Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Studio Documentation by Ciaran O’Dwyer
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Artist portrait in studio, 2024. Photo: Meg Kelso
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Celine Babet, red cornicello forms, 2024 [detail].
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Detaching brush bristles.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Mengke Li，at the workbench 2024，Photographer: Yona
Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Ruby Hughes, ‘Tidal Traces’, 2024.
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Tess Hider, sewing machine [process], 2024
Idgie Kagan in studio, 2024. Photographer: Meg Kelso.
Lee O’Donoghue, ‘spirit’, 2024, photograph.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Zhongxin Guo, 2024.
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Charlotte Nheu, work-in-progress, 2024.
Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Sabrina Petrucco, 2024.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Emily Song in the studio, 2024.
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Qianxun Li, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Lize Myburgh, detail, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Daniel Williams, 2024
Daniel Williams, 2024.
Jeffrey Chieu, in the studio, 2024.
Dylan Mclardy, ‘Debbie’, 2023, photograph.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Maeve Hatton in the studio, 2024.
Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.
Christina Rankin, in studio, 2024.
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Daniel Williams, ‘Native Pride’, 2024.
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
