This series of images explores how, through photomontage, I am able to reveal a new perspective on landscape while also creating a new kind of sublime. By layering and combining photographs I aim to construct images that capture the embodied
SCENES OF CASTRATIONS & GAZES UPON CONTROL seeks to represent the abject in material form by using fragmented parts of the body. I am concerned with the study of experiences from the perspective of the individual. More specifically, I intend to
Ardmillan is the product of revisiting a site from my childhood and retracing the past from the vantage point of the present. The project explores the themes of nostalgia, memory, mystery and lineage around my late grandparent’s farm. My aims for
‘Precarity’ is a familiar and visceral state which is accepted as a normal way of being. Pointing to a lack of stability, with no assurance of perseverance, precarity carries insecurity and anxiety into the experience of existence. It is a
This series of works is inspired by my experience of living as a woman with breasts. I present breasts to counter the idealised patriarchal vision prevalent in the media and reveal the plump, perky fantasy promoted in the media. Breasts
Tastes good to me is the result of exploring my research question: “How can tastes reveal similarities between classes?” I have chosen to use food as my medium because it can portray more than what is physically in the image; food
The Conversations We Have is a collaboration with my mother that explores how the mother-daughter relationship is socially constructed. The work uses collaborative theatre as a way to destabilise patriarchal narratives related to mother-daughter intimacy, mother-blame, matrophobia (the fear of turning
My younger sister Lucy was born on 16 December 2011, and since then we have shared years of love, laughter and tears. The bond Lucy and I have is more than being blood related – we are also each other’s
Reading Backwards: My photographic style as a conceptual fine art photographer focuses on the juxtaposition of contrasting opinions within societal, political and personal themes and attitudes. My triptych series, titled Reading Backwards, seeks to present a personal experience of living life with
IN A NEAT LITTLE BOX aims to highlight the importance of documenting personal experiences within transgender communities through examining the potential of photographic self-documentation to validate and bring attention to the diverse experiences with gender presentation and identities. The body
I Hold What is Mine is an act of solidarity and connection with women before me, women who guided me to learn and love the art of needlework. I turned to sewing following the passing of my mum in 2018, and
Puno, puno, laku noć (lots and lots, goodnight). The story never starts at the beginning. We wake up and we realise that things have been written before us, around us, through us and after us. Our histories leave little traces
