Mary Oliphant Prize. Seventh Gallery Award. BESTOWED: EXPLORING TRAUMA AS A FORM OF INHERITANCE THROUGH CERAMIC SCULPTURES AND RITUALISED PERFORMANCE Reimagining heirlooms from the artist’s Javanese heritage to create ceramic sculptural work, Bestowed challenges the persistence of filial piety in
Dean’s Award for Academic Excellence, Bachelor of Arts (Photography)(Honours) sponsored by Kayell Australia. UNSETTLED OPACITIES: REASSEMBLING THE UNKNOWN. This year my research focused on approaching my practice as a site of resistance to maintain my right to opacity. The works
Project executive summary Name: Adrienne Cameron, s3996963 Title: So, you want to be a collector? Outcome: Pamphlet Collector pamphlet Abstract: This project explores the parameters of creating a valuable contemporary fine art collection over a lifetime. Extensive academic research has
MY BODY, NOT MY RULES centres on creating a series of paintings that investigate themes of sexual violence and ‘The Gaze’ while seeking agency as well as explore the female body and reclaiming authority. My eagerness to confront women’s issues
PAST LIVING: Memory is a Monster/KUTIS I work fluidly in my studio, constantly experimenting and researching materials and methods to find the best ways in which to express two main ideas. The first being the exploration of mental
instagram: @notawizard_yet www.alexanderpugwilliams.com GLYPH OF NON-ATTACHMENT My 2023 capstone project is the Glyph of Non-attachment (GON-A). GON-A is a non-static assemblage composed from sculptural objects I have created over the course of my degree. These sculptures are made from industrial
Drawing Studio Award for excellence in drawing-based practices. BETWEEN YARN AND A HARD PLACE is an ongoing exploration of mother-daughter relationships and, by extension, the complex interaction between the maker and the made. In my semi-autobiographical practice, I explore the
Sculpture Workshop Prize. THE RABBITS is an assemblage of found materials transformed and altered, arranged to echo an imagined agricultural or domestic garden exterior landscape and at the same time an interior domestic setting, similar to a sitting room. As the
INTO THE SHADOW Within the recesses of our minds lies a profound, enigmatic realm – the unconscious. A vast, unknown territory that beckons us with its mysteries and shrouded truths. It is a place both alluring and intimidating, where the
WEATHER PAINTINGS These works are about the sensibilities of past upper classes, and the cyclical growth of vegetation. I am a painter and draughtsman based in Melbourne and was born on a farm in New Zealand. In my work, through
Firestation Print Studio Exhibition Prize for high academic achievement. Sunshine Print Artspace Graduate Award for high academic achievement in Third Year. MEDIEVAL AND THE MODERN Through a practice of print and illustration my work engages with the ways history and
111 WAYS TO FORGET ̶Y̶O̶U̶ MYSELF This project emerges from Ana’s lived experiences and the dynamics of emotionality and shame. Ana creates pieces of participatory art and ritual performances using her body as a test subject to discover how
MOVING STILL: Exploring Post-digital Resonance in Landscape and Atmosphere Across Print Interfaces PhD Examination Exhibition Monday 21/8/2023 – Friday 25/8/2023 SITE EIGHT GalleryRMIT City Campus, Building 2, Level 2, Room 8Bowen St off La Trobe St, MelbourneLift access via Rodda
Chapman & Bailey Award. A WALK AMONGST NATURE. My practice relates to New Materialism, a philosophy that allows me to open up to an intimate, reciprocal engagement with my materials and immediate surroundings. My current work sits between painting and
THE SYMPHONY OF JOCULARITY: UNVEILING THE JOURNEY FROM CHILDHOOD TO ADULTHOOD is a project that explores the harmonious interplay between craft and childhood by weaving together found objects and metals in an effort to explore connections between past and present
The Moat Bar Awards for excellence in Video and Drawing. DRESS YOU UP IN YOUR LOVE explores the body, identity, and sexuality through a queer feminist lens. Viewers will enter a boudoir-like space to experience an immersive installation comprising
ETERNAL LOOP~REIMAGINING THE BUCKLE In this project I explored contemporary buckle making through the lens of intuitive making. This work seeks to create discussion on the functionality of different buckles by abstracting their form, scale and function. I’m interested
COMMUNITY is an installation of eighty-eight wheel thrown vases. I view each vessel that I make as a person – individual and unique. In physical form a pot is like a person with a neck, shoulders, belly, hip and foot. When
GOOD VS EVIL I am an artist with a practice that focuses on sculpture and installation. My practice is a constant exploration of history, religion and the vast realm of the human condition. As a sculpture student at RMIT, I am
Based in Naarm/Melbourne, Sanders’ work addresses the body as material, meaning and muse. Her origins begin with self, yet through analogue manipulation the familiar becomes augmented and re-assembled. Her work spans a multitude of disciplines including, but not limited
CUT FROM THE SAME CLOTH. The Currawong bird call repeats as dusk approaches and a warm spring air is present. The sun sets over the top paddock as the kangaroos graze on the grass below. My fingernail beds are coated
THE SENSATION OF CONNECTIVE CHROMATIC ENERGY: Lyrical abstraction and the metaphysical in painting. My Master’s project investigates lyrical abstraction through the medium of gestural, embodied and immersive painting. My inspiration is expressed through an intuitive process that explores spiritual
Reds, Greens, and White. They remind me of Christmas, an American one. A clown mask. The colours on a Liverpool Football Club scarf, a big bushel of Red poppies or a traffic light if White replaced the orange light. Red,
CHERCHEZ LA FEMME! My work is concerned with how women are viewed both in an art world setting and in other narrative forms. We see images of women covering the walls of galleries, so we assume they are present. We
BENEATH THE SURFACE explores the chaotic mess that is being in your 20s, a period of life that is full of confusion, anxiety love and loss. Stress is a human natural response promoting us to address challenges and threats in
OUR REGRETTABLE PROPHECY A sculptural installation that calls into question our future under current social condition. It questions society’s cause of climate change and its radical effects on everything, reinforced through the showcase of mundane elements. A portrayal of a
GIRLHOOD, WOMANHOOD AND THE SPACE BETWEEN This body of works investigates stages of girlhood through to womanhood, and what each of these moments of rebirth might look like from a personal perspective. Each of these moments are driven by periods
The Wayne Conduit Memorial Prize. My main area of interest is in contemporary still life painting. My works are observational, using traditional painting methods and working from life. The works often begin by moving, organising and arranging objects before building
BEETLES I used to be a musician. I studied music, performed, and rehearsed almost every day, I played in school bands and ensembles all through my teenage years and it was this band that we had put together the four
Koodak Award for Enamelling Prize for Technical Excellence. WHIMSY IN THE ORDINARY: AN EXPLORATION OF THE MUNDANE, ROUTINE AND PRECIOUSNESS THROUGH JEWELLERY. My practice explores the domestic space and the ordinary with a focus on processes and objects involved in
Bo Pang is a multidisciplinary artist who is currently using weaving, casting, engraving and other forms of handmade contemporary jewellery and installations to communicate with herself. In the process, she analyses and reflects on herself and brings the materials closer to her
Dean’s Award for Excellence Bachelor of Arts (Fine Art). YELLOW CORRIDOR ‘Look into yellow, feel immersed in colour, anchored when close. The plane of the wall intersecting through my bodily matter to secure, tether me to site.’ My practice involves
Lowenstein Arts Management Prize. THE JUNK PILE draws upon Bonnie-Jean Whitlock’s relationship with material, image and process. “I call the accumulation of experience sustained within my own body my ‘junk pile’, it contaminates everything I say, do and make. I
THE SOUND OF A PAINTING OF A SONG: EXPLORING HOW SOUND AND IMAGE MAY GENERATE AND ENHANCE EACH OTHER. Over the time of my Master’s study I have made a series of explorations to open creative connections between my concurrent
PEER PRINCIPLES IN ARTS MANAGEMENT AND PRACTICE Artists are change agents, agitators, activators – of spaces, places and people. As change agents, today’s artists often work within other frameworks and systems, questioning power dynamics and often leading from
APHOTIC APOTHECA: OPENING SOON. Come one, come all and step inside, you never know what one might find. An immersive installation allowing visitors to travel through to an undisclosed time and discover the curiosities the little shop has to offer.
As an artist who loves nature and walking, nature is often the subject of my work. I am accustomed to observing the details of things and depicting them in my works, which is reflected in the sculptural paintings of various
MAKING, BREAKING, MAKING: REFLECTING PERSONAL EXPERIENCES OF COMPLEX TRAUMA. This project investigates the multifaceted nature of traumatic memory through the making and breaking of handmade objects grounded in feminine roles. By creatively exploring the process of forming and fragmenting domestic
LOSING IT: An exploration involving feelings of loss through Installations with ephemeral sculptures. Losing It consists of three works – Drop, Knocked, and a video work (with sound) titled Pearls in Rain. Each work captures hesitation and anticipation with the use
Koodak Award for the Highest Academic Achievement in Third Year Gold & Silversmithing. CONTEMPORARY TALISMANS is a body of work exploring the involvement of jewellery and objects in everyday rituals. Ciara’s practice explores the idea of the talisman, informed by
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BDS Sculpture Prize for outstanding portfolio. TETHERED By temporalities, I am always tethered, but forced to move forward despite it; these opposing internal conflicts causes loss of presentness, how am I to exist? Tethered is a multimedia artwork that investigates
Kallman Feitel Endowment Award for portfolio which demonstrates the greatest potential (client-centred). ATMOS is the first instalment of an ongoing series, comprised of both architectural and interior photography. Positioned as a rebuttal to persistent criticisms of minimalist design, which is often
44 Frame Factory Graduate Award. AM I ENOUGH? is a personal expression of emotion, identity, and societal reflection. The portrayal of athletic body ideals as symbols of masculine health is often amplified by social media and Hollywood stars resorting to
CENOZOICA is a physical record of a conceptual self. A sculptural work dedicated to the changing and shifting idea of what makes us who we are, and the experiences that change us. Immortalised in 60-million-year-old igneous basalt mined in Victoria,
THE WAY FORWARD IS BACK The world, the universe, began in energy, in light. The first thing recorded, whether it is the Big Bang or Genesis, is light. Light is the finger marks of the creation of the universe. When we
Perry Summers Sculpture Book Prize for excellent in Sculpture Studio: FORGED is a collection of narrative works that seamlessly intertwine two distinct stories. The first story narrates the tale of The Blacksmith and the Devil, while the second story follows The
MANUFACTURING GENDER is a fashion photography series that aims to explore the gender disparities prevalent in daily advertising. The photo series features androgynous styling with a mix of moody and bright lighting to challenge these stereotypes. The project heavily relies
EXILE, is a series of print-based works that explores my experiences and feelings towards masculinity. The works are framed from my own perspective, drawing attention to characteristics in our society that remain patriarchal, exclusionary and/or ‘toxic’.
FLOTILLA OF BOATS In my creative practice I have explored theories of flow, play, and the relationship between making with memory and place. I combine these concepts by fabricating a fleet of vessels, using traditional gold and silversmithing
COUTURE OF DESIRE, which takes the form of a discomforting installation, challenges the conventional notions of beauty and eroticism and explores depictions of the so-called ‘perverse’ in human fantasy. It is within this delicate tension that my sculptural garments find the
Lightscapes Award for outstanding Folio. RETRO-FUTURISTIC ECHOES (Areas A-J) AI-infused artistry of the pulp Sci-Fi era My final art project for the Honours program Retrospective Echoes (Areas A-J) marries the aesthetics of retro sci-fi pulp movies from the 1950s through to
LEARNING HOW TO BUILD THE ULTIMATE MECHANICAL ORGANISM Hello I’m Dougal. I came to uni, made some friends and built some more. \I’ve been learning how to build robots so they can speak for themselves. Being alive
THE THEATRE OF VIOLENCE This project is an exploration of the intense focus on violence in media and popular culture. I am curious about a society that views violence as entertainment and how this is reflective of rape culture. Rape
Lowenstein Arts Management Prize. MACHINIC ECOLOGIES is a practice-led project exploring the interfaces between humans, technology and the environment through transmedia installation. The installation space stages a re-imagined landscape composed of screen-based works, 3D prints, robotic assemblages and generative sound. These
SQUISH: RESEARCHING SKIN WITHIN PAINTING Studies of the human form, with a focus on flesh. Examining the body’s unique movements and malleability. An inquiry into how physical senses such as grabbing and squishing, can be depicted within painting. Finishing my
AN UNCHARTED PATH To lay down a path, you begin by digging a hole. It can be challenging work. It involves risk. What if it collapses? What if you uncover something undesirable? What if it all leads to nothing, a
Elle Goudis is a female artist who is based in Melbourne/Naarm. She is currently studying in her final year (2023) of a Bachelor of Fine Art at RMIT University with a specialisation in Painting. She explores the concept of portraiture
Dean’s Award for Academic Excellence and contribution to the program, Master of Fine Art. WILD THINGS combines my love of portrait photography with sculpture to counter divisive narratives that arise primarily though bodily differences. Through playful materials, colour and absurdity,
BUTCH FEMME NATAL I am not obsessed with weddings. Nor am I obsessed with men. My art practice is the opposite. I am interested in sexuality, performance and failure. I do this for myself and for other women in my
In my latest project, I explore the realm of food photography, unfolding a narrative through three distinctive methodologies, each captured to root my artistic vision and interpretation of the culinary world. This project begins in the studio in a
I LOOK AT YOU, AND YOU LOOK AT ME: RECOGNISING THE SELF IN THE NATURAL ENVIRONMENT. My work explores the inherent power of the natural environment and its ability to be used as a mirror with which to explore the
I WANTED TO BE CLEVER BUT DECIDED TO JUST GO BIG is a large-scale sculpture engaging in witty institutional critique. Crafted from household materials, the work pokes friendly fun at the art world (whilst not being above it). [Note: The
遷移 (SEN – I) This project encapsulates multidisciplinary works that document and embrace transitory and oppositional forces through a combination of scale, medium and colour. This collection of works walks a fine line between abstraction and representation of the artist’s
Essay By Alex Cairney for Contextualising Practice The final product will never be as satisfying, as filled with power and potential, as the process of its making. (Grant 2017) Dear Mum, Thank you for clothing, feeding, and nurturing me into
Essay by Lucas Jennings for Contextualising Practice When artists depict other people in their work, there is an imbalanced power dynamic, and critical ethical considerations arise. As my practice demonstrates, the need for ethical consideration becomes imperative when the depicted
Essay by Sophia Liddy for Contextualising Practice Acknowledgment I would like to begin by acknowledging the traditional owners of the land on which I make, the Wurundjeri people of the Kulin Nation. I pay my respects to Elders past,
Essay by Alex Pretyman for Contextualising Practice Introduction Within western archives, be that art-historical, social, queer, other archives, there is a distinct – or to many, not-so-distinct – absence of the asexual and aromantic. Asexuality can be defined as experiencing
Essay by Yvonne Rambeau for Contextualising Practice Introduction The process of art-making can vary greatly from artist to artist. Though many feel the need to exert control over uncertainty through an ordered and planned process, American art educator Erica
Essay written by Alexander ‘Pug’ Williams for Contextualising Practice My mother is an artist and a natural dyer. My grandfather was a naturalist, and an engineer. Their passion and curiosity for the world flows through my blood and was
Essay by Ivy Rose for Contextualising Practice So, don’t give me your tenets and your laws. Don’t give me your lukewarm gods. I want the freedom to carve and chisel my own face, to staunch the bleeding with
Essay by Rose Whitlock-Whyte for Contextualising Practice I grew up in a part of semi-rural Victoria outside of a small town, where the bush was my playground. At the age of eight, my family experienced the Black Saturday (2009) bushfires,
