Bei
Some beginnings are not chosen but given — and once given, we begin to see, and begin to choose. My practice centres on the notion of Place — a geography that also carries memory, emotion, and identity. It holds the
Eliza Byrne
Fragmented Identities as Hybridity. Searching for belonging in a cultural “third space”. Eliza Byrne’s practice examines the cultural “third space,” where identity is shaped not within a single culture but through the interplay of multiple cultural worldviews. This space emerges
Isabelle Hacon
IN MY IMAGE In My Image explores painting as a space where memory stirs rather than settles; where the past flickers in fragments, half-remembered and half-imagined. Working with found and family photographs, I use paint to blur the edges between
Ka Chun Yu (Kenneth)
UNPLAYED MEMORIES focuses on empty playgrounds and tiled passageways in ordinary daylight. In these paintings, I use both vivid and pastel colours to shift familiar environments into something slightly dream-like. Slides and corridors appear paused in time, holding traces of
Melanie Sky
I MADE IT COZY SO YOU’D FEEL THE TENSION This installation transforms a domestic scene into the site of protest and reclamation. Born from a conversation in the first year of my degree that exhibited patriarchal bias, the installation asks
Molly Dinan
ECHOES ACROSS THE AEGEAN My work explores the connection between my two homes, Crete Greece and Melbourne Australia. While backpacking in 2024, I fell in love with a potter from a village on the island of Crete. We are now
RANIA HISHAM
THERE YOU ARE (2025) brings together individually titled works across various mediums, including an installation, a short documentary film and paintings. This research explores alternative ways of incorporating archival and found objects that once belonged to my late grandparents, while
WHEN THE EARTH REMEMBERS by S. Raelle
“When the Earth Remembers” is a gestural act of salvation, a primal ritual that confronts personal trauma by dissolving the self into a liminal, elemental landscape. The title signifies a profound connection between the body and the earth, suggesting that
Zahra O’Dea
MY HANDS EXIST AND WITH THEM I CREATE PROBLEMS AND ART. To grasp something is to care for it, to hold space for its weight, and to insist on its relevance.The dual meaning of the word grasp speaks to this intersection: it