Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Phuong Nguyen Le, 2024.
Lee O’Donoghue, ‘spirit’, 2024, photograph.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Daniel Williams, 2024.
Ruby Hughes, ‘Tidal Traces’, 2024.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Imogen Plesa ‘Can’t You See Me?’, 2024.
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.
Angela Sexton, bending trials, 2024.
Vintage Brush
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Gail Hunt, In the studio, 2024.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Charlotte Nheu, work-in-progress, 2024.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Li Letitia Shen, Portrait, 2024. Photographer: Loong.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Robert Crerar, ‘Domestic Fetish’, 2024, photo print.
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Celine Babet, creamy white glaze results, 2024.
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Studio Documentation by Ciaran O’Dwyer
Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Jesse Grey, ‘The Beta’, 2024.
Susannah Collins, 2024.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario
Detaching brush bristles.
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Qianxun Li in the studio, 2024.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Imogen Mathews, Untitled, 2024.
Qianxun Li, 2024.
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Pujun Fan, making cloisonné in the studio
Li Letitia Shen, portrait, 2024. Photo: Loong.
Zhongxin Guo, 2024.
Emily Song in the studio, 2024.
Daniel Williams, 2024
Emily Song, working in the studio, 2024.
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Stella Kemp, various offcuts, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Cast Bronze Brushes: work in progress
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Tess Hider, sewing machine [process], 2024
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan
Celine Babet, red cornicello forms, 2024 [detail].
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.