Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Wenjing Zhang in the studio, 2024.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Imogen Plesa ‘Can’t You See Me?’, 2024.
Qianxun Li, 2024.
Amina Qasim Zada, Installation in progress, 2024.
Cast sterling silver shaved wood
Ruby Hughes, ‘Tidal Traces’, 2024.
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Gail Hunt, In the studio, 2024.
Keenan Haagen, polished bronze prior to patina, 2024.
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Imogen Mathews, Untitled, 2024.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Lachlan Vasic, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Stella Kemp, various offcuts, 2024.
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Cooper Dunn, ‘The Isolated Eye’, 2024.
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Zhongxin Guo,” thousands of me”, 2024, photograph
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Heidi Kwong, ‘Making 2’, 2024, stoneware.
Jeffrey Chieu, in the studio, 2024.
Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Studio Documentation by Ciaran O’Dwyer
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
