Qianxun Li at the workbench in 2024. Photo: Qinghan Lu.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Qianxun Li,’Tangerine’, fruit series, 2024, shibuichi, oiled paper, copper, nonwoven, 6 x 6 x 6cm.
Susannah Collins, ‘Quiet Curiosities’, 2024 [detail]. Photo: by Jodie Hutchinson
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
Angelica Zumpo, 2024. Photo: Kayla Steinbrucker
Zhongxin Guo, 2024.
Li Letitia Shen, Portrait, 2024. Photographer: Loong.
Sylva Storm, ‘Y C B’, 2024, live performance. Photo: Celeste De Clario
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Qianxun Li, “Dekopon” fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9 cm.
Myriam Hampson-den Elzen, ‘smoke-faded chapel’, 2024, ink and gouache on cotton rag paper.
River Byers-Rundle, at work in their studio, 2024. Photo: Indianah Smith-Johns
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Qianxun Li, ‘Dekopon’ fruit series, 2024, shibuichi, oiled paper, brass, nonwoven, 8 x 8 x 9cm.
Daniel Williams, 2024
Jesse Pretorius, ‘Praise’, 2024, film photograph.
Holly Clark- Milligan, ‘Campbellii’ still image from ‘Unsettled Living’, 2024, time-lapse video of constructed flower, plant matter, adhesive, acrylic paint.
Maya Melrose, ‘Lost Lands Found Eco-Space’, 2024, aerial photograph.
Zhichen Zhang, ‘Audi Owners Yearbook’, 2024.
Vintage Brush
Mei Wah Williams, ‘Substantial and Significant: Changeover’, 2024, video still.
Artist portrait in studio, 2024. Photo: Meg Kelso
Arianna Piccoli ‘Essence of Her’, 2024, photography.
Jeffrey Chieu, in the studio, 2024.
Qianxun Li splices pieces in front of a workbench in 2024, photo: Qinghan Lu
King Chuen Wong, ‘Hold A Flower in the Palm of Your Hand’, 2024.
Jemma Findlay, 2024.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Tallulah Ainsworth,
‘You can walk a dog across a desert but you can’t make it drink’
and
‘Come home cowboy’, 2024, oil on canvas.
Anna Kouvelas, stitching buttons, 2024. Photo: Minadi Gajaman
Cooper Dunn, ‘The Isolated Eye’, 2024.
Qianxun Li, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Catherine Weng in the studio, 2024.
Zehua Liang, ‘Where lights fall, the shadow follows’, 2024, photograph.
Emily Marker, weaving in progress, 2024. Photo: Holly Clark-Milligan
Shaemus Anketell, painting in studio, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Celine Babet, comparing forms with inspiration, 2024. Photo: Lize Myburgh
Felix J Gailey, ‘Atrophia’crop, 2024, silver gelatin print.
Jianing Qian, ‘A Hazy Whisper’, 2024.
Dylan Mclardy, ‘Debbie’, 2023, photograph.
Ruby Hughes, ‘Tidal Traces’, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Lillian Flugge, ‘In the Studio’, 2024. Photo: Cien Su
Li Letitia Shen, portrait, 2024. Photo: Loong.
Lize Myburgh, detail, 2024.
Grace Mitchell in the studio, 2024. Photographer: Idgie Kagan.
Emily Song in the studio, 2024.
Tilly Parsons, ‘My Mum is a Witch’, 2024.
Qianxun Li, splicing pieces in front of a workbench, 2024. Photo: Qinghan Lu.
Sophia Jacoby, in the studio, 2024. Photo: Isla O’haire
Angela Sexton, cutting metal, 2024. Photo: Sophie Malvestuto
Yiming Wang, ‘Gestures and Melodies No.3’, 2024, stoneware.
Photo: Yiming Wang
Gail Hunt, In the studio, 2024.
Declan Corr, ‘Narratives Of Legacy’, 2024.
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Kim Jong Un as The Ultimate Dictator.
Susannah Collins, 2024.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Logan Booth photographed as part of internship with US Consulate’, 2024.
Sun Wai Wise Yeung, ‘Serenity in Opulence’, 2024, porcelain.
Matthew Parsons, ‘Human Condition’, 2024, photograph.
