The Sculpture Studio fosters an experiential and transformational approach to art practice in which students develop critical thinking and technical skills through the process of ‘thinking through making’. Students undertake studies in object construction, modelling and mould making, installation, life casting, fabrication in wood and steel, experimental material practices, soft sculpture and bronze casting. Sculpture facilities include a series of workshops, including an industry standard foundry, equipped to allow students to work with both traditional and contemporary materials. Students are taught by practicing artists who approach sculpture as an expanded medium and work with students to develop individual creative practices according to their interests.
– Dr Fleur Summers, Studio Lead
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Abi Corden
AND SO THE CYCLE CONTINUES explores the conversation between influence and identity. Experiencing life through memories and cultivating a persona based on superficial notions of nostalgia, identity can be defined in the 21st century as a reflection of the enmeshing
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Alannah Borg
I acknowledge, pay respect, and pay the rent to the Traditional Custodians and their Ancestors of the lands on which I live and work: the people of the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nations.
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Alex(andra) de Jong
Human agent: AN ENTANGLED ALMAGAMATION OF CUMULATIVE EXPERIENCE: The experience of being aware of being. The experience of relating to natural forces. EMBODIED MATTER That which is the vital foundation is fundamentally intricate and non-finite. Prioritising
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Alexander ‘Pug’ Williams
instagram: @notawizard_yet www.alexanderpugwilliams.com GLYPH OF NON-ATTACHMENT My 2023 capstone project is the Glyph of Non-attachment (GON-A). GON-A is a non-static assemblage composed from sculptural objects I have created over the course of my degree. These sculptures are made from industrial
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Alice Gaywood
Sculpture Workshop Prize. THE RABBITS is an assemblage of found materials transformed and altered, arranged to echo an imagined agricultural or domestic garden exterior landscape and at the same time an interior domestic setting, similar to a sitting room. As the
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Alice Jordan
Recipient of the BDS Sculpture Prize. _________________________________ BENEATH DAPHNE I am an aspiring sculptural and installation-based artist located in Kulin country, Melbourne Australia. I will soon be graduating with my Bachelor of Fine Art, specialising in Sculpture at RMIT. I
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Ambrose de Lima
AWARD WINNER – BDS Sculpture Prize for outstanding folio, 2025 HOLD ON TO YOURSELF unfolds as a space of tension between protection and exposure, vulnerability and strength. The work invites a process of returning to one’s authentic self —
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Angela Sexton
Yarra Sculpture Gallery Exhibition Award http://www.yarrasculpturegallery.com.au/ WHEN PUSH COMES TO SHOVE is an invitation to propel this object into motion. I ask you to feel my materials and to watch them turn over, in, and around, as I have. This
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Anjali Hunter
GOOD VS EVIL I am an artist with a practice that focuses on sculpture and installation. My practice is a constant exploration of history, religion and the vast realm of the human condition. As a sculpture student at RMIT, I am
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Anna Kouvelas
UNRAVELLING is a textile-based work that uses both handmade and found materials to delve into the themes of women’s work, girlhood and personal history. Through weaving and patchworking, the work explores how textiles can hold memory and identity, much like
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Anna McCauley
AWARD WINNER – Breaking the Mold Sculpture Prize for experimentation in the Sculpture Studio, 2025 I work across mediums to create intriguing and playful encounters that puncture the common sense of capitalism. I interpret economic analysis through intuitive associations
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Axalotol
UNADULTERATED Unadulterated is the beginning of a collection that focuses on words that I love. Unadulterated, rage, death, worship, longing, filth, rot, lust, gratification, sickness, torture, gore, hate and solace The collection explores ‘bad emotions’. How do we act when
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Chloe Lim
SMELL OF uncovers the relationship between olfaction and memory. A materialisation of memory, the mixed-media installation centres around the scent of Yu Yee oil – a traditional Chinese medicated oil – as its primary element of the work. Drawing from
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Chloe Vella
WUNDERKAMMERN OF OBJECTIFIED SIGNIFICANCE – WOMAN CLAIMS THAT A LEFT FOOT BOOT IS HER DAUGHTER AND HER HUSBAND IS A DIRTY COUCH I am a Naarm (Melbourne) based multi-disciplinary artist, who makes installations, video and sculptural works as well as
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Claire Garwoli
