2024 Promotion

This page contains social media tiles, digital posters, a PDF of the exhibition poster. Feel free to download and share!

PLEASE TAG: @rmit_art @rmitphoto @rmitstudentlife @rmit_gold_and_silversmithing @rmitceramics @rmit_paintingstudio @rmit.drawingstudio @rmit_print_studio @rmit_mfa @rmit_art_in_public_space @rmituniversity @rmitstudentlife #rmitgrad24 #graduation #gradshow #rmit #art #photography #studyphotography #studyart #studentprofile

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Social media tiles: First Site Gallery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

Social media tiles: Bachelor of Arts (Fine Art) Graduate Exhibition 19-24 November 2024

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

Social media tiles: BA Photography, Photography & Art Honours, and Masters Graduate Exhibition 3-8 December 2024

image: King Chuen Wong, MoP 2024. @mariowrong

image: King Chuen Wong, MoP 2024. @mariowrong

More promo files

Download the Exhibition Poster

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

Link: 2024 Media Release

A Selection of Images:

Li Letitia Shen, 'Tooth, Tooth, Throw It Onto The Roof 1', 2024, pure silver, glass, iron and piano wire. Photo: Loong — Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

A dismantled bed frame wrapped in pink acrylic wool is suspended from the ceiling. — Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.

Christina Rankin, in studio, 2024.

Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly] 2023 Digital image manipulation, pixel art

Qianxun Li in the studio, 2024.

Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.

Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat

Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall

Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle

Emily Marker, work in progress, 2024.

Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.

Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario

Lithography etching process — Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri

Cutting the steel ellipse — Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto

Jasmine Kiyomi Roe-Bose, AURELIA AERUGINASCENS [elfcup jelly], 2023, digital image manipulation, pixel art.

Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh

Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen

Lachlan Vasic, 2024.

Natural Landscape — Imogen Plesa ‘Can’t You See Me?’, 2024.

Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware. Photo: Yiming Wang

Heidi Kwong, ‘Greenware’, 2024, stoneware.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.

Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Jemma Findlay, 2024.

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Leonardo Valladares, 2024. Photo: Luke Morris

Celine Babet, hanging cornicellos, 2024.

Yiming Wang, ‘Gestures Practice’, 2024, porcelain. Photo: Yiming Wang

Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie

Shaemus Anketell, painting in studio, 2024.

Sun Wai Wise Yeung

Jasmin Seale, bilas (wet brain), 2022, video.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman

Jasmin Seale, ‘Squeaky Journal (mud crabs)’, 2023, inkjet print on newspaper.

Ciaran O’Dwyer, ‘Eve’, 2024.

Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism. Costumes: Clara MY Chan Photo: Vivienne Tate Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel

Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman

Tallulah Ainsworth 'You can walk a dog across a desert but you cant make it drink' and 'Come home cowboy' Oil on canvas — Tallulah Ainsworth, ‘You can walk a dog across a desert but you can’t make it drink’ and ‘Come home cowboy’, 2024, oil on canvas.

Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu

Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.

Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Daniel Williams, ‘Native Pride’, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Jasmine Kiyomi Roe-Bose, ‘MASTIGIAS ASPRATA [scruffy-belled jellyfish]’, 2024, Digital image manipulation, pixel art.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Li Letitia Shen, portrait, 2024. Photo: Loong.

Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.

Dylan Mclardy, ‘Debbie’, 2023, photograph.

Maeve Hatton in the studio, 2024.

Daisy Giuffrida, ‘Untitled’, hand-building process, 2024

Celine Babet, glazing cornicello forms, 2024. Photo: Madelyn McKenzie

King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Phuong Nguyen Le, Untitled, from 'Vở ô ly' series, 2024, — Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.

Mengke Li，at the workbench 2024，Photographer: Yona

Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Idgie Kagan in studio, 2024. Photographer: Meg Kelso.

Celine Babet, in the studio, 2024. Photo: Lize Myburgh

Wenjing Zhang in the studio, 2024.

Trialling steam bending techniques by twisting wood — Angela Sexton, bending trials, 2024.

Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan

Angelica Zumpo, 2024. Photo: Juliette Wehling-wrathall

Charlotte Nheu, work-in-progress, 2024.

Imogen Mathews, Untitled, 2024.

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print. Photographer: Yiming Wang

Shaemus Anketell, painting in studio 2024. — Shaemus Anketell, painting in studio, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Jeffrey Chieu, in the studio, 2024.

Sarah Ring in the studio, 2024. Photographer: William Forsyth.

Emily Song, 2024.

Tess Hider, sewing machine [process], 2024

Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer

Celine Babet, red cornicello forms, 2024 [detail].

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.

Mengke Li，2024，Photographer: Yona

Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Lillian Flugge, ‘The Middle Child’, 2024, silver/rubies. Photo: Lillian Flugge

Qinxun Li, ‘Slime mold’, 2024, silver, wood, enamel

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco. Costume: Headdress cape–Clara MY Chan, Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman

Susannah Collins, 2024.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photographer: Liam Clancy.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.

Kayla Steinbruckner, ‘Chloe’, 2024, photograph.

Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph

Susannah Collins, 2024.

