Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Christina Rankin, in studio, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Sun Wai Wise Yeung
Celine Babet, creamy white glaze results, 2024.
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Angela Sexton, kinetic trial in steel, 2024.
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Sabrina Petrucco, 2024.
Emily Song, 2024.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Mengke Li，at the workbench 2024，Photographer: Yona
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.
Maeve Hatton in the studio, 2024.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing
Declan Corr, ‘Narratives Of Legacy’, 2024.
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Pujun Fan, at her bench, 2024. Photo: Cien
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Celine Babet, red cornicello forms, 2024 [detail].
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Jesse Grey, ‘The Beta’, 2024.
Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Emily Song in the studio, 2024.
Amina Qasim Zada, Installation in progress, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Detaching brush bristles.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Cast Bronze Brushes: work in progress
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Betty Knibbs in the studio, 2024.
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Mengke Li，2024，Photographer: Yona
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Li Letitia Shen, portrait, 2024. Photo: Loong.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print.
Photographer: Yiming Wang
Imogen Mathews, Untitled, 2024.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Keenan Haagen, polished bronze prior to patina, 2024.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Jodie Grillmeier
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Qianxun Li, 2024.
Charlotte Nheu, work-in-progress, 2024.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Heidi Kwong, ‘Making 2’, 2024, stoneware.
Robert Crerar, ‘Domestic Fetish’, 2024, photo print.
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Lachlan Vasic, 2024.
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Daniel Williams, 2024
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Phuong Nguyen Le, 2024.
Daniel Williams, 2024.
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Lize Myburgh, detail, 2024.
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Gail Hunt, In the studio, 2024.
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
