Mary Oliphant Prize. Seventh Gallery Award. BESTOWED: EXPLORING TRAUMA AS A FORM OF INHERITANCE THROUGH CERAMIC SCULPTURES AND RITUALISED PERFORMANCE Reimagining heirlooms from the artist’s Javanese heritage to create ceramic sculptural work, Bestowed challenges the persistence of filial piety in
Dean’s Award for Academic Excellence, Bachelor of Arts (Photography)(Honours) sponsored by Kayell Australia. UNSETTLED OPACITIES: REASSEMBLING THE UNKNOWN. This year my research focused on approaching my practice as a site of resistance to maintain my right to opacity. The works
INTO THE SHADOW Within the recesses of our minds lies a profound, enigmatic realm – the unconscious. A vast, unknown territory that beckons us with its mysteries and shrouded truths. It is a place both alluring and intimidating, where the
111 WAYS TO FORGET ̶Y̶O̶U̶ MYSELF This project emerges from Ana’s lived experiences and the dynamics of emotionality and shame. Ana creates pieces of participatory art and ritual performances using her body as a test subject to discover how
THE SENSATION OF CONNECTIVE CHROMATIC ENERGY: Lyrical abstraction and the metaphysical in painting. My Master’s project investigates lyrical abstraction through the medium of gestural, embodied and immersive painting. My inspiration is expressed through an intuitive process that explores spiritual
BENEATH THE SURFACE explores the chaotic mess that is being in your 20s, a period of life that is full of confusion, anxiety love and loss. Stress is a human natural response promoting us to address challenges and threats in
BEETLES I used to be a musician. I studied music, performed, and rehearsed almost every day, I played in school bands and ensembles all through my teenage years and it was this band that we had put together the four
Koodak Award for Enamelling Prize for Technical Excellence. WHIMSY IN THE ORDINARY: AN EXPLORATION OF THE MUNDANE, ROUTINE AND PRECIOUSNESS THROUGH JEWELLERY. My practice explores the domestic space and the ordinary with a focus on processes and objects involved in
Bo Pang is a multidisciplinary artist who is currently using weaving, casting, engraving and other forms of handmade contemporary jewellery and installations to communicate with herself. In the process, she analyses and reflects on herself and brings the materials closer to her
Lowenstein Arts Management Prize. THE JUNK PILE draws upon Bonnie-Jean Whitlock’s relationship with material, image and process. “I call the accumulation of experience sustained within my own body my ‘junk pile’, it contaminates everything I say, do and make. I
THE SOUND OF A PAINTING OF A SONG: EXPLORING HOW SOUND AND IMAGE MAY GENERATE AND ENHANCE EACH OTHER. Over the time of my Master’s study I have made a series of explorations to open creative connections between my concurrent
APHOTIC APOTHECA: OPENING SOON. Come one, come all and step inside, you never know what one might find. An immersive installation allowing visitors to travel through to an undisclosed time and discover the curiosities the little shop has to offer.
MAKING, BREAKING, MAKING: REFLECTING PERSONAL EXPERIENCES OF COMPLEX TRAUMA. This project investigates the multifaceted nature of traumatic memory through the making and breaking of handmade objects grounded in feminine roles. By creatively exploring the process of forming and fragmenting domestic
LOSING IT: An exploration involving feelings of loss through Installations with ephemeral sculptures. Losing It consists of three works – Drop, Knocked, and a video work (with sound) titled Pearls in Rain. Each work captures hesitation and anticipation with the use
Kallman Feitel Endowment Award for portfolio which demonstrates the greatest potential (client-centred). ATMOS is the first instalment of an ongoing series, comprised of both architectural and interior photography. Positioned as a rebuttal to persistent criticisms of minimalist design, which is often
THE WAY FORWARD IS BACK The world, the universe, began in energy, in light. The first thing recorded, whether it is the Big Bang or Genesis, is light. Light is the finger marks of the creation of the universe. When we
MANUFACTURING GENDER is a fashion photography series that aims to explore the gender disparities prevalent in daily advertising. The photo series features androgynous styling with a mix of moody and bright lighting to challenge these stereotypes. The project heavily relies
COUTURE OF DESIRE, which takes the form of a discomforting installation, challenges the conventional notions of beauty and eroticism and explores depictions of the so-called ‘perverse’ in human fantasy. It is within this delicate tension that my sculptural garments find the
Lightscapes Award for outstanding Folio. RETRO-FUTURISTIC ECHOES (Areas A-J) AI-infused artistry of the pulp Sci-Fi era My final art project for the Honours program Retrospective Echoes (Areas A-J) marries the aesthetics of retro sci-fi pulp movies from the 1950s through to
THE THEATRE OF VIOLENCE This project is an exploration of the intense focus on violence in media and popular culture. I am curious about a society that views violence as entertainment and how this is reflective of rape culture. Rape
Lowenstein Arts Management Prize. MACHINIC ECOLOGIES is a practice-led project exploring the interfaces between humans, technology and the environment through transmedia installation. The installation space stages a re-imagined landscape composed of screen-based works, 3D prints, robotic assemblages and generative sound. These
SQUISH: RESEARCHING SKIN WITHIN PAINTING Studies of the human form, with a focus on flesh. Examining the body’s unique movements and malleability. An inquiry into how physical senses such as grabbing and squishing, can be depicted within painting. Finishing my
AN UNCHARTED PATH To lay down a path, you begin by digging a hole. It can be challenging work. It involves risk. What if it collapses? What if you uncover something undesirable? What if it all leads to nothing, a
Dean’s Award for Academic Excellence and contribution to the program, Master of Fine Art. WILD THINGS combines my love of portrait photography with sculpture to counter divisive narratives that arise primarily though bodily differences. Through playful materials, colour and absurdity,
In my latest project, I explore the realm of food photography, unfolding a narrative through three distinctive methodologies, each captured to root my artistic vision and interpretation of the culinary world. This project begins in the studio in a
BEYOND THE GREEN: CELEBRATING DIVERSITY AND COMMUNITY IN GOLF This project takes you on a visual and narrative journey through the heart of public golf at Mt Derrimut Golf Club. This captivating series of portraits and action shots goes beyond the
SUPERXERO A series experimenting with generative AI (Text-to-Image) software to re-image superheroes for Trans and Gender-Diverse kids. As a child I never had any superheroes to look up to, who represented me as transgender kid. Made from new digital technologies
‘GIRLY’ AND BODILY is a research project that aims to immerse the viewer in a bodily experience of painting installation that explores excessively bright colours and cute ‘girly’ bubbly forms to reclaim them as a symbol of powerful femininity. I
FROM MY MOTHER examines the passing on of knowledge through the maternal line, together with celebrating the female body and their unpaid, unseen, and undervalued labour in the context of Indian culture. Through the framework of contemporary feminism, it seeks to
ALIAS & ARTIST delves into the murky waters of art in the age of the internet. Through layered installations, niche subcommunities are brought out from the ether into the corporeal realm. By merging the online with the offline, the complexities
Honours Fine Art Travelling Award. INTIMUS BOUND is a playful exploration of the search for emotional intimacy through imagined, metamorphic and metaphorical narratives. This body of work encompasses a year-long project contained in a single artist’s book. In what often
SLACK, refers to the looseness between taut stitches, alternating between moments of tension and relief. This is a project where fields of expanded painting and craft practices collide, to create works that occupy a hybrid space between painting and textile.
TREES is a project of inquiry about self-growth. At a very young age, I was a person who liked to scribble everywhere and used to express my expectations and fantasies about everything in this way. Adults were often eager to discuss
WHO ARE YOU? This series, like a heartfelt project, uses portraiture to dive deep into the lives and stories of an individual. More than a visual presentation, it provides those depicted within its frames a distinctive platform to articulate their
The Bold and the Beautiful Award. DRIFTING STARS: The sense of alienation seeing through self, objects, place, and community. My work captures and expresses the isolation and the anxiety of self-identity experienced between life in Korea and Australia while
MENTAL IMAGE is a series of abstract expressions that I reproduce and recall in my mind, based on experiences after being exposed to objective things in life. These mental images construct my perceptual understanding of the world, especially the connections
THE ROOM – SHORT FILM The Room is a poignant short film that sheds light on the intricacies of social anxiety, a specific subtype of anxiety disorder characterised by irrational and overwhelming fears of external stimuli. Those afflicted are acutely
THE MAN WHO WAS NOT THERE: A photographic interpretation of recent traumatic events in Iran. On 16 September 2022, a 22-year-old Iranian woman was arrested by religious morality police while in the custody of the police and died under mysterious
DOWN THE RABBIT HOLE Stranded in the realm of the subconscious, reality twists and turns like a labyrinth, creating an unsettling journey, which leads the mind into new depths of the unknown. Down the Rabbit Hole ventures into a world full of
