2024 Promotion

This page contains social media tiles, digital posters, a PDF of the exhibition poster. Feel free to download and share!

PLEASE TAG: @rmit_art @rmitphoto @rmitstudentlife @rmit_gold_and_silversmithing @rmitceramics @rmit_paintingstudio @rmit.drawingstudio @rmit_print_studio @rmit_mfa @rmit_art_in_public_space @rmituniversity @rmitstudentlife #rmitgrad24 #graduation #gradshow #rmit #art #photography #studyphotography #studyart #studentprofile

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Social media tiles: First Site Gallery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

Social media tiles: Bachelor of Arts (Fine Art) Graduate Exhibition 19-24 November 2024

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

Social media tiles: BA Photography, Photography & Art Honours, and Masters Graduate Exhibition 3-8 December 2024

image: King Chuen Wong, MoP 2024. @mariowrong

image: King Chuen Wong, MoP 2024. @mariowrong

More promo files

Download the Exhibition Poster

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

Link: 2024 Media Release

A Selection of Images:

Heidi Kwong, ‘Making 1’, 2024, stoneware.

Li Letitia Shen, 'Tooth, Tooth, Throw It Onto The Roof 1', 2024, pure silver, glass, iron and piano wire. Photo: Loong — Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Celine Babet, red cornicello forms, 2024 [detail].

Natural Landscape — Imogen Plesa ‘Can’t You See Me?’, 2024.

Jasmine Kiyomi Roe-Bose, ‘MASTIGIAS ASPRATA [scruffy-belled jellyfish]’, 2024, Digital image manipulation, pixel art.

Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Zhongxin Guo,” thousands of me”, 2024, photograph

Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.

Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh

Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photographer: Liam Clancy.

Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.

Artist portrait in studio, 2024. Photo: Meg Kelso

Jasmine Kiyomi Roe-Bose, AURELIA AERUGINASCENS [elfcup jelly], 2023, digital image manipulation, pixel art.

Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.

Mallards — Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.

Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Li Letitia Shen, Portrait, 2024. Photographer: Loong.

Emily Marker, work in progress, 2024.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Tess Hider, sewing machine [process], 2024

Trialling steam bending techniques by twisting wood — Angela Sexton, bending trials, 2024.

Celine Babet, in the studio, 2024. Photo: Lize Myburgh

Celine Babet, creamy white glaze results, 2024.

Lillian Flugge, In the Studio, 2024. Photographer: Cien Su. — Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su

Cutting the steel ellipse — Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto

Shaemus Anketell, painting in studio, 2024.

Charlotte Nheu, work-in-progress, 2024.

Kim Jong Un - The Dictator — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.

Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.

Lithography etching process — Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri

Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.

Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.

Emily Song in the studio, 2024.

Li Letitia Shen, portrait, 2024. Photo: Loong.

Zhongxin Guo, 2024.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Qinxun Li, ‘Slime mold’, 2024, silver, wood, enamel

Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.

Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.

Dylan Mclardy, ‘Debbie’, 2023, photograph.

Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco. Costume: Headdress cape–Clara MY Chan, Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill

Grace Rokesky, studio, 2024.

Lize Myburgh, detail, 2024.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photo: Liam Clancy

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.

Detaching brush bristles.

Cast Bronze Brushes: work in progress

Ruby Hughes, ‘Tidal Traces’, 2024, copper, brass, sterling silver, garnets, enamel, sapphires.

Angelique Jenkins, 2024. — Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.

Vintage Brush

Katya Ryzhikh working on 'I want to be normal again', 2024. — Katya Ryzhikh working on ‘I want to be normal again’, 2024.

Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.

Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.

Catherine Weng in the studio, 2024.

Mengke Li，at the workbench 2024，Photographer: Yona

Kayla Steinbruckner, ‘Chloe’, 2024, photograph.

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Lillian Flugge, ‘The Middle Child’, 2024, silver/rubies. Photo: Lillian Flugge

Heidi Kwong, ‘Greenware’, 2024, stoneware.

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Mallards — Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.

Jemma Findlay, 2024.

Close up of two concentric steel rings fit together and attached by a bolt — Angela Sexton, kinetic trial in steel, 2024.

Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.

Kayla Steinbruckner, ‘Skin Deep’, 2024, photograph.

Heidi Kwong, ‘Making 2’, 2024, stoneware.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.

two hands working at a jewellers bench — Gail Hunt, In the studio, 2024.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Jesse Grey, ‘The Beta’, 2024.

Betty Knibbs in the studio, 2024.

Pujun Fan, at her bench, 2024. Photo: Cien

The Messiah of Maga - Donald Trump — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.

closeup of soft sculpture — Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.

Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.

Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.

Maeve Hatton in the studio, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Jasmin Seale, ‘Squeaky Journal (prawn embrace)’, 2023, inkjet print on newspaper.

Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Lee O’Donoghue, ‘spirit’, 2024, photograph.

Bronze chasing

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Joanna Richard, ‘Park’, 2024, performance installation. Photo: Juliette Wehling-Wrathall

Shaemus Anketell, painting in studio 2024. — Shaemus Anketell, painting in studio, 2024.

Studio shot — Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.

Tallulah Ainsworth 'You can walk a dog across a desert but you cant make it drink' and 'Come home cowboy' Oil on canvas — Tallulah Ainsworth, ‘You can walk a dog across a desert but you can’t make it drink’ and ‘Come home cowboy’, 2024, oil on canvas.

Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.

Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.

Yiming Wang, ‘Gestures Practice’, 2024, porcelain. Photo: Yiming Wang

Susannah Collins, 2024.

Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.

A woman conducts sculpture weight-testing in-studio — Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.

Emily Song, 2024.

Elisa Crowe, 'This is Home', 2024. — Elisa Crowe, ‘This is Home’, 2024.

Stella Kemp, various offcuts, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman

Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.

Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario

Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.

Keenan Haagen, ‘Minerals’, 2024, bronze, slate.

Jodie Grillmeier, ‘Afterlife # 4’, 2024, pigment ink-jet print, 60 x 90cm.

Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat

Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.

Jeffrey Chieu, in the studio, 2024.

Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang

Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.

Jodie Grillmeier

Ruby Hughes, ‘Tidal Traces’, 2024.

Studio Documentation by Ciaran O’Dwyer

Jasmin Seale, ‘Squeaky Journal (mud crabs)’, 2023, inkjet print on newspaper.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu

Grace Rokesky, ‘Untitled’, 2023, Buff Raku Trachyte.

Imogen Mathews, Untitled, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Studio Documentation by Ciaran O’Dwyer

Meg Kelso, In the studio, 2024. Photo: Sylva Storm

Daisy Giuffrida, ‘Untitled’, hand-building process, 2024

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Vittoria Cugno, 2024 [installation view]. Photo: Ciaran O’Dwyer

Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.

Emily Song, working in the studio, 2024.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Idgie Kagan in studio, 2024. Photographer: Meg Kelso.

Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman

Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.

Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.

Lachlan Vasic, 2024.

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

alt="" — Amina Qasim Zada, Installation in progress, 2024.

Catherine Magill, VOW: Crate Women Dancehouse Fringe Festival season, 2024 Photo: Mischa Baka. Performers: L-R Edwina Entwisle, Lindy Ferguson, Catherine Magill, Amanda Owen, Philipa Rothfield, Debra Batton (kneeling)

Daniel Williams, ‘Native Pride’, 2024.

Cast sterling silver shaved wood

Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism. Costumes: Clara MY Chan Photo: Vivienne Tate Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel

Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.

Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.

Jesse Pretorius, ‘Combat’, 2024, film photograph.

Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].

Multisensory installation work utilising the aroma of Hyacinth. — Dear Andrew, 2024, mixed-media, Photographer Juliette Claire

Pujun Fan, making cloisonné in the studio

Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Christina Rankin, in studio, 2024.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Qianxun Li in the studio, 2024.

Mucelle McLachlan, ‘untitled’, 2024, photo etching, led light. Photo: Michelle Mclachlan.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist

Emily Song in the studio, 2024.

Lee O’Donoghue, ‘soul’, 2024, photograph

Celine Babet, hanging cornicellos, 2024.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman

Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Mengke Li，2024，Photographer: Yona

Sarah Ring in the studio, 2024. Photographer: William Forsyth.

Daniel Williams, 2024

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Daniel Williams, 2024.

Daisy Giuffrida, ‘Untitled’, stoneware glaze tests, 2024

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman

Phuong Nguyen Le, 2024.

Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker

Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner — Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.

King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Jesse Pretorius, ‘Praise’, 2024, film photograph.

Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph

A dismantled bed frame wrapped in pink acrylic wool is suspended from the ceiling. — Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.

Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan

Luke Morris, untitled, 2023, collage.

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Angelica Zumpo, 2024. Photo: Juliette Wehling-wrathall

Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing

Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario

Qianxun Li, 2024.

Sun Wai Wise Yeung

Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly] 2023 Digital image manipulation, pixel art

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Polished bronze form prior to interior patina — Keenan Haagen, polished bronze prior to patina, 2024.

Sterling silver vessel with layered surface texture — Grace Flinn, ‘Half-Blooms’ vessel, 2024, silver. Photo: Juliette Wehling-Wrathall

Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.

Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print. Photographer: Yiming Wang

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Susannah Collins, 2024.

Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.

Keenan (Artist), polishing form with power tools — Keenan Haagen, workshop view of polishing bronze, 2024.

Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall

Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh

Phuong Nguyen Le, Untitled, from 'Vở ô ly' series, 2024, — Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.

Sabrina Petrucco, 2024.

Bandage form — Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.

Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.

Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware. Photo: Yiming Wang

Dhishni de Silva, ‘Myself’, 2024, oil on canvas.

Leonardo Valladares, 2024. Photo: Luke Morris

Celine Babet, white cornicello forms, 2024 [detail].

Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen Photographer: Juliette Claire

Robert Crerar, ‘Domestic Fetish’, 2024, photo print.

Celine Babet, glazing cornicello forms, 2024. Photo: Madelyn McKenzie

this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia

Assemblage detail — Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall

Ciaran O’Dwyer, ‘Eve’, 2024.

Jasmin Seale, bilas (wet brain), 2022, video.

Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen

Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle

Wenjing Zhang in the studio, 2024.

Emily Song, 2024.

Michelle,2023,photograph. Photographer: Tarryn Mclachlan

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie

Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.

Emily Song in the studio, 2024.