THE MOTHER OF ALL MESSES
My work explores transformation, materiality, and memory. The process is intuitive, led by touch, chance, and the conversations between materials. I’m drawn to the way objects can hold traces of time and emotion and how they invite reflection or spark something unexpected.
It’s about creating space for curiosity, for imagination to unfold without needing fixed meaning.
This work explores the space between design and sculpture, something you can touch but that also makes you question whether you should. I’m drawn to the dreamlike and surreal, taking inspiration from films and the everyday landscape that blur reality and imagination.
The making process is intuitive and experimental, using materials like chicken wire, joint compound, paperclay, textiles, and spray paint. I’m interested in how they interact and transform through layering. The piece sits directly on top of fur shapes, inviting people to walk around it and experience it from every angle, like stepping into part of a story.
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