Spiralling outward from the central practice of drawing, my work covers a number of mediums and practices from drawing to photography, performance and installation. Drawing is often overlooked within the artistic cannon as an approach that is preparatory, or incomplete,
STOP STARING Stop staring I don’t want to be stared at Stop laughing are you laughing at me Stop staring I don’t want to be seen Stop Stop Stop Quick breathing, heart beating fast, millions of thoughts repeated over
I WAS NOT BORN BIG I find myself when I find my community. My blackness becomes understood, my voice is heard and I feel a sense of belonging. The black diasporas in Naarm/Melbourne share a wealth of experience surrounding their
Dean’s Award for Excellence in Bachelor of Arts (Fine Art) (Honours). The Emily Hope Prize- Professor AD Hope Endowment Award. SOMETIMES I CAN’T EVEN SLEEP BECAUSE I LOVE SOMEONE SO MUCH: AN EXPLORATION OF DEVOTION, LOVE, AND CRAFT THROUGH FANDOM
Kings ARI Award. BLINDNESS: A MODE OF ABSTRACTION My practice harnesses my lived experience as a legally blind artist to explore and develop a pictorial language around perception itself. Conceptually, this project is concerned with destabilising the notion of blindness
Kallman Feitel Endowment Award for a portfolio which demonstrates the greatest potential (Art-centred practice) THE BEAUTIFUL MISUNDERSTANDING As we go through life, we are influenced by everything around us. It’s almost impossible for aperson to live in complete isolation from
I’M TRYING TO LISTEN TO THE EARTH BUT THERE ARE TOO MANY PEOPLE SPEAKING AT ONCE, is about my experiences with my mental health. I’ve been struggling for a few years now, and this project is a reflection of that
Liquid Architecture Award. ECHO is an immersive installation of reflection and revealing. Named for the Oread, one’s reflection is infinitely duplicated and fractured upon entering the work, as they are simultaneously aware of invisible onlookers who can see clearly through
My work is centered on delivering a straightforward yet impactful message: our world is grappling with escalating pollution levels, which pose significant threats to our livelihoods, ecosystems, and our collective future. Each piece of my art encapsulates a narrative that
NAVA Ignition Prize. 75% MORE FLAVOURFUL: Exploring Thing-power and Trauma through multidisciplinary practice. This Master’s project uses installation, text-based works and image prints to negotiate trauma, self-hatred and shame through accessing the aesthetic possibility of material agency. Through the techniques of collage and
BETWEEN PERSONAL AND THE GENDER POLITICS: THE SYMPHONY OF MATERIAL SUBSTANCES, ACTIONS, AND BODY MOVEMENTS Through creative practices informed by ceramic processes, this practice-led research project explores gender identity within the context of contemporary Chinese society, delving into narrations, experiences,
JOURNEY TO ROOTS is a family documentary photographic project that investigates cultural contexts and identities through spaces, objects and people, primarily through personal experiences. Meanwhile, it expresses the intense relationship between photography and memory. Family history is a historical record
PLANTS & PLAY DATES Through this series of temporary installations, I utilise intuitive, experiential art making to explore themes of agency and communion. By engaging with living plants and multimedia, I inhabit new and unfamiliar spaces in an open and
There’s wolves in the house. In his photobook, ‘There’s wolves in the house’, Jonah navigates his journey with trauma as a means of finding peace with these events and their effects. Through a fragmented and non-linear narrative, mirroring the fluid
In this body of client-based work, I am focusing on the two areas of stylised sport action shots and architecture and interiors. Navigating through the worlds of action-packed sports photography and the detailed imagery of buildings and interiors, a simple
The Bold and The Beautiful Award. INTO THE CAPITALOCENE “Shower him with all earthly blessings, plunge him so deep into happiness that nothing is visible but the bubbles rising to the surface of his happiness, as if it were water;
WAVE DYNAMICS: an interweaving of wave phenomena, becoming, and geometric abstraction. Waves appear in many forms: in the warmth of sunlight, in colour, in the swell of the ocean, in music, and in our heads and hearts. They are fundamental
Nearly Mary Oliphant Prize. M(O)THERED MEAT Inez’s work interrogates the monstrous feminine within Malaysian folklore to challenge the oppressive patriarchal systems held together by tradition and culture. This rebellion against the systemic misogyny that plagues the Malayan society manifests as
