Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Jemma Findlay, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Imogen Plesa ‘Can’t You See Me?’, 2024.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Vintage Brush
Idgie Kagan in studio, 2024. Photographer: Meg Kelso.
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Lize Myburgh, detail, 2024.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Christina Rankin, in studio, 2024.
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Emily Song in the studio, 2024.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Susannah Collins, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Tess Hider, sewing machine [process], 2024
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
Mengke Li，at the workbench 2024，Photographer: Yona
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Catherine Weng in the studio, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Detaching brush bristles.
Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Luke Morris, untitled, 2023, collage.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph
Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Daniel Williams, 2024
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Celine Babet, white cornicello forms, 2024 [detail].
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Celine Babet, hanging cornicellos, 2024.
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Emily Song in the studio, 2024.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.
Keenan Haagen, polished bronze prior to patina, 2024.
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Dylan Mclardy, ‘Debbie’, 2023, photograph.
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Elisa Crowe, ‘This is Home’, 2024.
Angela Sexton, kinetic trial in steel, 2024.
Jasmin Seale, bilas (wet brain), 2022, video.
Shaemus Anketell, painting in studio, 2024.
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Heidi Kwong, ‘Greenware’, 2024, stoneware.
Susannah Collins, 2024.
Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario
Lee O’Donoghue, ‘spirit’, 2024, photograph.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Lachlan Vasic, 2024.
Charlotte Nheu, work-in-progress, 2024.
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Betty Knibbs in the studio, 2024.
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Daniel Williams, ‘Native Pride’, 2024.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Wenjing Zhang in the studio, 2024.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Cooper Dunn, ‘The Isolated Eye’, 2024.
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Emily Song, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Li Letitia Shen, Portrait, 2024. Photographer: Loong.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
