This page contains social media tiles, digital posters, a PDF of the exhibition poster. Feel free to download and share!
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Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir
Image: Jane Cocks, BAFA 2023. Photo: Keelan O’Hehir @keelanohehir
Image: Brent Leideritz, Master of Photography 2024. @b.leideritz
Image: Brent Leideritz, Master of Photography 2024. @b.leideritz
Social media tiles: First Site Gallery
image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery image: Ruby Hughes, BAFA 2024. @rubyhughesjewellery image: Ruby Hughes, BAFA 2024. @rubyhughesjewellery image: King Chuen Wong, MoP 2024. @mariowrong image: King Chuen Wong, MoP 2024. @mariowrong Image: Brent Leideritz, Master of Photography 2024. @b.leideritz Image: Brent Leideritz, Master of Photography 2024. @b.leideritz
Social media tiles: Bachelor of Arts (Fine Art) Graduate Exhibition 19-24 November 2024
image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg image: Ella Simpson, BAFA 2024. @ellasimpsonartist Photo: Ciaran O’Dwyer. @odwyer.jpeg image: Sophia Jacoby, BAFA 2024. Photo: Isla Ohaire. image: Sophia Jacoby, BAFA 2024. Photo: Isla Ohaire. image: Kepsibel, BAFA 2024. @kepsibel image: Kepsibel, BAFA 2024. @kepsibel image: Imogen Mathews, BAFA 2024 @artby.immi Photo: Meg Kelso @sweaty_hands image: Imogen Mathews, BAFA 2024 @artby.immi Photo: Meg Kelso @sweaty_hands image: Ruby Hughes, BAFA 2024. @rubyhughesjewellery image: Ruby Hughes, BAFA 2024. @rubyhughesjewellery image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery image: Li Letitia Shen BAFA 2024 @letitiashen.jewellery
Social media tiles: BA Photography, Photography & Art Honours, and Masters Graduate Exhibition 3-8 December 2024
image: King Chuen Wong, MoP 2024. @mariowrong image: King Chuen Wong, MoP 2024. @mariowrong image: Daniel Williams, BA Photography, 2024. @mossy.rock.photography image: Daniel Williams, BA Photography, 2024. @mossy.rock.photography image: Celline Mercado MFA 2024 @gacelline image: Celline Mercado MFA 2024 @gacelline image: Ciaran O’Dwyer, BA Photography 2024. @odwyer.jpeg image: Ciaran O’Dwyer, BA Photography 2024. @odwyer.jpeg image: Zhichen Zhang, BA Photography 2024 @r1.media_ image: Zhichen Zhang, BA Photography 2024 @r1.media_
More promo files
Download the Exhibition Poster
Link: 2024 Media Release
A Selection of Images:
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Mengke Li，2024，Photographer: Yona
Celine Babet, glazing cornicello forms, 2024. Photo: Madelyn McKenzie
Vintage Brush
Mucelle McLachlan, ‘untitled’, 2024, photo etching, led light.
Photo: Michelle Mclachlan.
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Jemma Findlay, 2024.
Mengke Li，at the workbench 2024，Photographer: Yona
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Cooper Dunn, ‘The Isolated Eye’, 2024.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Kayla Steinbruckner, ‘Chloe’, 2024, photograph.
Lachlan Vasic, 2024.
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Angela Sexton, bending trials, 2024.
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Lillian Flugge, ‘The Middle Child’, 2024, silver/rubies.
Photo: Lillian Flugge
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario
Kayla Steinbruckner, ‘Skin Deep’, 2024, photograph.
Declan Corr, ‘Narratives Of Legacy’, 2024.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Li Letitia Shen, portrait, 2024. Photo: Loong.
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Phuong Nguyen Le, 2024.
Pujun Fan, at her bench, 2024. Photo: Cien
Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.
