2024 Promotion

This page contains social media tiles, digital posters, a PDF of the exhibition poster. Feel free to download and share!

PLEASE TAG: @rmit_art @rmitphoto @rmitstudentlife @rmit_gold_and_silversmithing @rmitceramics @rmit_paintingstudio @rmit.drawingstudio @rmit_print_studio @rmit_mfa @rmit_art_in_public_space @rmituniversity @rmitstudentlife #rmitgrad24 #graduation #gradshow #rmit #art #photography #studyphotography #studyart #studentprofile

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Image: Brent Leideritz, Master of Photography 2024. @b.leideritz

Social media tiles: First Site Gallery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery

Social media tiles: Bachelor of Arts (Fine Art) Graduate Exhibition 19-24 November 2024

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. — image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg

Social media tiles: BA Photography, Photography & Art Honours, and Masters Graduate Exhibition 3-8 December 2024

image: King Chuen Wong, MoP 2024. @mariowrong

image: King Chuen Wong, MoP 2024. @mariowrong

More promo files

Download the Exhibition Poster

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

A2-poster_Graduate-Exhibitions-2024_Final-20th-October Download

Link: 2024 Media Release

A Selection of Images:

Tess Hider, sewing machine [process], 2024

Susannah Collins, 2024.

Jasmine Kiyomi Roe-Bose, ‘MASTIGIAS ASPRATA [scruffy-belled jellyfish]’, 2024, Digital image manipulation, pixel art.

Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen Photographer: Juliette Claire

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Celine Babet, red cornicello forms, 2024 [detail].

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Emily Song, 2024.

Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.

Celine Babet, glazing cornicello forms, 2024. Photo: Madelyn McKenzie

Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie

Mallards — Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.

Mengke Li，at the workbench 2024，Photographer: Yona

Daisy Giuffrida, ‘Untitled’, stoneware glaze tests, 2024

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Joanna Richard, ‘Park’, 2024, performance installation. Photo: Juliette Wehling-Wrathall

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Ciaran O’Dwyer, ‘Eve’, 2024.

Vintage Brush

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Wenjing Zhang in the studio, 2024.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Sun Wai Wise Yeung

alt="" — Amina Qasim Zada, Installation in progress, 2024.

Close up of two concentric steel rings fit together and attached by a bolt — Angela Sexton, kinetic trial in steel, 2024.

Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle

Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism. Costumes: Clara MY Chan Photo: Vivienne Tate Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel

Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print. Photographer: Yiming Wang

Yiming Wang, ‘Gestures Practice’, 2024, porcelain. Photo: Yiming Wang

Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman

Daisy Giuffrida, ‘Untitled’, hand-building process, 2024

Lee O’Donoghue, ‘soul’, 2024, photograph

Leonardo Valladares, 2024. Photo: Luke Morris

Kayla Steinbruckner, ‘Chloe’, 2024, photograph.

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Zhongxin Guo,” thousands of me”, 2024, photograph

Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.

Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.

Emily Song, working in the studio, 2024.

Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper

Ruby Hughes, ‘Tidal Traces’, 2024, copper, brass, sterling silver, garnets, enamel, sapphires.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Artist portrait in studio, 2024. Photo: Meg Kelso

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Grace Rokesky, ‘Untitled’, 2023, Buff Raku Trachyte.

Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.

Lee O’Donoghue, ‘spirit’, 2024, photograph.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Lillian Flugge, ‘The Middle Child’, 2024, silver/rubies. Photo: Lillian Flugge

Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.

Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer

Celine Babet, in the studio, 2024. Photo: Lize Myburgh

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Shaemus Anketell, painting in studio 2024. — Shaemus Anketell, painting in studio, 2024.

Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware. Photo: Yiming Wang

Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.

Natural Landscape — Imogen Plesa ‘Can’t You See Me?’, 2024.

Lithography etching process — Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri

Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.

Keenan (Artist), polishing form with power tools — Keenan Haagen, workshop view of polishing bronze, 2024.

