Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
Pujun Fan, at her bench, 2024. Photo: Cien
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Angela Sexton, bending trials, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Heidi Kwong, ‘Greenware’, 2024, stoneware.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Maeve Hatton in the studio, 2024.
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Jodie Grillmeier
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Grace Rokesky, studio, 2024.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Jeffrey Chieu, in the studio, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Susannah Collins, 2024.
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Emily Song in the studio, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Cooper Dunn, ‘The Isolated Eye’, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Detaching brush bristles.
Leonardo Valladares, 2024. Photo: Luke Morris
Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing
Daniel Williams, 2024.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Emily Marker, work in progress, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Emily Song, 2024.
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Vintage Brush
Shaemus Anketell, painting in studio, 2024.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.
Zhongxin Guo,” thousands of me”, 2024, photograph
Sun Wai Wise Yeung
Idgie Kagan in studio, 2024. Photographer: Meg Kelso.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print.
Photographer: Yiming Wang
Angela Sexton, kinetic trial in steel, 2024.
Zhongxin Guo, 2024.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Qianxun Li, 2024.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Stella Kemp, various offcuts, 2024.
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh
Tess Hider, sewing machine [process], 2024
Imogen Mathews, Untitled, 2024.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