THEATRE OF OPERATIONS Kat Rae’s work explores how place, memory and experience layer and mesh, and who and what is forgotten after a war. Kat served in the Australian Army for twenty years before deciding to become a full-time artist
Composite Award. CYBERROT: CORPOREAL DECAY INSIDE LIMINAL TECHNOLOGIES CYBERROT CYBERROT CYBERROT CYBERROT CYBERROT ROT ROT ROT ROT ROT IT’S ROTTING DECAYING SPREADING DISTORTING GLITCHING ENDLESS
ANON. I have no idea who I am, or who I am supposed to be. Experiences, memories, relationships, people who surround us, all contribute to how we see ourselves. But, I fixate and obsess, arguably an unhealthy amount, about who
Utilising the expressive qualities of paint, my creative practice intertwines realistic portraiture with abstracted Farsi and Arabic calligraphy to raise insights into the spiritual reality of the human condition. Drawing on the writings of the Baháʼí Faith, a religious minority
FOREVER n EVER This series uses formal values within still-life photography to examine environmental degradation and waste. The project is site-specific; beach plastic waste was gleaned from Port Melbourne Beach over six months in 2023. Staged contemporary Ikebana arrangements of
23:57 FRAGMENTS IN LIFE THAT LINGER IN MEMORY. This project captures the intimate human connections in life within the LGBTQ+ community. It explores various intricate forms of intimacy. These images portray moments of tenderness, vulnerability and passion. It is a
TO THE SKY WITH HOPES AND DREAMS: IMAGES OF RETRACING THE PAST PRINTED ON CERAMICS In this project, I use different art techniques like printmaking, collage, pottery, and ceramics to explore my personal experiences and connect them with broader
ON LIFE, WORK AND MEANING This series explores the idea of creating a sense of self and purpose outside of employment and how we think about and achieve meaning in our lives. Simply put, we are more than what we
The core idea of this project is to transform everyday objects and scenes into quirky, hilarious scenarios. In life, the everyday things we buy always have their uses and purposes, such as chopsticks for eating, pens for writing, umbrellas for
Kallman Feitel Endowment Award for portfolio which demonstrates the greatest potential (World-centred). THOMAS explores the concepts of masculinity and identity, as experienced through my friendship with three individuals named Thomas. Through the medium of photography, I explore the dynamics of identity
¿QUE NACE DE UNA CALABAZA PODRIGA? (What grows from a rotten pumpkin?) explores the defeat of human ignorance and position us under the unbeatable force of nature: We are all victims of decay by the erosion of the passage of time,
GIRL PARTY – In my photographic series, Girl Party I embark on a captivating exploration of the vibrant and visually stunning world of the 1960s. This body of work is characterised by vintage-styled wigs, bold makeup, authentic 60s fashion, and
ECO-EMPATHY: a photographic exploration of solastalgia. This research project reflects upon the interconnectedness of humans and nature — the impact of our actions and the emotional resonance. Climate anxiety is especially prevalent among young people, my daughter included. Eco-empathy is
NAVA Ignition Award for highest performing in Profession Practice. CELESTIAL TRACE is a photographic exploration that documents solar and lunar phenomena. The research project uses handmade pinhole and mirrorless cameras to capture various durations that span across hours, days, weeks and
Robyn Beeche Award. BON APPETITE – An expression of the personal experience of suffering resulting from eating disorder behaviours. An eating disorder is a combination of physical problems and mental issues. The reason behind it is beyond complex. Instead of
UNIFORMITY is a survey of suburban architecture in Melbourne, encompassing a range of architectural styles from the past century. The aim of the project is to compare the ways in which houses are being built in and around Melbourne and
The ADFAS (Australian Decorative & Fine Arts Society), Yarra Branch award. FROM THIS ANCIENT LAND TO THE RIVER DELTA is an experimental interdisciplinary project that combines five mixed-medium banner paintings ranging in size between 70cm x 170cm to 200cm x 210cm and five
URBAN ANIMALIA: Exploring the human-animal relationship within the ever-growing urban scape of Australia. Urban Animalia engages the subject matter of birds, insects, reptiles and mammals as devices to explore the adaptation of animals to the Victorian landscape. I engage in the
Dean’s Award for Academic Excellence and contribution to the program, Master of Fine Art. RESTITCH THE FAMILY TIE. My practice uses contemporary enamel jewellery to explore emotional states related to childhood trauma, self-protection and family reconciliation. It alludes, in particular,
THE RED TAPE: GRIEF Hey Jeff, I am making an artwork about you. You speak my language in art, so I’m sure you would understand that this is not something I do to entertain my craving for creativity
