Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Heidi Kwong, ‘Making 1’, 2024, stoneware.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Jesse Pretorius, ‘Combat’, 2024, film photograph.
Ruby Hughes, process of setting sapphires into a sterling silver ring, 2024.
Angela Sexton, kinetic trial in steel, 2024.
Qianxun Li, ‘Orange’ fruit series, 2024, shibuichi, oiled paper, brass, 6 x 6 x 6cm.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Jake Clover, ‘Cityscape 3’, 2024, fine-liner and pencil on A4 photographic paper.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Celine Babet, hanging cornicellos, 2024.
Jeffrey Chieu, in the studio, 2024.
Cooper Dunn, ‘The Isolated Eye’, 2024.
Celine Babet, red cornicello forms, 2024 [detail].
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Imogen Mathews, Untitled, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Amina Qasim Zada, Installation in progress, 2024.
Kayla Steinbruckner, ‘Tanisha’, 2024, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Daniel Williams, 2024
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Emily Song, 2024.
Jemma Findlay, 2024.
Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].
Artist portrait in studio, 2024. Photo: Meg Kelso
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Sylva Storm, ‘RAW: nobody who loves me saw it happen’, 2019 – 2024, live performance and single channel video. Video: Celeste De Clario
Abi Corden ‘Kewpie’, 2023, bronze, patina and satin ribbon. Photo: Minadi Gajaman
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
Myriam Hampson-den Elzen, ‘the deep’, 2024, ink and gouache on goatskin parchment.
Emily Song, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Qianxun Li in the studio, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Betty Knibbs in the studio, 2024.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 3’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Lize Myburgh, detail, 2024.
Meg Kelso, In the studio, 2024. Photo: Sylva Storm
Jesse Grey, ‘The Beta’, 2024.
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Sabrina Petrucco, 2024.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Susannah Collins, 2024.
Pujun Fan, making cloisonné in the studio
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Tess Hider, sewing machine [process], 2024
Timo Walters, ‘Hang Up Lines’, 2024, found objects and electronics. Photo: Minadi Gajaman
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Jasmin Seale, bilas (wet brain), 2022, video.
Angelica Zumpo, in the studio, 2024. Photo: Kayla Steinbrucker
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Zhongxin Guo,” thousands of me”, 2024, photograph
Maeve Hatton in the studio, 2024.
Keenan Haagen, workshop view of polishing bronze, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Li Letitia Shen, portrait, 2024. Photo: Loong.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Jodie Grillmeier
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