Grace Rokesky, studio, 2024.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Eloise Iona Hurn, inking up plate, 2024. Photo: River Rundle
Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker
Zhongxin Guo,” thousands of me”, 2024, photograph
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Stella Kemp, various offcuts, 2024.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Lize Myburgh, ‘Dripping Process’, 2024, barbed wire, Keane Toast clay, glaze and fired metal Chair frames.
Daisy Giuffrida, ‘Untitled’, stoneware glaze tests, 2024
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.
Indianah (Smith-Johns) in the studio, 2024. Photo: Alicia Belle.
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Qianxun Li, 2024.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Gail Hunt, In the studio, 2024.
Jasmin Seale, ‘Squeaky Journal (mud crabs)’, 2023, inkjet print on newspaper.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Tanya Cubric, ‘Welcome to the Balkan Diaspora!’, 2023, Digital Experimentation for A2 Inkjet Print.
Photographer: Yiming Wang
Daniel Williams, 2024.
Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen
Maeve Hatton in the studio, 2024.
Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker
Ruby Hughes, ‘Tidal Traces’, 2024, copper, brass, sterling silver, garnets, enamel, sapphires.
Ella Simpson, Bachelor of Arts (Fine Art), painting, 2024. Photograph: Ciaran O’Dwyer
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Christina Rankin, in studio, 2024.
Li Letitia Shen, Portrait, 2024. Photographer: Loong.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Emily Song, working in the studio, 2024.
Betty Knibbs in the studio, 2024.
Shaemus Anketell, painting in studio, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Sabrina Petrucco, 2024.
Lize Myburgh, detail, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Michelle,2023,photograph. Photographer: Tarryn Mclachlan
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Detaching brush bristles.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Sun Wai Wise Yeung
Bea Yu, Tapestry of Existence, 2024, Installation. Photo: Allan Luna.
Leonardo Valladares, 2024. Photo: Luke Morris
Celine Babet, hanging cornicellos, 2024.
Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Jasmine Kiyomi Roe-Bose, AURELIA AERUGINASCENS [elfcup jelly], 2023, digital image manipulation, pixel art.
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Cast sterling silver shaved wood
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Keenan Haagen, workshop view of polishing bronze, 2024.
Artist portrait in studio, 2024. Photo: Meg Kelso
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.
Emily Song in the studio, 2024.
Jasmin Seale, ‘Squeaky Journal (prawn embrace)’, 2023, inkjet print on newspaper.
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Ciaran O’Dwyer, ‘Eve’, 2024.
Studio Documentation by Ciaran O’Dwyer
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
Bo-dene Stieler, ‘Yellow Corridor’, 2024. Photo: Matthew Mu
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Daisy Giuffrida, ‘Untitled’, hand-building process, 2024
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Emily Song in the studio, 2024.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photographer: Liam Clancy.
Indianah (Smith-Johns), in the studio, 2024. Photo: Alicia Belle.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Cooper Dunn, ‘The Isolated Eye’, 2024.
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Heidi Kwong, ‘Making 2’, 2024, stoneware.
Heidi Kwong, ‘Greenware’, 2024, stoneware.
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Grace Rokesky, ‘Untitled’, 2023, Buff Raku Trachyte.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Regina Hendrasputri, ‘Prasasti Keluraga’, 2024, lithography. Photo: Regina Hendrasputri
Qinxun Li, ‘Slime mold’, 2024, silver, wood, enamel
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Cast Bronze Brushes: work in progress
Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh
Jianing Qian, ‘A Hazy Whisper’, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Susannah Collins, 2024.
Emily Marker, work in progress, 2024.
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Celine Babet, creamy white glaze results, 2024.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Studio Documentation by Ciaran O’Dwyer
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Jodie Grillmeier
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Susannah Collins, 2024.
Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.
Victoria Ann Sta Romana, Becoming Her – Shaped by Standards, 2024 Photograph
Grace Flinn, ‘Half-Blooms’ vessel, 2024, silver. Photo: Juliette Wehling-Wrathall
Lee O’Donoghue, ‘spirit’, 2024, photograph.