Essay by Odin Strbac Low for Contextualising Practice Acknowledgment I pay my respects to the Traditional Custodians of the land in Naarm (Melbourne), including the Wurundjeri people of the Kulin Nation, as well as the Taungurung and Yorta Yorta
Essay by Jade Armstrong for Contextualising Practice Introduction As Fingerhut and Prinz have articulated, the value of art traditionally depended on aesthetic beauty, though over the last decade, notions of value have shifted towards sensory engagement (2018). According to
Essay by Ekaterina (Katya) Ryzhikh for Contextualising Practice The rise in the availability of technology and media as entertainment has had a profound impact on the experiences of growing up. While technology, in particular mobile phones and tablets, were
Essay by Emmica Lore for Contextualising Practice Introduction Welcome to my essay, where humour takes a tumble into the realm of the surreal. It’s hard to shake the feeling that analysing why something is funny is just, uncool. I find
Essay by Ka Yan So (Kelly) for Contextualising Practice The artist transforms the personal into the universal, creating an object that can be experienced and felt by others, that has the power to move and inspire. (Townsend 2019) Creating installation
Essay by Luna Yang for Contextualising Practice According to Stets and Bourke, structured society imparts values that individuals identify themselves with, which form the basis of one’s identity (2000). As a young adult, when it come to the topic of
Essay by Jessica Guo (郭悦娜) for Contextualising Practice When I was in grade two, I was praised by my white teachers for my English proficiency. But at Saturday Chinese School, I was terrible. I hated learning my language. I found
BEYOND THE GREEN: CELEBRATING DIVERSITY AND COMMUNITY IN GOLF This project takes you on a visual and narrative journey through the heart of public golf at Mt Derrimut Golf Club. This captivating series of portraits and action shots goes beyond the
SUPERXERO A series experimenting with generative AI (Text-to-Image) software to re-image superheroes for Trans and Gender-Diverse kids. As a child I never had any superheroes to look up to, who represented me as transgender kid. Made from new digital technologies
FABRIC PANELS: YOU PAY FOR MY MEMORIES These fabric panels and installations are part of an ongoing series of work from 2021 addressing domestic crafts and labour in both concept and process. The arduous practices of hand stitching, darning, and
‘GIRLY’ AND BODILY is a research project that aims to immerse the viewer in a bodily experience of painting installation that explores excessively bright colours and cute ‘girly’ bubbly forms to reclaim them as a symbol of powerful femininity. I
TRANQUILO (A VISUAL ODE TO SERENITY) Since the beginning of 2023, my artistic journey has shifted its focus. I originally explored how external influences, such as The Seven Deadly Sins, shape our beliefs and behaviour. This exploration deepened my understanding
Care | Support | Understanding | Curate | Ethics. I, Freda Drakopoulos, live and work on the unceded sovereign land of the Boon Wurrung and Wurundjeri people of the Kulin Nation, I acknowledge and pay my respects to Elders, past
FROM MY MOTHER examines the passing on of knowledge through the maternal line, together with celebrating the female body and their unpaid, unseen, and undervalued labour in the context of Indian culture. Through the framework of contemporary feminism, it seeks to
Troppo Print Studio Graduate Award for high academic achievement in third year. RMIT MILITARY INDUSTRIAL COMPLEX. RMIT partners with weapons companies.Elbit systems, BAE systems, Thales and Boeing Defence (the list goes on) fund research and scholarships, provide internships and work
I AM FEARLESS embarks on the rewriting of self-talk, reconfiguring the internal narrative as a method of post-traumatic recovery. It’s a journey of reclaiming the self through the process of making, reshaping the internal to manifest a better external. The
ALIAS & ARTIST delves into the murky waters of art in the age of the internet. Through layered installations, niche subcommunities are brought out from the ether into the corporeal realm. By merging the online with the offline, the complexities
PURSUIT OF TRANSLATION An exploration of the many transformative processes of casting metal in relation to my automatic drawings. Drawing has always been the cornerstone of my practice. Drawn lines have a magical nature to them, a nature I have
This project translates the narrative of a person’s intimate life, the moments they find precious by translating casual collections of ephemera and sentimental pictures into permanent formal paintings. Inspired by the seemingly universal way people present their individual collections like
I SHOT MYSELF WITH A SILLY LITTLE GUN, IT WAS VERY EASY TO TALK ABOUT. My art aims to be ‘ultra accessible’ discussing otherwise serious themes with a silly and childish look to it. The use of common material allows
WOMAN, LIFE, FREEDOM The ‘Woman, Life, Freedom’ movement started as a result of the death of a young Iranian girl named Mahsa Amini who was sentenced to death by the morality police because of not following the dress codes. The
Honours Fine Art Travelling Award. INTIMUS BOUND is a playful exploration of the search for emotional intimacy through imagined, metamorphic and metaphorical narratives. This body of work encompasses a year-long project contained in a single artist’s book. In what often
SLACK, refers to the looseness between taut stitches, alternating between moments of tension and relief. This is a project where fields of expanded painting and craft practices collide, to create works that occupy a hybrid space between painting and textile.
TREES is a project of inquiry about self-growth. At a very young age, I was a person who liked to scribble everywhere and used to express my expectations and fantasies about everything in this way. Adults were often eager to discuss
REALITY IN THE FANTASY How to convey and present a world in ten seconds? There may be different physical laws, different creatures, different geography in this world – the point is, it’s not the world you’re familiar with.
WHO ARE YOU? This series, like a heartfelt project, uses portraiture to dive deep into the lives and stories of an individual. More than a visual presentation, it provides those depicted within its frames a distinctive platform to articulate their
The Bold and the Beautiful Award. DRIFTING STARS: The sense of alienation seeing through self, objects, place, and community. My work captures and expresses the isolation and the anxiety of self-identity experienced between life in Korea and Australia while
MENTAL IMAGE is a series of abstract expressions that I reproduce and recall in my mind, based on experiences after being exposed to objective things in life. These mental images construct my perceptual understanding of the world, especially the connections
THE ROOM – SHORT FILM The Room is a poignant short film that sheds light on the intricacies of social anxiety, a specific subtype of anxiety disorder characterised by irrational and overwhelming fears of external stimuli. Those afflicted are acutely
Traversing Girly ✩ Through the act of painting, I traverse the thematics of ‘girly’, a murky term unto itself, and cultivate a dream-like world that subtly reclaims and elevates traditionally trivialised, overtly feminine symbols. My practice is a playful
RESEARCH PAPER: The Value of Inheriting Chinese Traditional Landscape Painting in Shaping an Individual’s Identity. Abstract This paper’s discussion is built upon the significance of identity conveyed by traditional Chinese landscape painting. By applying Stuart Hall’s thesis on cultural recognition,
THE MAN WHO WAS NOT THERE: A photographic interpretation of recent traumatic events in Iran. On 16 September 2022, a 22-year-old Iranian woman was arrested by religious morality police while in the custody of the police and died under mysterious
WHAT A PRETTY YOUNG GIRL My artwork in the 2023 Graduate Exhibition is about feelings of anger and conflict about being a woman and wanting to embrace femininity but knowing how tightly that is linked to a capitalist and misogynistic
DOWN THE RABBIT HOLE Stranded in the realm of the subconscious, reality twists and turns like a labyrinth, creating an unsettling journey, which leads the mind into new depths of the unknown. Down the Rabbit Hole ventures into a world full of
Born in 2002, I am a multidisciplinary artist growing into a woman during the age of social media. I am inspired by the ‘trash’ aesthetic of blogging culture and how unrestricted internet access as a child has affected my growth
Spiralling outward from the central practice of drawing, my work covers a number of mediums and practices from drawing to photography, performance and installation. Drawing is often overlooked within the artistic cannon as an approach that is preparatory, or incomplete,
KITTEN HEEL FANTASY Ivy Rose is a multidisciplinary artist working between drawing, print, photography, sculpture and costuming, revolving around themes of queer expression and gender performance. Obsessing over camp, kitsch and the excessively extravagant through their diverse practice, and always
STOP STARING Stop staring I don’t want to be stared at Stop laughing are you laughing at me Stop staring I don’t want to be seen Stop Stop Stop Quick breathing, heart beating fast, millions of thoughts repeated over
I WAS NOT BORN BIG I find myself when I find my community. My blackness becomes understood, my voice is heard and I feel a sense of belonging. The black diasporas in Naarm/Melbourne share a wealth of experience surrounding their
Dean’s Award for Excellence in Bachelor of Arts (Fine Art) (Honours). The Emily Hope Prize- Professor AD Hope Endowment Award. SOMETIMES I CAN’T EVEN SLEEP BECAUSE I LOVE SOMEONE SO MUCH: AN EXPLORATION OF DEVOTION, LOVE, AND CRAFT THROUGH FANDOM
Kings ARI Award. BLINDNESS: A MODE OF ABSTRACTION My practice harnesses my lived experience as a legally blind artist to explore and develop a pictorial language around perception itself. Conceptually, this project is concerned with destabilising the notion of blindness
Northcote Pottery Supplies Award: “LISTEN TO THE WILD BEASTS OF THE ISLAND, NIGHT BIRDS AND WITCHES.” These are all terms that have been applied to women who did not conform to a male dominated society. There is a present and historical
WHAT’S THEIR STORY? The whole thing started with a dusty dilapidated cardboard box at the back of the cupboard under the stairs. It almost went straight into the skip, but B had had dementia and we’d already found a roll
RMIT Ceramic Student Association Award: My practice revolves around material interaction, with a focus on ceramic-based processes. Driven by experimentation, my work is a continuous exploration into the interplay between material, process and space through mutual exchange. Jasmine Tiger
Kallman Feitel Endowment Award for a portfolio which demonstrates the greatest potential (Art-centred practice) THE BEAUTIFUL MISUNDERSTANDING As we go through life, we are influenced by everything around us. It’s almost impossible for aperson to live in complete isolation from
TRUSTWORTHY WEBSITE is an online interactive installation. It responds to the user’s actions by presenting satirical content through retro graphics, images, and rhetorical texts. These features contain misinformation to arouse suspicion and existential questions on the nature of internet navigation
I’M TRYING TO LISTEN TO THE EARTH BUT THERE ARE TOO MANY PEOPLE SPEAKING AT ONCE, is about my experiences with my mental health. I’ve been struggling for a few years now, and this project is a reflection of that
NOT SO JELLY This project explores the the existence of jellyfish, specifically Peach Blossoms and their current endangerment, through the form of intaglio prints from copper in order to investigate their form and also processes of preservation. It delves into the
ACAE Gallery Emerging Artist Award. TOTAL RECALL: IN UNDERSTANDING THE SELF FROM ONEIRIC FRAGMENTS I used to have this recurring dream when I was younger. I would be lying on a conveyor belt in a warehouse by myself, in
YOUR BODY IS NOTHING is an exploration of the abject female body. It is a personal project that began as a way to process my own bodily trauma. I wanted my work to focus on the experience of living
Liquid Architecture Award. ECHO is an immersive installation of reflection and revealing. Named for the Oread, one’s reflection is infinitely duplicated and fractured upon entering the work, as they are simultaneously aware of invisible onlookers who can see clearly through
My work is centered on delivering a straightforward yet impactful message: our world is grappling with escalating pollution levels, which pose significant threats to our livelihoods, ecosystems, and our collective future. Each piece of my art encapsulates a narrative that
NAVA Ignition Prize. 75% MORE FLAVOURFUL: Exploring Thing-power and Trauma through multidisciplinary practice. This Master’s project uses installation, text-based works and image prints to negotiate trauma, self-hatred and shame through accessing the aesthetic possibility of material agency. Through the techniques of collage and
Dean’s Award for Excellence, Master of Arts (Arts Management). ARTS EDUCATION PLATFORM: BEYOND THE BOUNDARIES In commemoration of the 60th anniversary of diplomatic relations between Australia and Korea, a Comprehensive Strategic Partnership (CSP) agreement has been forged.
BETWEEN PERSONAL AND THE GENDER POLITICS: THE SYMPHONY OF MATERIAL SUBSTANCES, ACTIONS, AND BODY MOVEMENTS Through creative practices informed by ceramic processes, this practice-led research project explores gender identity within the context of contemporary Chinese society, delving into narrations, experiences,
JOURNEY TO ROOTS is a family documentary photographic project that investigates cultural contexts and identities through spaces, objects and people, primarily through personal experiences. Meanwhile, it expresses the intense relationship between photography and memory. Family history is a historical record
PLANTS & PLAY DATES Through this series of temporary installations, I utilise intuitive, experiential art making to explore themes of agency and communion. By engaging with living plants and multimedia, I inhabit new and unfamiliar spaces in an open and
THE FOUNDATIONAL MYTHS OF NATIONHOOD The Foundational Myths of Nationhood is an exploration of the myths and practices involved in nation-building. It investigates the commonplace narratives of national identity and it is constructed and directed through the specific design of
DUBBININ is an abstract video work that explores the cyclical, interdependent relationship that video has to sound. The piece employs abstraction and psychedelic imagery to capture the spirit of the similarly spacey soundtrack. This inseparable combination culminates in unfamiliar, interplanetary
There’s wolves in the house. In his photobook, ‘There’s wolves in the house’, Jonah navigates his journey with trauma as a means of finding peace with these events and their effects. Through a fragmented and non-linear narrative, mirroring the fluid
In this body of client-based work, I am focusing on the two areas of stylised sport action shots and architecture and interiors. Navigating through the worlds of action-packed sports photography and the detailed imagery of buildings and interiors, a simple
EAT YOUR HEART OUT This body of work focuses on the often contradictory and complex nature of the human psyche that manifests in surreal depictions of the human form and anatomy. I view my practice as a means of exploring
ACAE Gallery Emerging Artist Award. FLOATING I am obsessed with excavating my inner self. My art practice and my life experiences cannot be separated. I am experiencing the ongoing reposition of my cultural identity and collective unconsciousness between my home
Velling Award. My multidisciplinary practice deals with the surreality of the everyday and endeavours to celebrate the beauty of the mundane through my personal lens as a Hungarian-Australian artist living in Naarm/Melbourne. My paintings and objects eschew the making of
SUGAR RESTRICTION This object is made of 9 x 9cm plastic board, interspersed with red and white thread as decoration, capsules containing red and white cotton thread are collaged on the bottom plate. This work is intended to express the
The Bold and The Beautiful Award. INTO THE CAPITALOCENE “Shower him with all earthly blessings, plunge him so deep into happiness that nothing is visible but the bubbles rising to the surface of his happiness, as if it were water;
Mejia Group Exhibition Award for excellence in drawing-based practices: ON MY WAY HOME Is our home irreplaceable? Could our ‘home’ be a specific color, language, people, scent, or a sense of nostalgia rooted in childhood memories? This project undertakes an
WAVE DYNAMICS: an interweaving of wave phenomena, becoming, and geometric abstraction. Waves appear in many forms: in the warmth of sunlight, in colour, in the swell of the ocean, in music, and in our heads and hearts. They are fundamental
TRANSCENDING TRADITIONS is an exploration of personal identity, cultural heritage, and reconnections with the bygone. I am inspired by events that happened but were not documented, embarking on a journey through my untold family history. I uncovered many stories, beliefs,
Nearly Mary Oliphant Prize. M(O)THERED MEAT Inez’s work interrogates the monstrous feminine within Malaysian folklore to challenge the oppressive patriarchal systems held together by tradition and culture. This rebellion against the systemic misogyny that plagues the Malayan society manifests as
UNTITLED looks at the how our experiences pre-colour our perceptions. Wielding the ceramic medium in a way to deceive the viewer’s perception of material reality, the work explores how one might try to intervene in how they are perceived.
