2024 Promotion

This page contains social media tiles, digital posters, a PDF of the exhibition poster. Feel free to download and share!

PLEASE TAG: @rmit_art @rmitphoto @rmitstudentlife @rmit_gold_and_silversmithing @rmitceramics @rmit_paintingstudio @rmit.drawingstudio @rmit_print_studio @rmit_mfa @rmit_art_in_public_space @rmituniversity @rmitstudentlife #rmitgrad24 #graduation #gradshow #rmit #art #photography #studyphotography #studyart #studentprofile

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Social media tiles: First Site Gallery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

Social media tiles: Bachelor of Arts (Fine Art) Graduate Exhibition 19-24 November 2024

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

Social media tiles: BA Photography, Photography & Art Honours, and Masters Graduate Exhibition 3-8 December 2024

image: King Chuen Wong, MoP 2024. @mariowrong

image: King Chuen Wong, MoP 2024. @mariowrong

More promo files

Download the Exhibition Poster

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

Link: 2024 Media Release

A Selection of Images:

The Messiah of Maga - Donald Trump — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.

alt="" — Amina Qasim Zada, Installation in progress, 2024.

Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.

Jesse Grey, ‘The Beta’, 2024.

Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Jasmine Kiyomi Roe-Bose, ‘MASTIGIAS ASPRATA [scruffy-belled jellyfish]’, 2024, Digital image manipulation, pixel art.

Keenan (Artist), polishing form with power tools — Keenan Haagen, workshop view of polishing bronze, 2024.

Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist

Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia

Stella Kemp, various offcuts, 2024.

Cutting the steel ellipse — Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto

Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024

Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.

Tess Hider, sewing machine [process], 2024

Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Wenjing Zhang in the studio, 2024.

closeup of soft sculpture — Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.

two hands working at a jewellers bench — Gail Hunt, In the studio, 2024.

Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario

Jasmin Seale, ‘Squeaky Journal (prawn embrace)’, 2023, inkjet print on newspaper.

Christina Rankin, in studio, 2024.

Daniel Williams, 2024

Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.

Meg Kelso, In the studio, 2024. Photo: Sylva Storm

Jasmine Kiyomi Roe-Bose, AURELIA AERUGINASCENS [elfcup jelly], 2023, digital image manipulation, pixel art.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang

Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang

Heidi Kwong, ‘Making 2’, 2024, stoneware.

A woman conducts sculpture weight-testing in-studio — Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.

Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario

Michelle,2023,photograph. Photographer: Tarryn Mclachlan

Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco. Costume: Headdress cape–Clara MY Chan, Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill

Dhishni de Silva, ‘Myself’, 2024, oil on canvas.

Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Sabrina Petrucco, 2024.

Maeve Hatton in the studio, 2024.

Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Angelique Jenkins, 2024. — Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.

Trialling steam bending techniques by twisting wood — Angela Sexton, bending trials, 2024.

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner

Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.

Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle

Cooper Dunn, ‘The Isolated Eye’, 2024.

Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph

Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen Photographer: Juliette Claire

Jeffrey Chieu, in the studio, 2024.

Emily Song, working in the studio, 2024.

Emily Song, 2024.

Leonardo Valladares, 2024. Photo: Luke Morris

Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker

Lillian Flugge, In the Studio, 2024. Photographer: Cien Su. — Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su

Lithography etching process — Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri

Betty Knibbs in the studio, 2024.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

A dismantled bed frame wrapped in pink acrylic wool is suspended from the ceiling. — Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.

Qianxun Li, 2024.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Ruby Hughes, ‘Tidal Traces’, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.

Pujun Fan, at her bench, 2024. Photo: Cien

Detaching brush bristles.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism. Costumes: Clara MY Chan Photo: Vivienne Tate Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Sun Wai Wise Yeung

Emily Song in the studio, 2024.

Mucelle McLachlan, ‘untitled’, 2024, photo etching, led light. Photo: Michelle Mclachlan.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.

Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.

Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.

Celine Babet, glazing cornicello forms, 2024. Photo: Madelyn McKenzie

Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.

Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.

Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.

Zhongxin Guo,” thousands of me”, 2024, photograph

Mallards — Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Luke Morris, untitled, 2023, collage.

Celine Babet, white cornicello forms, 2024 [detail].

Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Imogen Mathews, Untitled, 2024.

Shaemus Anketell, painting in studio 2024. — Shaemus Anketell, painting in studio, 2024.

Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie

Jesse Pretorius, ‘Combat’, 2024, film photograph.

Li Letitia Shen, 'Tooth, Tooth, Throw It Onto The Roof 1', 2024, pure silver, glass, iron and piano wire. Photo: Loong — Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan

Zhongxin Guo, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Daisy Giuffrida, ‘Untitled’, stoneware glaze tests, 2024

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print. Photographer: Yiming Wang

Lize Myburgh, detail, 2024.

Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.

Emily Song in the studio, 2024.

Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Lillian Flugge, ‘The Middle Child’, 2024, silver/rubies. Photo: Lillian Flugge

Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.

Jemma Findlay, 2024.

Sterling silver vessel with layered surface texture — Grace Flinn, ‘Half-Blooms’ vessel, 2024, silver. Photo: Juliette Wehling-Wrathall

Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photo: Liam Clancy

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Grace Rokesky, ‘Untitled’, 2023, Buff Raku Trachyte.

Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.

Jesse Pretorius, ‘Praise’, 2024, film photograph.

Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Lachlan Vasic, 2024.

Studio Documentation by Ciaran O’Dwyer

Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Li Letitia Shen, portrait, 2024. Photo: Loong.

Catherine Weng in the studio, 2024.

Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.

Mallards — Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.

Robert Crerar, ‘Domestic Fetish’, 2024, photo print.

Charlotte Nheu, work-in-progress, 2024.

Elisa Crowe, 'This is Home', 2024. — Elisa Crowe, ‘This is Home’, 2024.

Celine Babet, hanging cornicellos, 2024.

Polished bronze form prior to interior patina — Keenan Haagen, polished bronze prior to patina, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.

Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman

Multisensory installation work utilising the aroma of Hyacinth. — Dear Andrew, 2024, mixed-media, Photographer Juliette Claire

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Close up of two concentric steel rings fit together and attached by a bolt — Angela Sexton, kinetic trial in steel, 2024.

Lee O’Donoghue, ‘spirit’, 2024, photograph.

Daniel Williams, ‘Native Pride’, 2024.

Celine Babet, in the studio, 2024. Photo: Lize Myburgh

Jasmin Seale, ‘Squeaky Journal (mud crabs)’, 2023, inkjet print on newspaper.

Keenan Haagen, ‘Minerals’, 2024, bronze, slate.

Artist portrait in studio, 2024. Photo: Meg Kelso

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner — Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Phuong Nguyen Le, 2024.

Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen

Natural Landscape — Imogen Plesa ‘Can’t You See Me?’, 2024.

Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.

Angelica Zumpo, 2024. Photo: Juliette Wehling-wrathall

Assemblage detail — Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Jodie Grillmeier

Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.

Celine Babet, creamy white glaze results, 2024.

Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.

Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Susannah Collins, 2024.

Grace Rokesky, studio, 2024.

Kayla Steinbruckner, ‘Skin Deep’, 2024, photograph.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photographer: Liam Clancy.

Idgie Kagan in studio, 2024. Photographer: Meg Kelso.

Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Dylan Mclardy, ‘Debbie’, 2023, photograph.

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Lee O’Donoghue, ‘soul’, 2024, photograph

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Katya Ryzhikh working on 'I want to be normal again', 2024. — Katya Ryzhikh working on ‘I want to be normal again’, 2024.

Li Letitia Shen, Portrait, 2024. Photographer: Loong.

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.

Catherine Magill, VOW: Crate Women Dancehouse Fringe Festival season, 2024 Photo: Mischa Baka. Performers: L-R Edwina Entwisle, Lindy Ferguson, Catherine Magill, Amanda Owen, Philipa Rothfield, Debra Batton (kneeling)

Susannah Collins, 2024.

Emily Marker, work in progress, 2024.

Qinxun Li, ‘Slime mold’, 2024, silver, wood, enamel

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman

Heidi Kwong, ‘Greenware’, 2024, stoneware.

Bandage form — Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Sarah Ring in the studio, 2024. Photographer: William Forsyth.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.

Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan

Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen

Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu

Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.

Kim Jong Un - The Dictator — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Joanna Richard, ‘Park’, 2024, performance installation. Photo: Juliette Wehling-Wrathall

Mengke Li，at the workbench 2024，Photographer: Yona

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Shaemus Anketell, painting in studio, 2024.

Ciaran O’Dwyer, ‘Eve’, 2024.

Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.

Studio Documentation by Ciaran O’Dwyer

Heidi Kwong, ‘Making 1’, 2024, stoneware.

King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle

Emily Song in the studio, 2024.

Celine Babet, red cornicello forms, 2024 [detail].

Kayla Steinbruckner, ‘Chloe’, 2024, photograph.

Pujun Fan, making cloisonné in the studio

Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer

Vittoria Cugno, 2024 [installation view]. Photo: Ciaran O’Dwyer

Yiming Wang, ‘Gestures Practice’, 2024, porcelain. Photo: Yiming Wang

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Phuong Nguyen Le, Untitled, from 'Vở ô ly' series, 2024, — Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.

Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.

Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly] 2023 Digital image manipulation, pixel art

Vintage Brush

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware. Photo: Yiming Wang

Daniel Williams, 2024.

Jodie Grillmeier, ‘Afterlife # 4’, 2024, pigment ink-jet print, 60 x 90cm.

Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.

Cast Bronze Brushes: work in progress

Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh

Emily Song, 2024.

Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.

Studio shot — Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.

Tallulah Ainsworth 'You can walk a dog across a desert but you cant make it drink' and 'Come home cowboy' Oil on canvas — Tallulah Ainsworth, ‘You can walk a dog across a desert but you can’t make it drink’ and ‘Come home cowboy’, 2024, oil on canvas.

Ruby Hughes, ‘Tidal Traces’, 2024, copper, brass, sterling silver, garnets, enamel, sapphires.

Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.

Cast sterling silver shaved wood

Jasmin Seale, bilas (wet brain), 2022, video.

Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman

Bronze chasing

Qianxun Li in the studio, 2024.

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Mengke Li，2024，Photographer: Yona

Daisy Giuffrida, ‘Untitled’, hand-building process, 2024