Ruby Hughes, ‘Tidal Traces’, 2024, copper, brass, sterling silver, garnets, enamel, sapphires.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner

Catherine Weng in the studio, 2024.

Polished bronze form prior to interior patina — Keenan Haagen, polished bronze prior to patina, 2024.

Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.

Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Zhongxin Guo, 2024.

Daniel Williams, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Close up of two concentric steel rings fit together and attached by a bolt — Angela Sexton, kinetic trial in steel, 2024.

Sabrina Petrucco, 2024.

Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.

Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman

Jesse Pretorius, ‘Praise’, 2024, film photograph.

Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.

Lee O’Donoghue, ‘soul’, 2024, photograph

Lize Myburgh, detail, 2024.

Pujun Fan, making cloisonné in the studio

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Michelle,2023,photograph. Photographer: Tarryn Mclachlan

Betty Knibbs in the studio, 2024.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Li Letitia Shen, Portrait, 2024. Photographer: Loong.

Cast sterling silver shaved wood

Jesse Pretorius, ‘Combat’, 2024, film photograph.

Jesse Grey, ‘The Beta’, 2024.

Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.

Studio Documentation by Ciaran O’Dwyer

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia

Phuong Nguyen Le, 2024.

Lillian Flugge, In the Studio, 2024. Photographer: Cien Su. — Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su

Sterling silver vessel with layered surface texture — Grace Flinn, ‘Half-Blooms’ vessel, 2024, silver. Photo: Juliette Wehling-Wrathall

Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.

Pujun Fan, at her bench, 2024. Photo: Cien

Keenan Haagen, ‘Minerals’, 2024, bronze, slate.

Detaching brush bristles.

Angelique Jenkins, 2024. — Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Heidi Kwong, ‘Making 1’, 2024, stoneware.

Katya Ryzhikh working on 'I want to be normal again', 2024. — Katya Ryzhikh working on ‘I want to be normal again’, 2024.

Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall

Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.

Emily Song in the studio, 2024.

Robert Crerar, ‘Domestic Fetish’, 2024, photo print.

Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.

Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.

Jasmin Seale, ‘Squeaky Journal (prawn embrace)’, 2023, inkjet print on newspaper.

Grace Rokesky, studio, 2024.

Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024

two hands working at a jewellers bench — Gail Hunt, In the studio, 2024.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.

Jodie Grillmeier

Daisy Giuffrida, ‘Untitled’, stoneware glaze tests, 2024

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.

Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Bronze chasing

Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Stella Kemp, various offcuts, 2024.

Vittoria Cugno, 2024 [installation view]. Photo: Ciaran O’Dwyer

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Emily Song in the studio, 2024.

Celine Babet, white cornicello forms, 2024 [detail].

Studio Documentation by Ciaran O’Dwyer

Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.

Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Jodie Grillmeier, ‘Afterlife # 4’, 2024, pigment ink-jet print, 60 x 90cm.

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

alt="" — Amina Qasim Zada, Installation in progress, 2024.

Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.

Lee O’Donoghue, ‘spirit’, 2024, photograph.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Assemblage detail — Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner — Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.

Catherine Magill, VOW: Crate Women Dancehouse Fringe Festival season, 2024 Photo: Mischa Baka. Performers: L-R Edwina Entwisle, Lindy Ferguson, Catherine Magill, Amanda Owen, Philipa Rothfield, Debra Batton (kneeling)

The Messiah of Maga - Donald Trump — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.

Qianxun Li, 2024.

Mallards — Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.

Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Studio shot — Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.

Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.

Luke Morris, untitled, 2023, collage.

Multisensory installation work utilising the aroma of Hyacinth. — Dear Andrew, 2024, mixed-media, Photographer Juliette Claire

Meg Kelso, In the studio, 2024. Photo: Sylva Storm

Dhishni de Silva, ‘Myself’, 2024, oil on canvas.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.

Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.

Celine Babet, creamy white glaze results, 2024.

Kim Jong Un - The Dictator — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.

Keenan (Artist), polishing form with power tools — Keenan Haagen, workshop view of polishing bronze, 2024.

Joanna Richard, ‘Park’, 2024, performance installation. Photo: Juliette Wehling-Wrathall

Bandage form — Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.

Vintage Brush

Emily Song, 2024.

Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper

Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Emily Song, working in the studio, 2024.

Cast Bronze Brushes: work in progress

Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.

Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen Photographer: Juliette Claire

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Ruby Hughes, ‘Tidal Traces’, 2024.

Zhongxin Guo,” thousands of me”, 2024, photograph

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario

closeup of soft sculpture — Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.

Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.

Elisa Crowe, 'This is Home', 2024. — Elisa Crowe, ‘This is Home’, 2024.

Mucelle McLachlan, ‘untitled’, 2024, photo etching, led light. Photo: Michelle Mclachlan.

Daniel Williams, 2024

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Grace Rokesky, ‘Untitled’, 2023, Buff Raku Trachyte.

Artist portrait in studio, 2024. Photo: Meg Kelso

Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photo: Liam Clancy

Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle

Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.

Mallards — Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.

A woman conducts sculpture weight-testing in-studio — Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.

Emily Song in the studio, 2024.

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Heidi Kwong, ‘Making 2’, 2024, stoneware.

Kayla Steinbruckner, ‘Skin Deep’, 2024, photograph.

Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh

Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.