In third year all undergraduate students complete the Art: History + Theory + Cultures course Contextualising Practice. The class helps students develop an understanding of, and write about, the critical and theoretical context of their practice with an emphasis on the development of a strong and unique voice.
The writing that they produce is both critically engaged and often very creative, clearly demonstrating the role that writing can play in understanding and investigating practice. This year I asked each Contextualising Practice tutor to nominate a student essay that was well written and researched, or an essay that resonated with them because of the exciting or experimental way it explored the student’s practice.
It is my great pleasure to share those nominated essays with you. A selection of essays from across the studio specialisations that demonstrate the diverse ways that students are thinking about their practice through writing and research
Dr Clare McCracken
image: Sandra Flores for her essay My Art as Experience: embodied meaning within my practice.
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Essay – A Love Letter to the Liminal: recreating affective animal encounters in clay
Essay by Jennifer Pattinson as part of Contextualising Practice course. I have spent the majority of my life fascinated – bordering on obsessed – with animals, specifically those which are wild, undomesticated, or otherwise out of reach.[1] Since
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Essay – Affect, Materialism & Skye
Essay by Amber Macklin as part of Contextualising Practice course. ACKNOWLEDGEMENT I recognise my own positionality as a settler-Australian with Scottish, Spanish and German heritage. I grew up on Gubbi Gubbi country in Southeastern Queensland and now live, work, and
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Essay – Alchemic Thinking: psyche, self & matter in a grotesque practice
Essay by Andrew Poduska as part of Contextualising Practice course. The ways in which artists relate to materials and how they are used can offer a great insight into their personal history and the inner sanctum of their mind.
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Essay – Art for the Empowerment & Understanding of Rural Communities
Recipient of the ArtLink Writing Award Year 3. _________________________________ Essay by Lexi Appleby as part of Contextualising Practice course. In this essay, I will explore the growing disparity in cultural capital between rural and urban Australia. I endeavour to
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Essay – Diary Making: exploring the workings of the domestic realm through installation art
Essay by Lily Baxter as part of Contextualising Practice course. My installation Watching clothes dry (2021-2022) (Figure 1.1 & 1.2) explores the workings of the domestic realm. Through slow and thoughtful making and arranging, the works direct attention to
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Essay – Horse-Girl Feminism
Essay by Amy Gagnon as part of Contextualising Practice course. My figurative painting practice concerns itself with feminist imagery, and in recent years, this has manifested itself through depictions of women engaging with animals, specifically, horses. This essay focuses
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Essay – In Memory of Glen: meaning-making & acknowledgement of post-traumatic grief through the printing process
Essay by Drey Willows as part of Contextualising Practice course. Content Warning: This essay discusses loss, grief and trauma. On the 16th of April, I spoke to you in text. We spoke about how it would be great to catch
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Essay – In Motion (Stone 61): a conversation between stone and body
Essay by Maria Flores as part of Contextualising Practice course. Ancient and earthly material in the form of limestone shapes my everyday as a printmaker working primarily in lithography. The crux of my practise is working through my thoughts
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Essay – In Search of Sincerity
Essay by Lara Gough as part of Contextualising Practice course. The objective of this essay is to analyse the importance of sincerity in my artistic practice. I will investigate how sincerity manifests in my creative methodology, cultivation of reference
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Essay – Intersectional Identity: blood quantum strategies & reclamation through making
Essay by Hattie Pervan as part of Contextualising Practice course. Ko Ngongotaha te maunga (Ngongotaha is my mountain) Ko Rotorua te roto (Rotorua is my lake) Ko Te Arawa te waka (Te Arawa is my canoe) Ko Ngāti Whakaue
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Essay – My Art as Experience: embodied meaning within my practice
Essay by Sandra Flores as part of Contextualising Practice course. INTRODUCTION Contemporary Western thought has been gradually giving the body a more central role (Voparil & Giordano 2015). This somatic turn responds both to recent scientific discoveries and to
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Essay – Or However Many It’s Been Through: conceiving time and reality through the second-hand
Essay by Edie Duffy for Contextualising Practice. The painting Or however many it’s been through depicts the corner of a darkened room, nearly empty, only a solitary bent-steel chair sat against the wall. Projected onto the scene is the
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Essay – The River
Essay by Kathryn Ruddick as part of Contextualising Practice course. The ancient spirits are all around us. They awaken from their slumber when someone is willing to listen. They have many messages. To hear them, the student must be quiet
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Essay – The Subtle Body: a jewellery practice informed by tantric yoga and Hindu mythology
Essay by Jyoti Murray as part of Contextualising Practice course. This essay discusses my current practice that investigates the subtle body as a spiritual-physical system via the framework of Tantra Yoga and Hindu mythology. The inspiration that fuels my jewellery