Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Catherine Weng in the studio, 2024.
Emily Song, 2024.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Jemma Findlay, 2024.
Susannah Collins, 2024.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Sabrina Petrucco, 2024.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Vintage Brush
Studio Documentation by Ciaran O’Dwyer
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Daniel Williams, 2024
Emily Marker, work in progress, 2024.
Elisa Crowe, ‘This is Home’, 2024.
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Lachlan Vasic, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Daniel Williams, 2024.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Detaching brush bristles.
Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.
Mengke Li，at the workbench 2024，Photographer: Yona
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Heidi Kwong, ‘Making 2’, 2024, stoneware.
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Bronze chasing
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Phuong Nguyen Le, 2024.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Cooper Dunn, ‘The Isolated Eye’, 2024.
Shaemus Anketell, painting in studio, 2024.
Susannah Collins, 2024.
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Li Letitia Shen, portrait, 2024. Photo: Loong.
Ciaran O’Dwyer, ‘Eve’, 2024.
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.
Emily Song in the studio, 2024.
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Christina Rankin, in studio, 2024.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Maeve Hatton in the studio, 2024.
Angela Sexton, kinetic trial in steel, 2024.
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Imogen Plesa ‘Can’t You See Me?’, 2024.
Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Betty Knibbs in the studio, 2024.
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