THE LOUNGEROOM AFTERSCHOOL IN 2010 A large installation of personally nostalgic pieces brought together to form an emotional bond for the viewer. The installation consists of several old objects from Kasey’s childhood that connects viewers with their own personal entanglements
THEATRE OF OPERATIONS Kat Rae’s work explores how place, memory and experience layer and mesh, and who and what is forgotten after a war. Kat served in the Australian Army for twenty years before deciding to become a full-time artist
Composite Award. CYBERROT: CORPOREAL DECAY INSIDE LIMINAL TECHNOLOGIES CYBERROT CYBERROT CYBERROT CYBERROT CYBERROT ROT ROT ROT ROT ROT IT’S ROTTING DECAYING SPREADING DISTORTING GLITCHING ENDLESS
Through painting, I find it is extremely important to be drawn to the piece, as the maker, to learn something new and be a part of the work. Ethnicity is very personal and I’ve drawn aspects of my tradition in
ANON. I have no idea who I am, or who I am supposed to be. Experiences, memories, relationships, people who surround us, all contribute to how we see ourselves. But, I fixate and obsess, arguably an unhealthy amount, about who
Utilising the expressive qualities of paint, my creative practice intertwines realistic portraiture with abstracted Farsi and Arabic calligraphy to raise insights into the spiritual reality of the human condition. Drawing on the writings of the Baháʼí Faith, a religious minority
FOREVER n EVER This series uses formal values within still-life photography to examine environmental degradation and waste. The project is site-specific; beach plastic waste was gleaned from Port Melbourne Beach over six months in 2023. Staged contemporary Ikebana arrangements of
GOBLIN STUFF “A mild amount of tomfoolery” Inspired by the aesthetics of children’s picture books, and the playfulness of childhood itself, Goblin Stuff seeks to inject an element of life, joy and humour into the contemporary art space. Working partially in
23:57 FRAGMENTS IN LIFE THAT LINGER IN MEMORY. This project captures the intimate human connections in life within the LGBTQ+ community. It explores various intricate forms of intimacy. These images portray moments of tenderness, vulnerability and passion. It is a
LIE DOWN This project uses the concept of confessional art and play to aid my broad exploration of the feminine, medical inequality, the infantile, the hereditary, and ultimately the urge to grasp and dictate self through three-dimensional and two-dimensional mediums.
TO THE SKY WITH HOPES AND DREAMS: IMAGES OF RETRACING THE PAST PRINTED ON CERAMICS In this project, I use different art techniques like printmaking, collage, pottery, and ceramics to explore my personal experiences and connect them with broader
ACAE Gallery Emerging Artist Award. TO LOITERING TO ARRIVE explores the role of vitality in the realm of art and human life. I intend to use animal figures as vehicles, and incorporate my feelings and thoughts about vitality into them. By
RMIT Ceramic Student Association Award: Working predominately in ceramics, Lauren uses ideas and experiences around trauma, beauty, and men in her ceramic forms to explore and challenge ideas about these topics within society. Using wheel thrown, sculpting, and glaze techniques,
The Moat Bar Awards for excellence in Video and Drawing. THE BEAUTY & THE TERROR My practice marries cinematic and illustrative elements in the pursuit of elevating both, as I explore communication, storytelling and an interrogation of modern romanticism. I
ON LIFE, WORK AND MEANING This series explores the idea of creating a sense of self and purpose outside of employment and how we think about and achieve meaning in our lives. Simply put, we are more than what we
A CONSTANT SHIFT is a collection of artworks that simulate movement. Each line is placed one after another in methodical motion – a method that comes to me in the moment, a method that compels me to fill the blank. These
Dean’s Award for creative accomplishment Bachelor of Arts (Fine Art). EMBRACING YOUR VANISHED SHADE is an exploration of memory, nostalgia, and the intricate interplay of emotions through an interdisciplinary lens. My project blends photographic prints on fabric, poetry, sound, and
The core idea of this project is to transform everyday objects and scenes into quirky, hilarious scenarios. In life, the everyday things we buy always have their uses and purposes, such as chopsticks for eating, pens for writing, umbrellas for
Addressing the challenge of audience homogeneity in Australian arts organisations The homogeneity of arts audience in anglophone countries has been an issue for arts organisations for many decades. This current research brings an organisational behavior approach and examines the organisational
REMEMBER ME I am a multimedia sculptural and installation-based artist living in Naarm. I will soon be graduating with a Bachelor of Fine Art in Sculpture from RMIT. I have been a part of many group exhibitions in Melbourne and regional Victoria
Firestation Print Studio Access Prize. AUTOCRYOSTHESIA From the Greek: auto (referring to the self), kryos (frost, cold, ice), esthesia (sensation, the capacity for feeling). My project, Autocryosthesia, began as an exploration of FOMO (the fear of missing out, as exacerbated
SELF PORTRAIT WITH OMA (‘Grandma’ in German) is based on an old photograph taken during a visit when I was a young child. For the occasion we got to visit a local waterhole that I would frequent as I got older.
Kallman Feitel Endowment Award for portfolio which demonstrates the greatest potential (World-centred). THOMAS explores the concepts of masculinity and identity, as experienced through my friendship with three individuals named Thomas. Through the medium of photography, I explore the dynamics of identity
RECLAIMING INSECURITY Stemming from my own insecurities caused by unrealistic beauty standards present in modern media, these works directly challenge conventional beauty standards. Women’s bodies are scrutinised, our organs for eating food and birthing life are subject to beauty standards
TALE OF TIME: EXPLORING THE POETIC EROSION OF 35mm CINEMA FILMS My work explores the remnants of cinematic histories, while also considering its connection to today’s digital landscape. I seek to prompt reflection on the enduring significance of analog methods
A MOMENT IN NATURE reflects upon the Arts and Crafts movement of late nineteenth century in its response to the industrial revolution. Combining textile art with natural dye and eco print, this piece emphasises the qualities of nature and handcraft
¿QUE NACE DE UNA CALABAZA PODRIGA? (What grows from a rotten pumpkin?) explores the defeat of human ignorance and position us under the unbeatable force of nature: We are all victims of decay by the erosion of the passage of time,
Matilda Kate Mourant is a multi media artist with a focus in printmaking. Her work examines printmaking, using various types of copperplate etching. Past explorations have involved screen printing, monotype, cyanotype, and frottage, also experimenting with drawing, written word, collage, and painting. Matilda’s work examines grief, love, and belonging through the examination of landscapes that are significant personal sites, carrying and shaping memories and exploring grounded existence. She explores the interconnectedness of the subconscious and the conscious state through interaction with landscapes en plein air as well as the interpretation of memory.
HAVEN Colour, pattern, aesthetics, and the home – my oil paintings on canvas capture interior narratives devoid of time but full of nostalgia. My pieces reflect on the human experience and highlight the trivial things in life that mostly go
GIRL PARTY – In my photographic series, Girl Party I embark on a captivating exploration of the vibrant and visually stunning world of the 1960s. This body of work is characterised by vintage-styled wigs, bold makeup, authentic 60s fashion, and
Print Residency award for high academic achievement in Third Year. WOMAN, WAR AND BEYOND is based on the Japanese military’s forced sexual enslavement of adolescent females during World War II, known as ‘Comfort Women’. This term refers to the Imperial
ECO-EMPATHY: a photographic exploration of solastalgia. This research project reflects upon the interconnectedness of humans and nature — the impact of our actions and the emotional resonance. Climate anxiety is especially prevalent among young people, my daughter included. Eco-empathy is
NAVA Ignition Award for highest performing in Profession Practice. CELESTIAL TRACE is a photographic exploration that documents solar and lunar phenomena. The research project uses handmade pinhole and mirrorless cameras to capture various durations that span across hours, days, weeks and
GIVING AND RECEIVING AND GIVING AND RECEIVING is a visual exploration of the relationships between people and their societal, interpersonal and internal environments, asking the questions: What do we give to society and what do we receive from it? Can we
Robyn Beeche Award. BON APPETITE – An expression of the personal experience of suffering resulting from eating disorder behaviours. An eating disorder is a combination of physical problems and mental issues. The reason behind it is beyond complex. Instead of
UNIFORMITY is a survey of suburban architecture in Melbourne, encompassing a range of architectural styles from the past century. The aim of the project is to compare the ways in which houses are being built in and around Melbourne and
The ADFAS (Australian Decorative & Fine Arts Society), Yarra Branch award. FROM THIS ANCIENT LAND TO THE RIVER DELTA is an experimental interdisciplinary project that combines five mixed-medium banner paintings ranging in size between 70cm x 170cm to 200cm x 210cm and five
TIME HEALS OLD WOUNDS is a ceramic installation that comments on the ritual practices found in contemporary Greek culture as a form of belonging. This research stems from family narrative and personal experiences experienced through Greek/Australian transnational identity. The body
URBAN ANIMALIA: Exploring the human-animal relationship within the ever-growing urban scape of Australia. Urban Animalia engages the subject matter of birds, insects, reptiles and mammals as devices to explore the adaptation of animals to the Victorian landscape. I engage in the
Highly commended – Wayne Conduit Prize. NOCTURNAL FLUX – A DIARY OF THE NIGHT My work explores the vitality of the space of night through the influence its atmosphere has upon perception. The work is a dive into the complexity
Using the yielding yet resilient qualities of clay with a playful and intuitive approach, untitled (blue) explores the concept of perception and the way that beauty lies in the eyes of the beholder. Monica is an artist who uses the qualities of
CONFESSING ANIMAL: WATCH ME WRITE BUT NOT WHAT I’M WRITING. A personal exploration in self, extracting as many thoughts from my mind as possible, nothing left unsaid, or unexplored in my conscience. This works takes paper that I have written
Highly commended for Chapman & Bailey Award. Through painting I aim to capture the essence of consciousness by exploring the delicate balance between mind, body, thoughts and feelings. By utilising the juxtaposition of haptic and meticulous paint and drawing techniques,
Dean’s Award for Academic Excellence and contribution to the program, Master of Fine Art. RESTITCH THE FAMILY TIE. My practice uses contemporary enamel jewellery to explore emotional states related to childhood trauma, self-protection and family reconciliation. It alludes, in particular,
TRAPPED is a series of three installation works that draw on my own recent and reoccurring situations that make me feel trapped, producing a body of work that emphasise things that I and others struggle with internally and silently, which are
THE RED TAPE: GRIEF Hey Jeff, I am making an artwork about you. You speak my language in art, so I’m sure you would understand that this is not something I do to entertain my craving for creativity
CALL AND RESPONSE. Within my body of work I capture the dynamic synergy that emerges at the intersection of musicians and fashion. I aim to depict the expressive power of both music and fashion, illustrating how they shape and define our
Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) Highly Commended. In his recent keynote presentation at the Ballarat International Foto Biennale, Platon said “as a portrait photographer, my job is to tell the truth and to capture someone’s spirit
EVERY SOUL SHALL TASTE DEATH, THEN TO US WILL YOU BE RETURNED Loss, anxiety, and the desire for peace in the face of these emotions are common responses when contemplating one’s own mortality. Our philosophical or theological ideas, as well
THE BODY MALLEABLE questions fixity and conventions of form through investigating the malleability, materiality and opportunity of the body. Through a process of self-reflexivity I navigate the sensate physicality of embodiment and create modes of extension through material, replication and
Australian Print Workshop Award. CORRODED PERCEPTIONS is a response to pressing ecological concerns. Embracing corrosion as an artistic motif and a symbol of change, the series addresses a glaring void within traditional and contemporary landscape photography, where the harsh realities
UNFILTERED: EXPLORING MY PSYCHE THROUGH THE ACT OF PAINTING. My Master’s project embraces an explorative painting process tethered to memory and imagination. I unleash embodied raw expression to manifest large symbolic compositions of self, enabling me the agency to reconstruct
OCEANS EMBRACE This body of work is an artistic exploration of my profound connection between water and the enigmatic world of dreams, evoking atmospheres that capture the intense feelings and deep connection associated with both of these elements.
Baillot & Balfour Endowment Award for most outstanding final year student in photography. Perimeter Books Award (portfolio review): most potential for publication. Blindside Award. SUNSHINE On January 15th 2022, I moved to Sunshine, an inner-western suburb of Melbourne, where I rented out a bedroom
FADED FOOTPRINTS symbolises my artistic journey devoted to promoting awareness of endangered species. As an artist, I am wholeheartedly dedicated to the cause of advocating for the preservation of Australia’s unique and at-risk wildlife. This creative venture, embodied in the Faded Footprints project,
Mejia Group Exhibition Award excellence in drawing-based practices. THE RECURRENCE OF ACTION – EVENT. My practice, my artworks, my studio, and myself all exist as registrations of time—the limitations of it, the flattening of the past and the constant
Alpha 60 Award. Wolf Wennrich Award for Craftmanship – Mr Michael Wennrich Endowment. THE DIAGRAMMATIC IMPULSE: WAYS OF KNOWING Diagrams are abstractions, taming messy reality through their orderly summaries of information and relationships. In my practice I explore the formal
Dean’s Award for Academic Excellence, Master of Photography sponsored by Kayell Australia. NAVA Ignition Award for highest performing in Profession Practice. Seventh Gallery Award. ALL THAT REMAINED ARE MEMORIES: a photographic exploration of Home, Family and Material memory to reclaim
Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) Sponsored by Sun Studios. WATER AND LIGHT My body of work explores light and water’s relationship with the sublime. Looking at various bodies of water, I capture how different lighting can manipulate
A SIREN’S CALL Conceptually, I see my work as framed by current gender power imbalances that exist in our world. My personal experience with sexual assault acted as a catalyst for the themes I now explore. My incentive for selecting
Sometimes, the classroom environment needs JUST A LITTLE BIT OF SPICE! and for creatives that divulge in more audacious aesthetics, navigating between common morale, responsibility, and free expression can be challenging. The ambiguity of censorship laws often looms behind many in the collective art
DRAINS, WALLS. I paint in a subtractive way and flood the gaps with whatever annoying thing persists in previous work that I’ve erased or destroyed. At the same time I was thinking of connections between Wittgenstein’s rejection of a fountain,
TRANSIENT STATES OF CONSCIOUSNESS explores the socialisation of beauty ideals, particularly in the context of girlhood, and how those values affect one’s perception of oneself and the world around them. There is a stage where a girl comes to realise
I explore the beauty in the patterns created in nature, aiming to reintroduce the often-overlooked sensation that nature brings to our daily lives. Although my jewellery is wearable, I am equally interested in how my jewellery can connect its wearer
QUIETUDE is an installation work that incorporates and melts into the surrounding exhibition space, the work documenting a play on light (natural and artificial) through an array of pinholes and enamel plique-à-jour windows, across a series of mild steel plates. Quietude
SUBTERRANEAN ARTEFACTS At the core of my artistic practice lies an exploration into trauma, memory, personal, and collective histories, mechanisms of healing and repair, and the relationship between body and space. This exploration is viewed through the intersection of existential
Highly commended – Wayne Conduit Prize: Narrative is what drives my art practice. My most recent body of work explores the notion of visual storytelling and has been inspired by a personal mythology I have been writing. My paintings tend
Colour is Content – a scandalous notion. Colour, I keep telling myself, can be anything it wants to be. An untouchable, anthropomorphic body of expression. An agitator. A goddess. It seems however, that the higher values of colour are all too well
Lightscapes Award for outstanding Folio. DARK SIGNS OF A RED SUMMERS SHADOW is a photographic narrative that draws on the conventions of documentary practice, to reflect upon the interrelated experiences of young adults living through a time of heightened uncertainty. In
BLOCK HEAD MOVING FEET: Natural Solace or Escaping ‘I took a walk in the woods and came out taller than the trees’ –Henry David Thoreau Embracing the traditional with a touch of modernity, I seek to delve into watercolour techniquesthat
YOU’VE STARTED SOMETHING IMPORTANT, AND NOW IT’S TIME TO COMPLETE IT encapsulates the art experience, and spans multiple mediums and projects. The conventions of structure and reason hold no ground on creativity. Agitation, as one can never truly be safe. Utilising
MELBOURNE THREADS: Exploring Cultural Fusion Through Expandable Street Fashion Photography. My journey in street fashion photography is more than just capturing style and clothing. It’s an exploration of cultural diversity, identity, and the intricate fusion of traditions and modernity in
Drawing Studio Award for excellence in drawing-based practices. SPIKE THE CANON – This body of painting re-enacts hyper-masculine forms of ‘play violence’ drawn from niche hobbies such as 90s table top and video games. It investigates the vying solipsisms of
Hillooo! Everybody, listen everybody beautiful artworks on the website uwu. w-well I love all things random, but I am inspire huge by music players named Britney smalls. Some people known me to say (sigh) *demands pats*. Of the other hand
MATTERS proposes that creating multi-sensory atmospheres in sculptural installation art can reconnect us to our sensitive and material nature, blurring the boundaries between participants, artwork and environment. These gatherings could become sites for (renewed) embodiment whilst revolting against hegemonic power structures
The ADFAS (Australian Decorative & Fine Arts Society), Yarra Branch award. HARMONIOUS COSMOS explores lyrical narratives by combining Daoist philosophy with magic realist paintings. Drawing upon Daoist philosophy, my fundamental concept is embracing the flow of life and nature. I depict
UNTITLED This multidisciplinary project incorporating textiles, printmaking, and installation, explores the effect of negative thought patterns on everyday life. Focusing on repetitive and obsessive making, I investigate how the creative process can imitate ruminations and reveal a new way of
Highest Academic Achievement in Honours Year Gold & Silversmithing. IN THE GARDEN: AN EXPLORATION OF MEANING, MATERIAL AND CONNECTION Whilst acknowledging that all our actions impact others, both human and non-human, and that all beings are connected, I explore
WHAT’S IN MY ARSENAL explores the intertwined narratives of what it is like to be a woman who has given a life of service, in support of her country, within an historically male bastion. The resulting work is multi-layered, delving
THE SPONTANEOUS WONDERING In the scope of this project, I conduct an in-depth analysis of human behaviour, juxtaposing it with the behaviours observed in the animal kingdom. This juxtaposition serves to elucidate the distinctions between conscious and unconscious behavioural patterns,
Selena Xiao is an artist who has drawn inspiration from both China and Australia, capturing the elements of our world through her unique perspective. She not only explores traditional Eastern artistic techniques but also boldly experiments with new media combinations.
CONCILIATION: THE ARID GARDEN Roots are intriguing. They are an engagement – a plant’s engagement with the soil, a grounding, a base, an establishment, support to stand up and remain standing against outside forces and elements, a seeking of sustenance
ACAE Gallery Emerging Artist Award. SAFETY WITHIN DIVERSE BODIES Sharon Xin Xu (b.2000), 徐欣, is an emerging Cantonese-Australian artist working on unceded lands of the Eastern Kulin nation, Naarm (Melbourne), and the Eora nation, Warrane (Sydney). Her work predominantly examines
HER VOICE. This installation artwork concerned with oriental feminism is inspired by the White Paper Movement in China which protested the COVID-zero lockdown. The white paper was blank in the initial development to reflect that anyone can express their voice
LIQUID CHAOS Sienna Mensch (She/They) is a Geelong/Djilang based queer abstract artist, who lives and works on Wadawurrung and Wurundjeri country. Sienna’s work is an exploration of how different colours and forms interact with one another to evoke emotion from
SLEEP METAPHYSICS How is sleeping an unaware pause on our conscious control over our body? The project explores the conceptual framework that shapes our perception of the world through the observation and reinterpretation of everyday human behaviours. By representing sleeping
A DELICATE CONFLUENCE. My practice explores the place where polar forces converge, where light and matter meet, the immaterial and material, the ethereal and the structured; where destructive harshness and soft delicacy exist in the same space. My multimedia works
OPTIMISTIC NIHILISM is a project that explores profound philosophical themes through various artistic elements. At its core, this project delves into the interconnectedness of all things, embracing the concept of transmateriality, and delving into questions about human consciousness. My project
BEYOND THE COURT: THE HUMAN SIDE OF BASKETBALL Vulnerability is a fundamental aspect of the human experience, it can be challenging to acknowledge. The fear of burden, rejection, and weakness fuels this challenge. Vulnerability for me is coping with my
A GESTURE OF GRACIOUSNESS is an exploration of the relationship between fractal formations, symbiosis and our relationship with all other members of the biosphere. I see fractal patterns, including their healing, connective and structural properties as essential to life, underpinning everything
THE HEART OF LOCAL ENTREPRENEURSHIP. This initiative focuses on leveraging photography as a strategic tool to enhance the visibility and branding of small businesses. In today’s digital landscape, where compelling visual content is paramount, many smaller enterprises face challenges in
TO CARRY A PIECE OF HAPPINESS Χαρά – the Greek word for Joy, a feeling of delight. I am a second-generation, Greek-Australian artist living in Naarm. My ceramic practice utilises a combination of walking and play to get into creative
LENSES is based around connection with self, people, and my surroundings, all in which are parallel and intertwined with one another. One entity channeled through different avenues but ultimately woven by the same fabric. Despite there being an infinite number
ILLUMINATE ME. For this body of work, I am interested in marrying mixed media with ready made domestic objects through a camp lens as a means to materialise introspective philosophies and the queer self. The choice of lamps is a
HIDDEN AND CHANGE Yeung was born in China, grew up in Hong Kong and is studying in Melbourne. Yeung is a contemporary artist who combines wheel throwing, carving and the ceramic process to create sculpture and functional pottery. He is
Why don’t more people visit cultural institutions? Why is this concerning and what can be done about it? This project seeks to establish the main reasons, or barriers that discourage people from accessing cultural institutions. It is based on the
The Bold and the Beautiful Award. DESIRING THE SELF: Embracing Autonomy & Rethinking The Gaze I am a young, queer, multi-disciplinary artist based in Melbourne/Naarm working across mediums of painting, drawing, sculpture and video performance. My artistic practice explores how
B2 Scan Photography Award: analogue merit. SURREAL OF MIRROR is a combined photography project that takes on a personal explorational journey to resolve my sense of loneliness and depression by revealing inner insecurities and self-consciousness. It discusses existentialism through superimposition
Reviewed in MASS MEMO | Photography, RMIT by Leah Shyra (memoreview.net) “I carry this feeling close when wandering through Tanisha Wookey’s Knowing You (2023), a series of photographic prints positioned around a multi-wall installation space. At the entry point stands a closet,
RETURN INTO THE ARMS OF YOURSELF – A SANCTUARY is a biodegradable instillation intended to create a space of comfort and respite. The work aims to emphasise the need to check in on personal well-being, both physically and mentally. People get
My creations are the machinations of my subconscious, I never know what I’m doing when I do it. I simply start and keep on going, it doesn’t feel like I’m making work, rather that it’s making me. I have been
RMIT Ceramic Student Association Award, Stockroom Ceramic Award, & R.L Foote Design Studio Award: VITAL MATERIALITY Tatt’s interest in New Materialist theories informs the technique of assembling multiple porcelain tesserae or cut and refined ceramic tiles. The physicality of individual
The Brownbill Effect Award: pushing the boundaries of commercial photography. This body of work utilises the photographic medium to investigate and capture the local beverage maker industry in the Mornington Peninsula region. Inspiration is derived from the annually published Eat. Drink. magazine.
Wolf Wennrich Award for Craftmanship – Mr Michael Wennrich Endowment. I SPOKE TO AN ECHO: THE JEWELLERY STUDIO AS AN ARCHIVE OF HUMAN INTERACTION WITH MATERIAL The bench peg (or bench pin) is a timber object affixed to the jewellers
AN EMBER IN THE PAINT: A STRATEGIC APPROACH TO AFFECT AND TIME. My project investigated the possibility of embedding something into a painting while it was being made so that, at some future point, it would spark into life and
THE STAIR, AND THE STAIR is a sculptural installation that mimics the shape of an RMIT staircase. The work is a presentation of a section of the stair through the eyes of the artist’s mode of thought. The stair is
WHAT LURKS IN THE DARK Enforcing the innate fear of the dark and what hides within, Tyler’s painting depict various unappealing andunsettling entities alike. A collection of over thirty different artworks shrouded in darkness in a semi-interactive experience for the
THESE SHADOWS THEY WALK BESIDE ME is an existential journey through mental illness and my attempts at grasping the meaning of existence. This series traverses natural environments, multiple life forms, and shadows – all facets of my internal landscape. The
TO GRANDMOTHER’S HOUSE A series of multimedia works exploring the tradition of storytelling With a deep passion and love for storytelling, my series of works are the result of my constant rumination on the topic as I ponder on the
SUBLIMINAL DREAMSCAPES Subliminal Dreamscapes is a series of works that aim to explore the fragility of mortality, nuanced morality and the essence of life. Through dark aesthetic choices and compelling
Walkers Ceramic Award & Stockroom Ceramic Award: FACETS OF A CHANGING LANDSCAPE This body of work reflects the different facets of the changing Australian landscape. Drawing inspiration from controlled burns and wildfires, I blend and contrast the devastation they cause
Dean’s Award for Academic Excellence and contribution to the program, Master of Arts (Art in Public Space). My practice is inconsistent, uncomfortable, awkward, and dematerialised. It is activist and challenges notions of authorship and capitalism through an approach to art
Tolarno Hotel Painting Prize. CANDID: AN APPRECIATION OF MOMENTS THAT ARE OFTEN OVERLOOKED Vittoria Cugno (b.2001) is an emerging Melbourne based artist who specialises in oil portrait paintings. In the past year, Vittoria has focused on capturing candid moments in
THE LAND YOU STAND ON SHAPES WHO YOU ARE. Vivian has lived and studied across three countries: China, Australia and Sweden. Each culture changes her ways of seeing and making. Vivian interweaves the essence of different cultures, while exploring her
Experimenta Award winner TOWARDS A TONAL CENTRE is a journey through public space. This research project uses methods of deep and immersive listening, and responsive improvisation, in a blended method that includes site-specific installation and performance. I use
RIBS AND STARS is a series of painting works that bring together abstraction, figurative work and symbolism to explore contemporary ontology, spirituality and existentialism. This body of work considers the questions: ‘What knowledge, intuitions and instincts have outlived all traditions, institutions
I Squared Gallery Exhibition Award for excellence in drawing-based practices: ADORATION: DROWNING INTO THE PAST. This practice involves a process of a gradual transition from affection to an attachment, ultimately an obsession. The symbolic space, objects, and colour repeat and
re-LIGHT, 2023 The exploration of light, colour, and the way photography breaks down or blends is fascinating. The images used in this series are from Malaysia and Melbourne, two places I have lived
ANGEL FOR ME This photography project is an in-depth exploration that captures the important women in my life and, through documentary photography, has taught me how to love. In this process, I strive to unearth, document, and capture those moments
GEMINI: A Visual Journey of Self-Discovery. I embark on a deeply personal exploration of self, diving into the enigmatic world of personality and identity. Just as the zodiac sign symbolises dualism, this project seeks to capture the multifaceted aspects of who
IF MOTHER. It’s a challenge of shifting identities, investigating the bonds of kinship through objects and people, primarily through personal emotional insights. As the year 2023 approaches, at the age of 21, I am coming to understand my mother. I try
DIGITAL DISTRESS. Social media takes up most of my leisure time and I have come to realise that it affects my life. It causes me a lot of anxiety and tension. As a woman, these feelings come from a fear
KNOCK ON VOID employs a multidisciplinary approach, utilising culturally specific objects to manifest the concept of emptiness within Taoism. By creating a series of discrete objects within the context of traditional Go game, scroll paintings, and bamboo slips, the project
Reviewed in MASS MEMO | Photography, RMIT by Leah Shyra (memoreview.net) “My eyes first trawl over Yi ‘11’ Zhou’s photographic installation, A Wobbly Fence Standing Tall (2023), where the humble family photograph takes precedence. Unlike the fine art photograph, these vernacular images
TRANSMUTATION AND INTERTWINING HUMAN – ORGANIC STRUCTURES is an exploration into the themes of home, loss, and regrowth. This project investigates the profound connections that bind humanity’s subconscious thoughts with our intrinsic ties to the natural world. These works are
昆虫四散，寂静四聚 / INSECTS SCATTER, SILENCE GATHERS To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour ——Auguries of Innocence by William
MECHANIC: THE DISAPPEARANCE OR NEWBORN? invites audiences to contemplate the boundaries, gaps, and connections between past, present, and emerging art forms. The project delves into the realm of digital photography and AI photography, exploring the dynamic interplay between human craftsmanship and
REALITY. My project aims to explore the profound interaction between the spiritual and material aspects of human existence, revealing the hidden dimensions beneath our everyday lives. I recognise that many prioritise spiritual well-being over material wealth. In their daily lives,
THE TACTILITY OF NOSTALGIA: Exploring the healing power of maternal energy by using the narrative expression of contemporary jewellery. My MFA project explores the intimacy that exists between my mother and I, and the healing that comes from maternal energy
BDS Sculpture Prize for outstanding folio I SAY I HAVE BEEN A STRONG LOVER explores the paradoxical experience of desire and its effects on the lover. Encompassing at once absence and presence, pleasure and pain, desire is described for
RMIT University Library Art Prize. Joseph Beuys Cafe Drawing Award for excellence in expanded approach to drawing. MY LAWYER THE BUS STOP: a discussion of the unseen, exploring contextualisation through spaces and realms. Currently, in my practice, I have been
Project ILLUMINATE Documentation of the ancient Jewish ritual of Candle-Lighting on Friday night before sunset, as well as on the eve of Jewish holidays. The custom is for women over the age of three to light a candle (married women
Centre for Contemporary Photography Award for outstanding folio. Reviewed in MASS MEMO | Photography, RMIT by Leah Shyra (memoreview.net) “[…] Zhuoyu (Bǫbbi) Gan brings me out onto the balcony of an apartment, her photographic installation Boundaries Theatre (2023) exploring a desire to
Dr Ray Cook ‘hang onto your dreams’ Award: folio that demonstrates potential for further exploration. OUT OF THE SHADOWS Forgotten History of the War Widows’ Guild of Australia It makes me sad to see how my neighbourhood is changing. The housing estate in
FESTERING DESIRE – A LONGING FOR THE MAKE-BELIEVE you are what I drown myself in, a virus, my obsession. This series of work culminates as a result of years of therapeutic abreaction – bringing forth repressed emotions of fear, guilt,
THE ROOM – SHORT FILM The Room is a poignant short film that sheds light on the intricacies of social anxiety, a specific subtype of anxiety disorder characterised by irrational and overwhelming fears of external stimuli. Those afflicted are acutely
FLOW: Embodying aesthetic experience through process-based analogue photography This heuristic investigation uses process-based analogue photography to embody my aesthetic responses to life experiences. Informed by theoretical readings in cognitive neuroscience, philosophy, psychology and art, the research aims to harness the merging of
CHAMBER: HEARING THROUGH SILENCE Musical scores document my rhythmic thought processes, with spheres and lines fulfilling the composition. This personal visual language is paired with figures which serve as emotive, or tempo markings. No visual hierarchy is given
Kindred Cameras Award. In this portfolio, I present a series of photographs, each embodying a distinct theme and narrative. Inspired by cinematic aesthetics and fashion nuances, these images are more than visual representations – they aim to communicate truths, evoke
海洋污染一直是人类面临的严重问题。海洋覆盖了地球表面的70%。随着社会经济的发展，人们的工业对海洋造成了严重的危害。我的项目与海洋污染有关。我收集了关于海洋污染及其对海洋生物的影响的信息。在我的项目中使用的主要材料是塑料。我订购了一些废塑料，并试图重新利用它们。