AWARD WINNER – Sculpture Workshop Prize for excellence in the Sculpture workshop, 2025 I crawl with the bugs in the dirt nothing I love would require work https://www.instagram.com/bilibear_/
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Coco Jones
BDS Sculpture Prize for outstanding portfolio. TETHERED By temporalities, I am always tethered, but forced to move forward despite it; these opposing internal conflicts causes loss of presentness, how am I to exist? Tethered is a multimedia artwork that investigates
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Cornelius Wong
Kings Artist-Run exhibition award https://www.kingsartistrun.org.au/ DUST PIECE. With everything packed into boxes, all that’s left is dust. instagram.com/ms.homunculus
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Damien Tune
CENOZOICA is a physical record of a conceptual self. A sculptural work dedicated to the changing and shifting idea of what makes us who we are, and the experiences that change us. Immortalised in 60-million-year-old igneous basalt mined in Victoria,
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David Bilusic
Perry Summers Sculpture Book Prize for excellent in Sculpture Studio: FORGED is a collection of narrative works that seamlessly intertwine two distinct stories. The first story narrates the tale of The Blacksmith and the Devil, while the second story follows The
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Davin Ivatts
AWARD WINNER – Sculpture Workshop Prize for excellence in the Sculpture workshop, 2025 TO/FROM SMITHEREENS – Some time ago, I watched as a small cataclysm occurred. While walking down by the creek, something impossibly bright fell from the sky,
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Deborah McHugh
SHEARED HAIR, SHAVED HEAD. I am a sculpture artist based on Wadawurrung Country with a background in textile art. My practice interprets a language that bears trace of family linage listening to the materials as a generative process. Sheared Head, Shaved
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Emmica Lore
I WANTED TO BE CLEVER BUT DECIDED TO JUST GO BIG is a large-scale sculpture engaging in witty institutional critique. Crafted from household materials, the work pokes friendly fun at the art world (whilst not being above it). [Note: The
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Ethan Lazaric
DREAM CATCHERS. Dreams are an essential part of the human condition, acting in the subconscious mind of every individual. Through sculpture, I aim to bring these subconscious thoughts to the forefront of one’s mind, forcing a confrontation between oneself and
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Eva Mikelin
FABRIC PANELS: YOU PAY FOR MY MEMORIES These fabric panels and installations are part of an ongoing series of work from 2021 addressing domestic crafts and labour in both concept and process. The arduous practices of hand stitching, darning, and
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Falconeris Andrés Marimón Correa
AWARD WINNER – BDS Sculpture Prize for outstanding folio, 2025 GRID GAME (2025) is a playable board game for viewers to engage and interact with. The objective of this game is to design the best city within the provided
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Georgia Clarke
BLURRED is an abstract installation work encompassing themes of cultural identity, accidental photography, and liminal spaces. The intersection of these themes is an experience-based work on how blurred identity and layers of the self can become. Accidental photography and the
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Georgia Drummond
Here With Me is an immersive installation designed as a sanctuary for conversation and connection. Amid the overwhelming negativity and isolation we often feel, this piece invites visitors to step into a space of shared warmth and tranquility. Draped in
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Halle Mickle
FOS”CELL“ISED For this sculptural project, I will sculpt and cast a collection of stylised cells out of plaster, using a silicone-based mould as well as brush-and-pour techniques to create a unique assemblage that represents my themes of materiality, identity and
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Indigo Ripper-Stranieri
Walk through the meadows of time, discover what’s left. Observe how the earth is endless, eternal and unforgiving. Watch as the world evolves and mutates, new life forms from death, on a repeating cycle, forever. BEYOND DYSTOPIA What will
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Jade Armstrong
DISTANT RAYS Thermoformed acrylic, citrus dichroic film, a dedo light, a turning mechanism, fishing line, brass eyelets, a speaker and a looped 10-minute soundscape (a recording of the artist playing a rain stick she made and Tibetan bowls). Jade’s work
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Jade Cargill
WINNER of the Sculpture Workshop Prize 2024 “Obscenity begins when there is no more stage […] A good illusion is a bad illusion, and a bad illusion is a good illusion” —Jean Baudrillard, Art and Artefact. My practice often
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Jade Feakes
Recipient of the Perry Summers Sculpture Book Prize. _________________________________ RELOADED LANDS I am a sculptural installation artist located in Wathaurong Country, Ocean Grove, Victoria. Throughout my practice, I explore environmental themes and eco-activist art. I am influenced by my intrinsic