CALL AND RESPONSE. Within my body of work I capture the dynamic synergy that emerges at the intersection of musicians and fashion. I aim to depict the expressive power of both music and fashion, illustrating how they shape and define our
Dean’s Award for Academic Excellence, Bachelor of Arts (Photography) Highly Commended. In his recent keynote presentation at the Ballarat International Foto Biennale, Platon said “as a portrait photographer, my job is to tell the truth and to capture someone’s spirit
EVERY SOUL SHALL TASTE DEATH, THEN TO US WILL YOU BE RETURNED Loss, anxiety, and the desire for peace in the face of these emotions are common responses when contemplating one’s own mortality. Our philosophical or theological ideas, as well
THE BODY MALLEABLE questions fixity and conventions of form through investigating the malleability, materiality and opportunity of the body. Through a process of self-reflexivity I navigate the sensate physicality of embodiment and create modes of extension through material, replication and
UNFILTERED: EXPLORING MY PSYCHE THROUGH THE ACT OF PAINTING. My Master’s project embraces an explorative painting process tethered to memory and imagination. I unleash embodied raw expression to manifest large symbolic compositions of self, enabling me the agency to reconstruct
OCEANS EMBRACE This body of work is an artistic exploration of my profound connection between water and the enigmatic world of dreams, evoking atmospheres that capture the intense feelings and deep connection associated with both of these elements.
Baillot & Balfour Endowment Award for most outstanding final year student in photography. Perimeter Books Award (portfolio review): most potential for publication. Blindside Award. SUNSHINE On January 15th 2022, I moved to Sunshine, an inner-western suburb of Melbourne, where I rented out a bedroom
FADED FOOTPRINTS symbolises my artistic journey devoted to promoting awareness of endangered species. As an artist, I am wholeheartedly dedicated to the cause of advocating for the preservation of Australia’s unique and at-risk wildlife. This creative venture, embodied in the Faded Footprints project,
Alpha 60 Award. Wolf Wennrich Award for Craftmanship – Mr Michael Wennrich Endowment. THE DIAGRAMMATIC IMPULSE: WAYS OF KNOWING Diagrams are abstractions, taming messy reality through their orderly summaries of information and relationships. In my practice I explore the formal
Dean’s Award for Academic Excellence, Master of Photography sponsored by Kayell Australia. NAVA Ignition Award for highest performing in Profession Practice. Seventh Gallery Award. ALL THAT REMAINED ARE MEMORIES: a photographic exploration of Home, Family and Material memory to reclaim
Colour is Content – a scandalous notion. Colour, I keep telling myself, can be anything it wants to be. An untouchable, anthropomorphic body of expression. An agitator. A goddess. It seems however, that the higher values of colour are all too well
Lightscapes Award for outstanding Folio. DARK SIGNS OF A RED SUMMERS SHADOW is a photographic narrative that draws on the conventions of documentary practice, to reflect upon the interrelated experiences of young adults living through a time of heightened uncertainty. In
MELBOURNE THREADS: Exploring Cultural Fusion Through Expandable Street Fashion Photography. My journey in street fashion photography is more than just capturing style and clothing. It’s an exploration of cultural diversity, identity, and the intricate fusion of traditions and modernity in
MATTERS proposes that creating multi-sensory atmospheres in sculptural installation art can reconnect us to our sensitive and material nature, blurring the boundaries between participants, artwork and environment. These gatherings could become sites for (renewed) embodiment whilst revolting against hegemonic power structures
The ADFAS (Australian Decorative & Fine Arts Society), Yarra Branch award. HARMONIOUS COSMOS explores lyrical narratives by combining Daoist philosophy with magic realist paintings. Drawing upon Daoist philosophy, my fundamental concept is embracing the flow of life and nature. I depict
UNTITLED This multidisciplinary project incorporating textiles, printmaking, and installation, explores the effect of negative thought patterns on everyday life. Focusing on repetitive and obsessive making, I investigate how the creative process can imitate ruminations and reveal a new way of
Highest Academic Achievement in Honours Year Gold & Silversmithing. IN THE GARDEN: AN EXPLORATION OF MEANING, MATERIAL AND CONNECTION Whilst acknowledging that all our actions impact others, both human and non-human, and that all beings are connected, I explore
CONCILIATION: THE ARID GARDEN Roots are intriguing. They are an engagement – a plant’s engagement with the soil, a grounding, a base, an establishment, support to stand up and remain standing against outside forces and elements, a seeking of sustenance
