2025 AWARD WINNER

Cien Su

Cien Su

WINNER – KOODAK AWARDS FOR THE HIGHEST ACADEMIC ACHIEVEMENT FOR HONOURS GOLD & SILVERSMITHING STUDENT  — SUPPORTED BY KOODAK JEWELLERY SUPPLIES  WINNER – KOODAK AWARD FOR ENAMELLING PRIZE FOR TECHNICAL EXCELLENCE — SUPPORTED BY KOODAK JEWELLERY SUPPLIES  This practice-led research originates from childhood

Elizabeth M. Cole

Close up view of hands holding Atlas (wall mounted display book) open

Mary Oliphant Award Winner Rendered Other and Cast Out: Staging a multi-disciplinary cautionary tale about global warming and Antarctica (2025) My project warns of our uncertain future due to human-caused global warming. Staged as a multi-disciplinary cautionary tale, it consists

Emily Song

Emily Song

WINNER – Travel Scholarship  The tacit, the implied and the felt: relinquishing control to ambiguous, intuitive and experiential ways of knowing. Excessive control over outcome-driven processes and high standards of perfectionism can often feel oppressive, limiting, and restrictive, trapping the

Holly Goodridge

flat lay of 20 hand knit, colourful sweaters

Lowensteins Arts Management Award Why I Knit My practice explores neurodivergent experience through wearable textiles, participatory performance, and large-scale crochet installation. Rooted in hand-knitting, embroidery, and tactile making, my work transforms personal strategies of survival and regulation into shared encounters,

Olivia Lin

The cardboard sculpture suspended from the exhibition hall ceiling takes the shape of a long triangle, its surface featuring patterns and text derived from bus stop signs. Inspired by a rolling door, it can be rolled up and down in a similar way.

NAVA Ignition Prize Winner Room for Nowhere My master’s project explores the embodied expression of uncertainty within states of anxiety through painting-based sculpture and its constituent spatial installations. Using cardboard as a primary material, I create a space that carries

Yongping Ren

Yongping Ren

Nearly-Mary Oliphant Award Lotus and Mud: Embracing messiness through wu-wei and expanded ceramics My masters project investigates the Daoist concept of wu-wei (non-action) through expanded ceramics that embrace clay’s inherent messiness and instability, challenging conventional methods that prioritize permanence and