Maeve Hatton in the studio, 2024.

Zhongxin Guo, 2024.

Emily Song in the studio, 2024.

Felix J Gailey, ‘Atrophia’, 2024, silver gelatin print. — Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.

Qianxun Li in the studio, 2024.

Daniel Williams, ‘Native Pride’, 2024.

Jemma Findlay, 2024.

Lillian Flugge, In the Studio, 2024. Photographer: Cien Su. — Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su

Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing

Polished bronze form prior to interior patina — Keenan Haagen, polished bronze prior to patina, 2024.

Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat

Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist

Sterling silver vessel with layered surface texture — Grace Flinn, ‘Half-Blooms’ vessel, 2024, silver. Photo: Juliette Wehling-Wrathall

Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.

Elisa Crowe, 'This is Home', 2024. — Elisa Crowe, ‘This is Home’, 2024.

Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Michelle,2023,photograph. Photographer: Tarryn Mclachlan

Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan

Multisensory installation work utilising the aroma of Hyacinth. — Dear Andrew, 2024, mixed-media, Photographer Juliette Claire

Studio Documentation by Ciaran O’Dwyer

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photo: Liam Clancy

Kayla Steinbruckner, ‘Skin Deep’, 2024, photograph.

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner

this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia

Catherine Magill, VOW: Crate Women Dancehouse Fringe Festival season, 2024 Photo: Mischa Baka. Performers: L-R Edwina Entwisle, Lindy Ferguson, Catherine Magill, Amanda Owen, Philipa Rothfield, Debra Batton (kneeling)

Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.

Celine Babet, creamy white glaze results, 2024.

Bandage form — Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.

Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.

Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph

Katya Ryzhikh working on 'I want to be normal again', 2024. — Katya Ryzhikh working on ‘I want to be normal again’, 2024.

Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.

Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner — Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.

Ruby Hughes, ‘Tidal Traces’, 2024.

Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photographer: Liam Clancy.

Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.

Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang

Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Li Letitia Shen, 'Tooth, Tooth, Throw It Onto The Roof 1', 2024, pure silver, glass, iron and piano wire. Photo: Loong — Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong

Heidi Kwong, ‘Making 2’, 2024, stoneware.

Trialling steam bending techniques by twisting wood — Angela Sexton, bending trials, 2024.

Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen

closeup of soft sculpture — Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.

Emily Song in the studio, 2024.

Tallulah Ainsworth 'You can walk a dog across a desert but you cant make it drink' and 'Come home cowboy' Oil on canvas — Tallulah Ainsworth, ‘You can walk a dog across a desert but you can’t make it drink’ and ‘Come home cowboy’, 2024, oil on canvas.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Landscape, documentary — Jianing Qian, ‘A Hazy Whisper’, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.

Catherine Weng in the studio, 2024.

Jeffrey Chieu, in the studio, 2024.

Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario

Jasmin Seale, ‘Squeaky Journal (prawn embrace)’, 2023, inkjet print on newspaper.

Celine Babet, white cornicello forms, 2024 [detail].

Robert Crerar, ‘Domestic Fetish’, 2024, photo print.

Cutting the steel ellipse — Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire

Jodie Grillmeier

Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.

Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman

Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.

Susannah Collins, 2024.

Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco. Costume: Headdress cape–Clara MY Chan, Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill

Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.

Daniel Williams, 2024.

Jasmine Kiyomi Roe-Bose, AURELIA AERUGINASCENS [elfcup jelly], 2023, digital image manipulation, pixel art.

Sabrina Petrucco, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Studio shot — Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.

Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen

Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Imogen Mathews, Untitled, 2024.

Phuong Nguyen Le, 2024.

Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.

Lachlan Vasic, 2024.

King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.

Bronze chasing

Luke Morris, untitled, 2023, collage.

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Li Letitia Shen, portrait, 2024. Photo: Loong.

Dylan Mclardy, ‘Debbie’, 2023, photograph.

Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle

Heidi Kwong, ‘Greenware’, 2024, stoneware.

Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu

Sarah Ring in the studio, 2024. Photographer: William Forsyth.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.

Photographic Collage — Declan Corr, ‘Narratives Of Legacy’, 2024.

Kim Jong Un - The Dictator — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.

Jesse Pretorius, ‘Combat’, 2024, film photograph.

Assemblage detail — Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson

Angelica Zumpo, 2024. Photo: Kayla Steinbrucker

Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan

Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.

Betty Knibbs in the studio, 2024.

Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.

Mucelle McLachlan, ‘untitled’, 2024, photo etching, led light. Photo: Michelle Mclachlan.

Charlotte Nheu, work-in-progress, 2024.

Emily Song in the studio, 2024.

Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.

Emily Song, 2024.

Dhishni de Silva, ‘Myself’, 2024, oil on canvas.

Idgie Kagan in studio, 2024. Photographer: Meg Kelso.

Pujun Fan, making cloisonné in the studio

Mengke Li，2024，Photographer: Yona

Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.

two hands working at a jewellers bench — Gail Hunt, In the studio, 2024.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall

Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman

Cast Bronze Brushes: work in progress

Lize Myburgh, detail, 2024.

Qianxun Li, 2024.

Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.

Cooper Dunn, ‘The Isolated Eye’, 2024.

Jasmin Seale, ‘Squeaky Journal (mud crabs)’, 2023, inkjet print on newspaper.

Li Letitia Shen, Portrait, 2024. Photographer: Loong.

The Messiah of Maga - Donald Trump — Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.

Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh

Celine Babet, hanging cornicellos, 2024.

Matthew Parsons, ‘Human Condition’, 2024, photograph.

Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024

Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.

Cast sterling silver shaved wood

Heidi Kwong, ‘Making 1’, 2024, stoneware.

Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware. Photo: Yiming Wang

Meg Kelso, In the studio, 2024. Photo: Sylva Storm

Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang

Keenan Haagen, ‘Minerals’, 2024, bronze, slate.

Arianna Piccoli ‘Essence of Her’, 2024, photography.

Jesse Grey, ‘The Beta’, 2024.

Jodie Grillmeier, ‘Afterlife # 4’, 2024, pigment ink-jet print, 60 x 90cm.

Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.

Jasmin Seale, bilas (wet brain), 2022, video.

Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman

Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.

Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall

Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly] 2023 Digital image manipulation, pixel art

Studio Documentation by Ciaran O’Dwyer

Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario

Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.

Jesse Pretorius, ‘Praise’, 2024, film photograph.

Angelica Zumpo, 2024. Photo: Juliette Wehling-wrathall

Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

King Chuen Wong, 'Hold A Flower in the Palm of Your Hand', 2024. — King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.

Christina Rankin, in studio, 2024.

Vittoria Cugno, 2024 [installation view]. Photo: Ciaran O’Dwyer

Stella Kemp, various offcuts, 2024.

Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Detaching brush bristles.

Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.

Phuong Nguyen Le, Untitled, from 'Vở ô ly' series, 2024, — Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.

A dismantled bed frame wrapped in pink acrylic wool is suspended from the ceiling. — Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.

Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.

Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.

Pujun Fan, at her bench, 2024. Photo: Cien

Jodie Grillmeier, ‘Looking for Mollie’, 2023.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

Shaemus Anketell, painting in studio, 2024.

Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.

River Byers-Rundle at work in their studio. Photographer: Indianah Smith-Johns. — River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns

Daniel Williams, 2024

Emily Marker, work in progress, 2024.

Qinxun Li, ‘Slime mold’, 2024, silver, wood, enamel

Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker

Grace Rokesky, studio, 2024.

Tilly Parsons, ‘My Mum is a Witch’, 2024.

Mallards — Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.

Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.

Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang

Angelique Jenkins, 2024. — Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.

A woman conducts sculpture weight-testing in-studio — Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.