Sahla Safia A, studio view, 2024. Photo: Alisha Hidayat
Studio Documentation by Ciaran O’Dwyer
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Dhishni de Silva, ‘Myself’, 2024, oil on canvas.
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Susannah Collins, 2024.
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Li Letitia Shen, ‘Tooth, Tooth, Throw It Onto The Roof 1’, 2024, pure silver, glass, iron and piano wire. Photo: Loong
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Imogen Mathews, Untitled, 2024.
Emily Song, working in the studio, 2024.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Angelica Zumpo in the studio, 2024. Photo: Kayla Steinbrucker.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Daniel Williams, ‘Native Pride’, 2024.
Angelica Zumpo in teh studio, 2024. Photo: Kayla Steinbrucker.
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Mengke Li，2024，Photographer: Yona
Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen
Dylan Mclardy, ‘Bobby with Sara’, 2024, photograph.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Karen Yvette Clarke, ‘Ten Pound Pom’, 2024, oil and acrylic on canvas, 120 x 90cm.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Luke Morris, untitled, 2023, collage.
Kayla Steinbruckner, ‘Pull softly and watch it bleed’, 2024, photograph.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Idgie Kagan in studio, 2024. Photographer: Meg Kelso.
Ciaran O’Dwyer, ‘Eve’, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Declan Corr, ‘Narratives Of Legacy’, 2024.
Lize Myburgh, detail, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Vittoria Cugno, ‘A-Quality Time’ gallery shot 1, 2024, oil on linen
Photographer: Juliette Claire
Bea Yu, Work in Process. Tapestry of Existence. 2024. Photo: Allan Luna.
Myriam Hampson-den Elzen, ‘fairy treasure’, 2024 [detail], ink and gouache on goatskin parchment. Photo: Juliette Wehling Wrathall
Keenan Haagen, ‘Minerals’, 2024, bronze, slate.
Jasmin Seale, ‘Squeaky Journal (teeth)’, 2023, inkjet print on newspaper.
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Ya Juan Long, ‘untitled’, 2024, painting. Photo: William Kang
Emily Marker, work in progress, 2024.
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Celine Babet, loading a kiln, 2024. Photo: Madelyn McKenzie
Declan Corr, ‘Narratives Of Legacy’, 2024.
Stella Kemp, working at bench, 2024. Photo: Lillian Flugge.
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Charlotte Nheu, work-in-progress, 2024.
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
Sarah Ring in the studio, 2024. Photographer: William Forsyth.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Dylan Mclardy, ‘Debbie’, 2023, photograph.
Ka Yan So ‘Evaporated Love’, 2024, closeup of the curtain in installation view.
Sun Wai Wise Yeung
Katya Ryzhikh working on ‘I want to be normal again’, 2024.
Celine Babet, in the process of making ceramic forms, 2024. Photo: Lize Myburgh
Mei Wah Williams, ‘Precarious Imbalance’, 2024 [installation view]. Photo by Juliette Wehling Wrathall
Sophie Malvestuto, in the metal workshop, 2024. Photo: Keenan Haagen
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Jason Lehane, ‘Things are not what they seem’, 2024, mixed-media installation. Photo: William Kang
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
