Sacred Unfolding Sacred Unfolding employs intuitive ink painting, patterns, and fabric installation to explore spirituality, Buddhist philosophy, and phenomenology, drawing on my lived experience to reflect on our shared human condition. At its core, my work seeks to reveal inner
Scope Creep Scope Creep seeks to address the absurdity of digital capitalism and its effects on ecology and psychology through a multidisciplinary piece comprising performance, video and installation. In managerial rhetoric, the term ‘scope creep’ refers to the sweeping and
RMIT Culture Residency Award Helimlich: My Dear Little Grotto Hide me. Don’t look at me. Just let me lie here. Let me curl away under the comfort of my own security. I don’t want to leave here, and I can’t.
Where Did You Go, Are You Here? The MFA project where did you go, are you here? Explores my childhood trauma through constructed sculptural forms and objects. The project aims to construct a world where everything is disruptive, dysfunctional, and
Mary Oliphant Award Winner Rendered Other and Cast Out: Staging a multi-disciplinary cautionary tale about global warming and Antarctica (2025) My project warns of our uncertain future due to human-caused global warming. Staged as a multi-disciplinary cautionary tale, it consists
Wondering the third space: navigating the politics of personal and collective identity through deconstructive installations and sculptures. The installation project uses multimedia sculptures to explore Qin’s complicated relationship with her life under China’s collectivism. By deconstructing and reconstructing everyday materials
Between Two Worlds In this project, the tension between the fragility of rice paper and the resistance of linen installed in the gallery space visualises the silent, powerful current constituted of diaspora identity. It is a map of magnetic pulls
PLASTICITIES, malaises, SURVIVALS PLASTICITIES, malaises, SURVIVALS is a practice led project that has emerged out of a personal experience of displacement. Working between Dight’s Falls, the foundry, and the gallery I cast beeswax sculptures, gather found materials, and record video
This video essay represents one of my most expansive works to date, weaving together personal narrative and socio-political analysis to examine body and gender identity. The piece focuses specifically on the lives of trans women across the western world and
Space and Memory: Mapping Lived Experience Through Mixed Media Installation and Expanded Painting Space and Memory (2024–25) traces the quiet emotional landscapes of home, memory, and belonging. Having lived across many countries, I carry fragments of each place—rooms, shadows,
Nearly-Mary Oliphant Award Lotus and Mud: Embracing messiness through wu-wei and expanded ceramics My masters project investigates the Daoist concept of wu-wei (non-action) through expanded ceramics that embrace clay’s inherent messiness and instability, challenging conventional methods that prioritize permanence and
