Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Celine Babet, creamy white glaze results, 2024.
Mengke Li，at the workbench 2024，Photographer: Yona
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Sun Wai Wise Yeung
Declan Corr, ‘Narratives Of Legacy’, 2024.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Lize Myburgh, detail, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Betty Knibbs in the studio, 2024.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Leonardo Valladares, 2024. Photo: Luke Morris
Catherine Weng in the studio, 2024.
Emily Marker, work in progress, 2024.
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Celine Babet, white cornicello forms, 2024 [detail].
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Bronze chasing
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Amina Qasim Zada, Installation in progress, 2024.
Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.
Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan
Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Elisa Crowe, ‘This is Home’, 2024.
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen
Jeffrey Chieu, in the studio, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Jemma Findlay, 2024.
Heidi Kwong, ‘Making 2’, 2024, stoneware.
Heidi Kwong, ‘Greenware’, 2024, stoneware.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Gail Hunt, In the studio, 2024.
Ciaran O’Dwyer, ‘Eve’, 2024.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Daniel Williams, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Phuong Nguyen Le, 2024.
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario
Sabrina Petrucco, 2024.
Vintage Brush
Emily Song, working in the studio, 2024.
Ruby Hughes, ‘Tidal Traces’, 2024.
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Susannah Collins, 2024.
Lachlan Vasic, 2024.
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Maeve Hatton in the studio, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Celine Babet, hanging cornicellos, 2024.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Imogen Plesa ‘Can’t You See Me?’, 2024.
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
