Human agent: AN ENTANGLED ALMAGAMATION OF CUMULATIVE EXPERIENCE: The experience of being aware of being. The experience of relating to natural forces. EMBODIED MATTER That which is the vital foundation is fundamentally intricate and non-finite. Prioritising
HOLD ON TO YOURSELF unfolds as a space of tension between protection and exposure, vulnerability and strength. The work invites a process of returning to one’s authentic self — a slow and tender uncovering of what has been buried in
I work across mediums to create intriguing and playful encounters that puncture the common sense of capitalism. I interpret economic analysis through intuitive associations drawn from a sculptural index of motifs and materials. My capstone work, Immaculate Conception, is
UNADULTERATED Unadulterated is the beginning of a collection that focuses on words that I love. Unadulterated, rage, death, worship, longing, filth, rot, lust, gratification, sickness, torture, gore, hate and solace The collection explores ‘bad emotions’. How do we act when
SMELL OF uncovers the relationship between olfaction and memory. A materialisation of memory, the mixed-media installation centres around the scent of Yu Yee oil – a traditional Chinese medicated oil – as its primary element of the work. Drawing from
I crawl with the bugs in the dirt nothing I love would require work https://www.instagram.com/bilibear_/
TO/FROM SMITHEREENS – Some time ago, I watched as a small cataclysm occurred. While walking down by the creek, something impossibly bright fell from the sky, burst through the boughs of an old jarrah tree, and blasted deep into the
GRID GAME (2025) is a playable board game for viewers to engage and interact with. The objective of this game is to design the best city within the provided 12×12 grid board using the wooden building-like blocks. To achieve this,
Walk through the meadows of time, discover what’s left. Observe how the earth is endless, eternal and unforgiving. Watch as the world evolves and mutates, new life forms from death, on a repeating cycle, forever. BEYOND DYSTOPIA What will
A Perfect Failure An installation of multiple works, exploring the themes of Empathy, Empowerment, Family, Social Justice and Housing (especially the failures of the private sector and government.) Through creating a large painting / drawing using hessian and plaster, I
BLUSHING LACE- Content warning: the work discusses gender-based violence Blushing Lace explores the rising issue of violence against women in Australia, drawing from my personal experiences of abuse by my father and other adult men during my childhood. Through this
THE MOTHER OF ALL MESSES My work explores transformation, materiality, and memory. The process is intuitive, led by touch, chance, and the conversations between materials. I’m drawn to the way objects can hold traces of time and emotion and how
X marks the spot: Traversing the tension between Liminal spaces, The ‘Australian Gothic’, and a permeable reality X MARKS THE SPOT is a large-scale, multidisciplinary installation that critically engages with the aesthetic and psychological dimensions of the “Australian Gothic”, questioning
APPARITIONS is a provocation of the Western colonial gaze and the construction of the Other. In the words of Daniel Neugebauer in Counter Readings of the Body, ‘the gaze…appears as an adversary, a knife, the evil eye…’. The work interrogates the
WITHIN COMFORT is an ethereal and poetic textile-based installation that reflects on the dialogue between self and the immaterial. This work is grounded in emotion and personal experiences of finding comfort in familiar spaces, where materials engage with presence and
Teagan is a sculpture-based artist with a vested interest in repurposing and reimagining overlooked and discarded objects from her immediate environments. Her practice is characterised by an intuitive and conversational approach with her materials, allowing them to breathe their own
UTOPIA (REMIND ME) explores the significance of the object in connection to memory. The work comprises of 5 monuments made after significant objects from my personal spaces. The objects aren’t of inherent value or sentimentality, but I can’t let them
SAME SPIRITS NEW FORMS it’s all an echo / i sent myself long ago / same spirits new forms Gesture, light, and reflection fold into one another. Subtle disturbances become offerings; stillness unfolds into motion. Viewers participate in a quiet
