THAT QUOC THIEN TON

“Concerte Melbourne” is a photographic series that delves into architectural design, specifically revisiting iconic and often controversial Brutalist architecture. Often misunderstood, these buildings are more than just concrete structures; they are powerful statements of design, and my work aims to challenge common perceptions by revealing the artistic and historical significance embedded in these monumental forms. By focusing on the raw, unadorned concrete highlight the intricate textures and structural honesty that define Brutalist design, moving beyond superficial judgments to appreciate their deliberate and rigorous construction.

‘Concrete Melbourne’ seeks to preserve the legacy of these unique Melbourne landmarks and foster a new appreciation for their design principles. It sparks a dialogue about our architectural heritage, encouraging us to engage with the complex first contested beauty of Brutalism within our urban landscape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Brutalist Architecture

Brutalist architecture, an architectural movement that peaked between the 1950s and 1970s. The term ‘Brutalism’ is not derived from ‘brutal’ but from the French béton brut, meaning ‘raw concrete,’ a material central to the style.

At its core, Brutalism is an expression of material honesty. It forgoes ornamentation to reveal a building’s underlying structure. Key characteristics include:

Exposed Concrete: The primary material is left raw and unfinished, often bearing the texture of the wooden molds used to cast it.

Monumental Forms: The style is characterized by heavy, block-like structures and bold, geometric shapes.

Expressed Function: A building’s purpose is often clearly legible from its exterior form, with a strong emphasis on logic and utility.

Originating in the post-war era, Brutalism was frequently chosen for public and civic projects, such as universities, government buildings, and social housing. It was underpinned by a social vision: to create strong, functional, and honest structures for a new society.

Today, Brutalism remains one of architecture’s most divisive styles. While many perceive its massive forms as cold or imposing, others are drawn to its raw power, graphic lines, and sculptural integrity. This project documents the unique and commanding examples of Brutalist architecture found in Melbourne.

THAT QUOC THIEN TON
Tagged on: