this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Elisa Crowe, ‘This is Home’, 2024.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Lize Myburgh, detail, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Emily Song, 2024.
Imogen Mathews, Untitled, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Celine Babet, creamy white glaze results, 2024.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Artist portrait in studio, 2024. Photo: Meg Kelso
Gail Hunt, In the studio, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Studio Documentation by Ciaran O’Dwyer
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Wenjing Zhang in the studio, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Emily Song in the studio, 2024.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Jianing Qian, ‘A Hazy Whisper’, 2024.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Emily Song in the studio, 2024.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Vintage Brush
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Sun Wai Wise Yeung
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Zhongxin Guo, 2024.
Qianxun Li, 2024.
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Emily Song, working in the studio, 2024.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Celine Babet, red cornicello forms, 2024 [detail].
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Jemma Findlay, 2024.
Amina Qasim Zada, Installation in progress, 2024.
Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.
Heidi Kwong, ‘Making 2’, 2024, stoneware.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Robert Crerar, ‘Domestic Fetish’, 2024, photo print.
Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri
Jesse Pretorius, ‘Praise’, 2024, film photograph.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Shaemus Anketell, painting in studio, 2024.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel