URBAN TIME

I have always been influenced by the world of both photography and advertising. Having completed two years of this course online during a global pandemic, I was intrigued by how companies were adapting to the new climate and how they were using Covid as a selling point. I was also leaning towards this path as I always want to work with people/clients to create work.

My final project is looking at high-end watches, drawing on all the influences, perspectives, angles, styles, and aesthetics of a conventional watch ad to create a unique perspective and outlook of major luxury brands and advertising. I have photographed watches that are cheaply made, basic and inexpensive and have photographed them in the same way a luxury brand would showcase a watch. Without the name’s sake, we would see that they are almost identical in their styling and intricacy, which begs the question: Are people paying for pristine, high quality and durable watches, or are they buying the same watch with a name slapped on it for a higher markup?

Are we all just in a rat race with no end, only consuming and lusting for the high-end rather than critiquing, thinking and understanding the world around us?

Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.

 

Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.

 

Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.
Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.
Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.
Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.
Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.
Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.

Vasilios Argiropoulos, Untitled, 2022, Canson Platine Fibre rag.

 

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Vasilios Argiropoulos