Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Leonardo Valladares, 2024. Photo: Luke Morris
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing
Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Emily Song, 2024.
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Imogen Mathews, Untitled, 2024.
Christina Rankin, in studio, 2024.
Cast sterling silver shaved wood
Ciaran O’Dwyer, ‘Eve’, 2024.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Idgie Kagan in studio, 2024. Photographer: Meg Kelso.
Artist portrait in studio, 2024. Photo: Meg Kelso
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Lize Myburgh, detail, 2024.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
Heidi Kwong, ‘Greenware’, 2024, stoneware.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Sun Wai Wise Yeung
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Charlotte Nheu, work-in-progress, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
Grace Rokesky, studio, 2024.
Studio Documentation by Ciaran O’Dwyer
Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle
Shaemus Anketell, painting in studio, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Qianxun Li, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Cast Bronze Brushes: work in progress
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.
Tess Hider, sewing machine [process], 2024
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.
Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Studio Documentation by Ciaran O’Dwyer
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Imogen Plesa ‘Can’t You See Me?’, 2024.
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Keenan Haagen, polished bronze prior to patina, 2024.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Li Letitia Shen, portrait, 2024. Photo: Loong.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Angela Sexton, bending trials, 2024.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
