2022 images of students

 

Drey Willows in the Print Studio. Photo: Phuong Nguyen Le (2022).
Photograph of the artist installing lights to an installation of coloured acrylic.
Jade Armstrong, “Distant Rays”, 2022, installation, thermoformed acrylic and dichroic film.
hand made sculptures Cardboard, cotton, stitching, found wood, wire, twine, rusted saw dimensions variable
This picture shows long white and narrow room, with a large colourful landscape drawing displayed along the left hand side, a projected image on the far centre room and framed works alongside the right hand side. A woman with light brown skin stands closest to the pencil drawing faces the drawing nd gestures towards it. Across the middle of the room 5 figures stand, all casually dressed and looking toward the drawing and woman in black. On the right hand corner of the room three people sit or crouch looking at the wall. One person with green stands in the centre foreground of the room with her back to the camera, wearing a brown and blue hooded cardigan combo.
Eloise Coombe, First Site Gallery Creative Exchange (2019)
Person with glasses with transparent boxes (C Murray + Soap)
Christine Murray with her work, 2022.
Jamin Walsh Menegazzo, ‘Looking For Jasmine’, 2022
photo of person with face mask in a starry sky
Manipulating the vibrating objects in water
Adjusting the network configuration
Soldering chain
All my wishes, all my desires photo shoot.
Latex sewing in the studio
Photograph of artist in studio
Leanne Marshall
Lucy stands on a table reading off of a piece of paper, people below are looking up at her
Lucy Keatch, SOMETIMES I WRITE SO CONFIDENTLY I START TO BELIEVE MYSELF, 2022 [performance still]
three people sit in a room drinking coffee, birds eye view
Lucy Keatch, tea for three, 2022 [performance still – birds eye view]
Installation of a dining table where people sit down and read a book.
Joshua Starick, ‘Queer identity: Growing up in regional Australia and its influences on one’s everyday lifestyle’, Installation, 2022
Installation of a dining table where people sit down and read a book.
Joshua Starick, ‘Queer identity: Growing up in regional Australia and its influences on one’s everyday lifestyle’, Installation, 2022
The language of materials, RMIT SITE 8
large green painted text on the wall reads 'SOMETIMES I WRITE SO CONFIDENTLY I START TO BELIEVE MYSELF', Lucy writes in smaller black text below it
Lucy Keatch, SOMETIMES I WRITE SO CONFIDENTLY I START TO BELIEVE MYSELF, 2022 [performance still]
Deborah holding torch annealing work with blue flame
Deborah Fisher, Touchstone 2022 work in progress
Deborah saw piercing at jewellery bench
Trial setup of 20 small sculptures in the studio
Deborah Fisher, Tropical souvenir 2022, trial setup.
Studio space with Emotional! work in progress, 2022.
Maria Flores, studio view 2022
painting in the studio
Chong painting in RMIT studio
Fung working at jewellers bench
Photograph of portrait
Oliver L, digital self-portrait, 2021
photograph of myself working at my home jewellery bench
Matisse Stynes, ‘People, Places and Pictures’, 2022
Elahje Kassis, Studio Shot, 2022
Artist installing an artwork
Here I am installing an artwork reminiscent of antique wall ducks.
Image of artist painting in the studio
Olivia McCarten in her home studio
Artist in process of installing mock up of Use/less
photograph of myself at my jewellery bench
Matisse Stynes, ‘People, Places and Pictures’, 2022
dancer under projected coloured lines
‘Projection’ Dance on film still 2022
Natalie in Studio
Natalie in Studio
A photograph of Amy Gagnon standing in her studio, working on a painting with her back to the camera.
Amy Gagnon, Studio Shot, Photo by Hassan Ayache, 2022
Koa Wamsteker, speaking at Archive of Feelings Exhibition, 2022
hand made sculptures Cardboard, cotton, stitching, found wood, wire, twine, rusted saw dimensions variable
