Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Emily Song, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Dylan Mclardy, ‘Debbie’, 2023, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Artist portrait in studio, 2024. Photo: Meg Kelso
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Declan Corr, ‘Narratives Of Legacy’, 2024.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Li Letitia Shen, portrait, 2024. Photo: Loong.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Celine Babet, creamy white glaze results, 2024.
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Catherine Weng in the studio, 2024.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Emily Song, 2024.
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Tilly Parsons, ‘My Mum is a Witch’, 2024.
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Maeve Hatton in the studio, 2024.
Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.
Detaching brush bristles.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Li Letitia Shen, Portrait, 2024. Photographer: Loong.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Emily Song, working in the studio, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Grace Rokesky, studio, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Lachlan Vasic, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Keenan Haagen, polished bronze prior to patina, 2024.
Daniel Williams, 2024.
Imogen Plesa ‘Can’t You See Me?’, 2024.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang
Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Susannah Collins, 2024.
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.
Jeffrey Chieu, in the studio, 2024.
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Charlotte Nheu, work-in-progress, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Wenjing Zhang in the studio, 2024.
Celine Babet, white cornicello forms, 2024 [detail].
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Heidi Kwong, ‘Greenware’, 2024, stoneware.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh
Robert Crerar, ‘Domestic Fetish’, 2024, photo print.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
