘The Beta’, 2024.
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Studio Documentation by Ciaran O’Dwyer
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Ciaran O’Dwyer, ‘Eve’, 2024.
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Wenjing Zhang in the studio, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Mengke Li，2024，Photographer: Yona
Stella Kemp, various offcuts, 2024.
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Zhongxin Guo,” thousands of me”, 2024, photograph
Betty Knibbs in the studio, 2024.
Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.
Bronze chasing
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