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Jade Lees-Pavey
A Perfect Failure An installation of multiple works, exploring the themes of Empathy, Empowerment, Family, Social Justice and Housing (especially the failures of the private sector and government.) Through creating a large painting / drawing using hessian and plaster, I
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Jayla Kristenlee Caprio
BLUSHING LACE- Content warning: the work discusses gender-based violence Blushing Lace explores the rising issue of violence against women in Australia, drawing from my personal experiences of abuse by my father and other adult men during my childhood. Through this
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Jazz Duncan
SKIRMISH springs forward, embellishing the gallery space with contemporary allegory. Jazz Duncan’s figures breach the confines of dreams in lively gesticulation. Each evoking curiosity, revelation, and gestalt shift in the onlooker. JAVELIN, the first work in this series, envisions a
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Jemma Prescott
Recipient of the BDS Sculpture Prize. _________________________________ COMFORT IN THE FEAR is a work exploring the relationship we, as humans, have with our childhood, and how as we grow into adults we change to see what was once a familiar
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Jermaine Ibarra
WILD COMBINATION focuses on the act of ‘authoring’ and ready-made simulacra. Wild Combination reflects on the immateriality of memory, the arduous effort of capturing them and the difficulty and romance of remembering. Part installation, part sculpture, part confessional, part ‘screenplay’
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Jiefei Chen
Recipient of the Sculpture Workshop Prize. _________________________________ ✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿✿ ╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯╭(′▽`)╯ My name is Jiefei Chen. I was born in Sichuan Province, China, and moved to Adelaide, Australia, with my family when I was fifteen, and live in
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Joanna Richard
THE FOUNDATIONAL MYTHS OF NATIONHOOD The Foundational Myths of Nationhood is an exploration of the myths and practices involved in nation-building. It investigates the commonplace narratives of national identity and it is constructed and directed through the specific design of
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Kate Kozul
AWARD WINNER – Artists for Kid’s Culture (AKC) Gallery Exhibition Prize, 2025 THE MOTHER OF ALL MESSES My work explores transformation, materiality, and memory. The process is intuitive, led by touch, chance, and the conversations between materials. I’m drawn
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Keenan Haagen
Minerals is an installation characterised by mirror-polished bronze forms, placed in harmony with large natural stones. The work aims to reconnect viewers with their inherent relationship to nature by tensioning the delicate treatment and preciousness of bronze, against the solidity,
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Keisha Emily Yan (Fed)
FAULTS IN THE BREAKROOM I am Keisha Yan/ Fed, a narrative artist based in Melbourne and Singapore. Currently, my interest is in exploring the overlap between the natural world and the industrial one through absurdist and surrealist scenes. These explorations
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Lois Basham
REMEMBER ME I am a multimedia sculptural and installation-based artist living in Naarm. I will soon be graduating with a Bachelor of Fine Art in Sculpture from RMIT. I have been a part of many group exhibitions in Melbourne and regional Victoria
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Lucinda Costa
USE/LESS I am an emerging sculptural artist located on Wurundjeri Land, Melbourne. In my practice, I typically explore childhood and comfort, often using glitter and iridescent materials to recreate the childlike excitement that fades in adulthood. Sewing is also an
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Maisie Mckenzie
MAMA SAID (SERIES OF FORMS) Using a combination of textile processes and mixing materials, Maisie creates textural and fluid forms to discuss the body’s many-faceted existence. The artist combines materials such as fabrics, latex, plastics, inks, mirror, wire and the
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Melissa Hermans
HOLD AND RELEASE An exploration of causality and trauma therapy through performance, kinetic energy and handmade sculptural elements. This work embodies the instance of trauma tethered to an individual until met with the tools to
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Minadi Gajaman Kankanamge
WINNER – Breaking the Mould Sculpture Prize for experimentation in the Sculpture Studio ‘where water and earth resonate; ජල තරංගා’ is inspired by Sri Lankan clay jugs that store water. This interaction between materials infuses the water with an earthy
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Monique Ramsay
CONFESSING ANIMAL: WATCH ME WRITE BUT NOT WHAT I’M WRITING. A personal exploration in self, extracting as many thoughts from my mind as possible, nothing left unsaid, or unexplored in my conscience. This works takes paper that I have written
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Montana May