Vittoria Cugno, 2024 [installation view].
Photo: Ciaran O’Dwyer
Imogen Mathews, Untitled, 2024.
Bea Yu, Detail Shots. Sanctuary Reimagined. 2024. Photo taken by Allan Luna.
Karen Yvette Clarke, ‘Fly The Coop’, 2024, oil and acrylic on canvas, 88 x 118cm.
Catherine Magill, The Rubbish Collective at Queen Victoria Europa Night Market, 2023, dancing with the silent disco.
Costume:
Headdress cape–Clara MY Chan,
Skirt–Catherine Magill Photo: Mischa Baka Performer: Catherine Magill
Mengke Li，2024，Photographer: Yona
Zhongxin Guo,” thousands of me”, 2024, photograph
Celine Babet, in the studio, 2024. Photo: Lize Myburgh
Leonardo Valladares, ‘Skyscraper under a Dome’, 2024, Charcoal and Brown Ink on Paper
Christina Rankin, in studio, 2024.
Georgia Drummond, in the studio, 2024. Photo: Keenan Haagen
Astrid Visser, 2024, pencil on 40gsm paper coated in wax encaustic, 110 x 80cm.
Cast Bronze Brushes: work in progress
Myriam Hampson-den Elzen, ‘late at night the waves talk to one another in an aquatic speakeasy’, 2024, ink and gouache on goatskin parchment.
Catherine Magill, The Rubbish Collective at Queen Victoria Market, 2023, roaming performance, environmental art activism.
Costumes:
Clara MY Chan
Photo: Vivienne Tate
Performers: L-R: Catherine Magill, Giovanna Da Silva, Hannah Morel
Emily Song, 2024.
Jasmine Kiyomi Roe-Bose, ACROMITUS NARGAN : glow [ultraviolet river jelly]
2023
Digital image manipulation, pixel art
Jesse Pretorius, ‘Forklift Certified’, 2022, digital photograph.
Phuong Nguyen Le, Untitled, from ‘Vở ô ly’ series, 2024, photocopy printed photograph on Vietnamese notebook paper, handwriting, ballpoint pen, felt pen, colour marker, 20 x 30cm.
Cast sterling silver shaved wood
Angela Sexton, steam bending the ellipse, 2024. Photo: Timothy Walters.
Minadi Gajaman, ‘where water and earth resonate; ජල තරංගා’ (experimental progress shot), 2024, water, terracotta, light, volcanic rock, Photographer: courtesy of artist
Kate Stewart, Slate Painting, 2024, watercolour, kaolin clay, found slate roof tile, drill bits, 15(W) x 33(H) x 2(D)cm. Photo: William Kang.
Pujun Fan, at her bench, 2024. Photo: Cien
Zina Sofer, ‘Glitch Art as a Protest’, 2024, digital print A0 size, Donald Trump as The Divine Messiah of Maga.
Celline Mercado conducts weight-testing in-studio. Breathing Room (2024). Work in progress, RMIT School of Art.
Daisy Giuffrida, ‘Untitled’, pouring glaze, 2024
Celine Babet in the process of making ceramic forms, 2024. Photographer: Lize Myburgh.
Celline Mercado. Dismantled Bed II, Iteration II (2024). Bed frame wrapped in acrylic wool, stainless steel wire rope. Dimensions variable. Installation view, RMIT School of Art.
Studio Documentation by Ciaran O’Dwyer
Angelique Jenkins, ‘Stardust: Ascension and the Art I Never Made’, 2024.
this ones a table but its covered in oil paint to give a sort of artist feel. Photo: Alicia
Emily Song, in progress, ‘ink and paper / light and tulle’, 2024, single-channel video projection and tulle. Photographer: Minadi Gajaman
Jodie Grillmeier, ‘Looking for Mollie’, 2023.
Daniel Williams and Stavroula-Efthimia Lampropoulou in collaboration with Native Pride Productions, ‘Native Pride dancer Larry Yazzie photographed as part of internship with US Consulate’, 2024.
![Celline Mercado regards ‘Breathing Room’, 2024 [installation view – RMIT School of Art].](https://sites.rmit.edu.au/artschoolgraduates/files/2024/06/DSCF6326.jpg)
