This practice-led research project unites my digital and non-digital artworks to build digital worlds that invite exploration and create a sense of disorientation and wonder. My digital artworks, such as my computer games, often explore ideas of narrative and sense
I’M TRYING TO LISTEN TO THE EARTH BUT THERE ARE TOO MANY PEOPLE SPEAKING AT ONCE, is about my experiences with my mental health. I’ve been struggling for a few years now, and this project is a reflection of that
Be/Longing: Documenting the ‘invisible’ through lens-based practices. Be/Longing uses lens-based practices to document the transition into adulthood and how ‘longing’ can accompany this change. The work reflects my own transition of moving from a rural/regional upbringing to Melbourne and the
Vở ô ly (2024-ongoing) As filmmaker Bạch Đăng Tùng writes:‘’Việt Nam’, written in my mother tongue, is made up of two different words: ‘Nam’ and ‘Việt’. Separated—a chasm between them. Then came the English spelling: ‘Vietnam.’ Never mind the loss of
Mirror examines representations of the self and consciousness across temporal dimensions, questioning how a moving image installation can facilitate a dialogue between past and present versions of the self. The work employs a series of looping video sequences on multiple screens,
Dressed investigates the intersection of fashion photography and youth desire, framing it within a Lacanian psychoanalytic context. It explores how fashion photography serves as a medium for expressing and shaping identities, driven by the concept of the ‘desire of the