Jasmin Seale, bilas (wet brain), 2022, video.
Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Imogen Mathews, Untitled, 2024.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Idgie Kagan in studio, 2024. Photographer: Meg Kelso.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Angela Sexton, kinetic trial in steel, 2024.
Tess Hider, sewing machine [process], 2024
Declan Corr, ‘Narratives Of Legacy’, 2024.
Emily Song, 2024.
Charlotte Nheu, work-in-progress, 2024.
Bronze chasing
Emily Song, 2024.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Ruby Hughes, ‘Tidal Traces’, 2024.
Elisa Crowe, ‘This is Home’, 2024.
Sara Cope, studio view, 2024. Photo: Kong Cheuk Wing
Pujun Fan, making cloisonné in the studio
Jesse Grey, ‘The Beta’, 2024.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Brooklyn Rush, in the studio, 2024. Photo: Yiming Wang
Shaemus Anketell, painting in studio, 2024.
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Angelica Zumpo, 2024. Photographer: Kayla Steinbruckner
Robert Crerar, ‘Domestic Fetish’, 2024, photo print.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Lee O’Donoghue, ‘soul’, 2024, photograph
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Amina Qasim Zada, Installation in progress, 2024.
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Jasmine Kiyomi Roe-Bose, ‘MASTIGIAS ASPRATA [scruffy-belled jellyfish]’, 2024, Digital image manipulation, pixel art.
Eloise Iona Hurn, scraping and burnishing plate, 2024. Photo: River Rundle
Keenan Haagen, polished bronze prior to patina, 2024.
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Imogen Plesa ‘Can’t You See Me?’, 2024.
Tanisha Wookey, ‘Shan Li- Skinned’, 2024, photograph.
Yiming Wang, ‘Gestures and Melodies No.2’, 2024, stoneware.
Photo: Yiming Wang
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Daniel Williams, ‘Native Pride’, 2024.
Joanna Richard, ‘Park’, 2024, performance installation. Photo: Juliette Wehling-Wrathall
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Dylan Mclardy, ‘Debbie’, 2023, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker
Kenneth Cheng, ‘Swan480 #1’, 2024, digital photograph.
Qianxun Li, arranging copper parts of mushrooms, 2024. Photo: Qinghan Lu.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Angelica Zumpo, 2024. Photographer: Kayla Steinbrucker
Celine Babet, white cornicello forms, 2024 [detail].
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Catherine Weng in the studio, 2024.
Luke Morris, untitled, 2023, collage.
Angelica Zumpo, 2024. Photo: Juliette Wehling-wrathall
Jodie Grillmeier, ‘Afterlife # 4’, 2024, pigment ink-jet print, 60 x 90cm.
Grace Mitchell, in the studio, 2024. Photo by Idgie Kagan
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Catherine Magill, VOW: Crate Women
Dancehouse Fringe Festival season, 2024 Photo: Mischa Baka. Performers: L-R
Edwina Entwisle, Lindy Ferguson, Catherine Magill, Amanda Owen, Philipa Rothfield, Debra Batton (kneeling)
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Qianxun Li in the studio, 2024.
Mei Wah Williams, ‘Precarious Imbalance’, 2024, performance documentation. Photo: Liam Clancy
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.
Celine Babet, red cornicello forms, 2024 [detail].
Jeffrey Chieu, in the studio, 2024.
Hao Zhang, ‘untitled’, 2024, 35mm color negative film scan.
Zhongxin Guo, 2024.
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Dear Andrew, 2024, mixed-media, Photographer Juliette Claire
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Daisy Giuffrida, ‘Untitled’, glaze tests, 2024.
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Wenjing Zhang in the studio, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Emily Song in the studio, 2024.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Daniel Williams, 2024
Yiming Wang, ‘Gestures Practice’, 2024, porcelain.
Photo: Yiming Wang
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
