I LOVE MY SISTER investigates the fragile boundaries between childhood memory, safety, imagination, and grief. Through a studio practice rooted in play and collection, deconstructed recollections are transformed into paintings that blur realism with dreamlike reconstruction. This project reinterprets a dollhouse as a space of protection and tenderness, where patchy or pixelated brushwork mirrors the distortions of recollection and half-lost home media.
Piper Evison lives and creates in Melbourne. Their practice is rooted in oil painting and layered oil pastel drawings exploring texture and form through childlike imagery. Alongside painting, they are expanding into sculpture, creating both large-scale soft sculptures and miniatures.
Piper Evison