X marks the spot: Traversing the tension between Liminal spaces, The ‘Australian Gothic’, and a permeable reality X MARKS THE SPOT is a large-scale, multidisciplinary installation that critically engages with the aesthetic and psychological dimensions of the “Australian Gothic”, questioning
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Muzi li Zhong
Recipient of the BDS Sculpture Prize. _________________________________ THE WASHING is an installation that documents a performance in a natural landscape. A daily act of washing and walking but in absurdity, and the tension of vitality. A nihilistic and Sisyphean portrait
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Rosegennan Whitlock-Whyte
SUBTERRANEAN ARTEFACTS At the core of my artistic practice lies an exploration into trauma, memory, personal, and collective histories, mechanisms of healing and repair, and the relationship between body and space. This exploration is viewed through the intersection of existential
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Sara Jajou
APPARITIONS is a provocation of the Western colonial gaze and the construction of the Other. In the words of Daniel Neugebauer in Counter Readings of the Body, ‘the gaze…appears as an adversary, a knife, the evil eye…’. The work interrogates the
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Saraid Banahan
DEMETER’S LAMENT is a sculptural composition of entwined material energy from deep ecological time reconstructed into an offering for the post-industrial age, where Ontology and the Anthropocene intertwine in an alchemical expression of materiality. Drawing from Greek mythology, the symbol
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Sienna Pavlovski
WITHIN COMFORT is an ethereal and poetic textile-based installation that reflects on the dialogue between self and the immaterial. This work is grounded in emotion and personal experiences of finding comfort in familiar spaces, where materials engage with presence and
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Sin Tung Liu (Cheryl)
SLEEP METAPHYSICS How is sleeping an unaware pause on our conscious control over our body? The project explores the conceptual framework that shapes our perception of the world through the observation and reinterpretation of everyday human behaviours. By representing sleeping
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Sophia Liddy
A GESTURE OF GRACIOUSNESS is an exploration of the relationship between fractal formations, symbiosis and our relationship with all other members of the biosphere. I see fractal patterns, including their healing, connective and structural properties as essential to life, underpinning everything
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Sophie Malvestuto
Winner: BDS Prize for Excellence in Sculpture From embroidering the earth’s mantle to embodying the earth’s core: a note to the spinner. While it is wedged often in discomfort, it, like us, is the product of stellar aspirations; one of
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Tara Sandie
RETURN INTO THE ARMS OF YOURSELF – A SANCTUARY is a biodegradable instillation intended to create a space of comfort and respite. The work aims to emphasise the need to check in on personal well-being, both physically and mentally. People get
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Teagan Lown
AWARD WINNER – BDS Sculpture Prize for outstanding folio, 2025 Teagan is a sculpture-based artist with a vested interest in repurposing and reimagining overlooked and discarded objects from her immediate environments. Her practice is characterised by an intuitive and
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Tess Hider
‘Sew, what’s wrong with you?’ is a large-scale soft sculpture installation work, using humour and the Pop Art style to engage with topics of pain, disability and medical spaces in a light-hearted way. I am a multi-disciplinary artist working in
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Timothy Walters
Winner: BDS prize for excellence in Sculpture. Timo Walters is a sculptural artist whose work explores the imaginative potential to reconstruct human subjectivities and narratives by investigating the interconnectedness of things. As humans become increasingly connected and knowledgeable, the absurdities
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Tully-Rose Villiers
THE STAIR, AND THE STAIR is a sculptural installation that mimics the shape of an RMIT staircase. The work is a presentation of a section of the stair through the eyes of the artist’s mode of thought. The stair is
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Violet Spirason
UTOPIA (REMIND ME) explores the significance of the object in connection to memory. The work comprises of 5 monuments made after significant objects from my personal spaces. The objects aren’t of inherent value or sentimentality, but I can’t let them
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Yvonne Rambeau
BDS Sculpture Prize for outstanding folio I SAY I HAVE BEEN A STRONG LOVER explores the paradoxical experience of desire and its effects on the lover. Encompassing at once absence and presence, pleasure and pain, desire is described for
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Zosia Slifirski Duckett
SAME SPIRITS NEW FORMS it’s all an echo / i sent myself long ago / same spirits new forms Gesture, light, and reflection fold into one another. Subtle disturbances become offerings; stillness unfolds into motion. Viewers participate in a quiet