Evelyn working on a painting in her studio.
Photo by Hassan Ayache, 2022.
Koa Wamsteker, speaking at Archive of Feelings Exhibition, 2022
Photographed by Jeong Hu Kim
Photographed by Jeong Hu Kim
Artist in studio
Alice Jordan, Beneath Daphne, 2022
Side profile photo of artist at work
Photography by Steven Charles
Artist portrait, Mythra standing next to her artworks
A markswoman lining up a shot with an air rifle
In-action
Progress image
person installing art work
Anika Macela, Installation of Alongtimealone
person installing
Kas Installing Trial Concept 3
Alice Jordan, Beneath Daphne, 2022
Figure covering their body with their arms while coloured lines are projected over them
Amelia Whiting ‘Projection’ 2022
photograph
Jennifer Wu “Get ready” 2022
Two people have their backs facing the camera, looking at three oil painted artworks on a white gallery wall.
Studio Space 2022
Photographed by: Vani Newby
Prue in her studio, Violence and Innocence painting on the wall behind her
In-action
Working in the studio
Jemma Prescott, 'comfort in the fear', 2022, painted calico fabric, clay.
Jemma Prescott, ‘comfort in the fear’, 2022, painted calico fabric, clay.
Jemma Prescott, 'comfort in the fear', 2022, painted calico fabric, clay.
Jemma Prescott, ‘comfort in the fear’, 2022, painted calico fabric, clay.
Jemma Prescott, 'comfort in the fear', 2022, painted calico fabric, clay.
Jemma Prescott, ‘comfort in the fear’, 2022, painted calico fabric, clay.
Jemma Prescott, 'comfort in the fear', 2022, painted calico fabric, clay.
Jemma Prescott, ‘comfort in the fear’, 2022, painted calico fabric, clay.
Jemma Prescott, 'comfort in the fear', 2022, painted calico fabric, clay.
Jemma Prescott, ‘comfort in the fear’, 2022, painted calico fabric, clay.
Photo of the artist holding acrylic disks with prints against white wall
Testing the moiré shadows
Photo of the artist screenprinting
Soile Paloheimo, In the screen print studio, 2022
an artist working with organic materials in her studio
Sandra Flores, ‘Gossamery’ (in process), 2022
An image of a person working on a geodesic dome structure
Sandra Flores, ‘Gossamery’ (in process), 2022
Soile Paloheimo, Assembling a structure for an installation, 2022
Soile Paloheimo, Assembling a structure for an installation, 2022
Photo gallery of the artist assembling a wooden structure and holding acrylic disks
Soile Paloheimo, assembling a structure for an installation, 2022
Jess in the studio, throwing on the wheel. 2022
Photograph of the artist conducting site specific work, wearing a pigeon mask in an urban grassy landscape
Photograph of site specific artwork, performance element. included. I am the pigeon. Photographed holding a home made balsa wood house as I stare into the Urban landscape.
Kerrin Samuel working in the studio on her floral porcelain sculptures
Works in progress in the studio
Kerrin Samuel working in the studio on her floral porcelain sculptures
Works in progress in the studio
Drey Willows in the Print Studio. Photo: Phuong Nguyen Le (2022).
Kat Rae in Screen Printing Studio. Photo: Michael Christofas
Highly detailed porcelain floral shapes
This is a work in progress and will incorporate fragrance and technology on completion
Curseye doing some final adjustments on the installation.
Curseye adjusting the tin foil tentacles on the installation.
Yonah Ma (Curseye), The Purple Immigrant, 2022, multimedia installation.
Works in progress and completed porcelain artworks
Kerrin Samuel work in progress 2022. Letting in the Light and Ode to Joy and Resilience
Jamin Walsh Menegazzo, ‘The Magician’, 2022
Drey Willows in the Print Studio (2022). Photo: Phuong Nguyen Le.
Drey Willows in the Print Studio (2022). Photo: Phuong Nguyen Le.
We don’t need eyes to see… (Cyborg face shield)
2022. 600 x 750mm. Mounted giclee photographic print on Bauhaus true rag etching.

coming soon …