Studio: drawing

FROM YOUR BIRTH TO THE ONE YOU GAVE ME Within my work I aim to explore notions of rebirth and queer femme identity, utilising text and humour. In the digital age, I am surrounded by constant sources of stimuli, which

REFRACTIONS OF REFLECTIONS is an exploration of the inner self channelled through the waves of water—an embodied experience of fluidity within my identity. The extensions of water, and the structure it holds is as transient as our flow with life

SCENERY FROM THE SUBCONSCIOUS A subconscious exploration of memory and place through the use of intuitive marks and abstraction. This multi-media project explores the artistic potential of the subconscious mind and its relationship to place. More specifically, the natural world

LESS OF AN INTERNAL MONOLOGUE MORE A PATCHY CONFERENCE CALL is a body of work that seeks to understand and connect with others, through the exploration of my own inner workings. As a woman with ADHD, my works are inevitably a

STILL WATERS RUN DEEP explores the existence of a ‘safe space’ in response to personal sufferings of anxiety and insomnia. The large acrylic paintings on calico material are designed with intuitive, unconscious gestures as a means of healing through the

COSMIC SALAD: DE-FIGURES AND UN-SCENES   life’s about hazard and fate. – dad   I think there is a structure to chaos, and a divinity in the absurd. Through visual experimentation and the re-contextualisation of found objects, my work explores

SQUISH Summary: Studying the nature of skin/flesh and its movement. Differing skin types, as in aged, blemished, scarred etc. and what those contexts translate to within the human structure. Skin in daily movement and light, stretched, pulled and squished in

STRUCTURED BODIES focuses on the never-ending relationship between memory, place and the body and explores these connections through drawing and painting. Driven by the impact of contextual surroundings on the self, the places we choose to inhabit, the places we

SENSE OF SELF Lover, You Should’ve Come Over [diptych], 2022, ink and acrylic on stretched canvas, 90cm x 90cm.   SENSE OF SELF is an exploration of identity through spirituality, symbolism, colour and connection with mother nature. It involves heavily

UN… DERR.. STANDING… COMMUNICATIVE DRAWING INSTALLATIONS This project looks at the busy mind as author—in the dialogue between the author and the viewer, between the internal and external. The work functions as a gateway between the two, as a means

THE HEART THAT BLEEDS IS THE HEART THAT GROWS. A series of illustrative works exploring the essence of healing in solitude. The story-like depictions present a lonely and treacherous process of healing and understanding one’s inner conflict. The objective nature

INVITATION TO A MICROCOSMOS is an experiment into the documentation of singular experiences, moments and people in my everyday life. Images are built from photographs of friends, family and environments. This form, a kind of self-portraiture, captures elements of celebration and

My work relates to aspects of Pop Art and incorporates elements of painting, drawing, photography and collage through the subject matter of portraiture. My practice approaches aspects of traditional portraiture, such as the materiality of oil painting and coloured pencil,

GOD’S FAVOURITE is an ongoing drawing-video project that explores concepts of the human body and its interface with technology. I developed my themes of futurist body modification, sickness and spirituality using my body as the ‘host subject’. My approach to this

AT THE LIMIT OF SIGNIFICANCE is a body of paintings developed through subtle collections from what Bernard Spolski calls the ‘public linguistic space’, where the advertisements, graffiti, and overlapping voices of strangers combine to form the public linguistic landscape of

DANCE MUSIC: RHYTHMIC EXPRESSION IN PASTEL AND SOUND I am an emerging artist and practising musician based in Ocean Grove, Victoria. My bold and fluid style, both in drawing and music, has emerged from a quiet self-confidence that allows me

NOBODY PUTS BABY IN A CORNER My studio practice throughout this year has largely been an expression of internal dialogue and emotions translated onto canvas through a surrealist lens. My current project focuses primarily on the notion of infantilisation and

WET CAPSULES/SOFT-GORE My work employs the basic internal and external structures that mammals belonging to earth are made up of. Skin, muscle, organs and bone are the physical elements that highlight the simple yet interesting organisation of our bodily systems