OPTIMISTIC NIHILISM is a project that explores profound philosophical themes through various artistic elements. At its core, this project delves into the interconnectedness of all things, embracing the concept of transmateriality, and delving into questions about human consciousness. My project
BEYOND THE COURT: THE HUMAN SIDE OF BASKETBALL Vulnerability is a fundamental aspect of the human experience, it can be challenging to acknowledge. The fear of burden, rejection, and weakness fuels this challenge. Vulnerability for me is coping with my
THE HEART OF LOCAL ENTREPRENEURSHIP. This initiative focuses on leveraging photography as a strategic tool to enhance the visibility and branding of small businesses. In today’s digital landscape, where compelling visual content is paramount, many smaller enterprises face challenges in
LENSES is based around connection with self, people, and my surroundings, all in which are parallel and intertwined with one another. One entity channeled through different avenues but ultimately woven by the same fabric. Despite there being an infinite number
The Bold and the Beautiful Award. DESIRING THE SELF: Embracing Autonomy & Rethinking The Gaze I am a young, queer, multi-disciplinary artist based in Melbourne/Naarm working across mediums of painting, drawing, sculpture and video performance. My artistic practice explores how
B2 Scan Photography Award: analogue merit. SURREAL OF MIRROR is a combined photography project that takes on a personal explorational journey to resolve my sense of loneliness and depression by revealing inner insecurities and self-consciousness. It discusses existentialism through superimposition
Reviewed in MASS MEMO | Photography, RMIT by Leah Shyra (memoreview.net) “I carry this feeling close when wandering through Tanisha Wookey’s Knowing You (2023), a series of photographic prints positioned around a multi-wall installation space. At the entry point stands a closet,
The Brownbill Effect Award: pushing the boundaries of commercial photography. This body of work utilises the photographic medium to investigate and capture the local beverage maker industry in the Mornington Peninsula region. Inspiration is derived from the annually published Eat. Drink. magazine.
Wolf Wennrich Award for Craftmanship – Mr Michael Wennrich Endowment. I SPOKE TO AN ECHO: THE JEWELLERY STUDIO AS AN ARCHIVE OF HUMAN INTERACTION WITH MATERIAL The bench peg (or bench pin) is a timber object affixed to the jewellers
AN EMBER IN THE PAINT: A STRATEGIC APPROACH TO AFFECT AND TIME. My project investigated the possibility of embedding something into a painting while it was being made so that, at some future point, it would spark into life and
THESE SHADOWS THEY WALK BESIDE ME is an existential journey through mental illness and my attempts at grasping the meaning of existence. This series traverses natural environments, multiple life forms, and shadows – all facets of my internal landscape. The
Dean’s Award for Academic Excellence and contribution to the program, Master of Arts (Art in Public Space). My practice is inconsistent, uncomfortable, awkward, and dematerialised. It is activist and challenges notions of authorship and capitalism through an approach to art
Experimenta Award winner TOWARDS A TONAL CENTRE is a journey through public space. This research project uses methods of deep and immersive listening, and responsive improvisation, in a blended method that includes site-specific installation and performance. I use
re-LIGHT, 2023 The exploration of light, colour, and the way photography breaks down or blends is fascinating. The images used in this series are from Malaysia and Melbourne, two places I have lived
ANGEL FOR ME This photography project is an in-depth exploration that captures the important women in my life and, through documentary photography, has taught me how to love. In this process, I strive to unearth, document, and capture those moments
GEMINI: A Visual Journey of Self-Discovery. I embark on a deeply personal exploration of self, diving into the enigmatic world of personality and identity. Just as the zodiac sign symbolises dualism, this project seeks to capture the multifaceted aspects of who
IF MOTHER. It’s a challenge of shifting identities, investigating the bonds of kinship through objects and people, primarily through personal emotional insights. As the year 2023 approaches, at the age of 21, I am coming to understand my mother. I try
DIGITAL DISTRESS. Social media takes up most of my leisure time and I have come to realise that it affects my life. It causes me a lot of anxiety and tension. As a woman, these feelings come from a fear
KNOCK ON VOID employs a multidisciplinary approach, utilising culturally specific objects to manifest the concept of emptiness within Taoism. By creating a series of discrete objects within the context of traditional Go game, scroll paintings, and bamboo slips, the project
Reviewed in MASS MEMO | Photography, RMIT by Leah Shyra (memoreview.net) “My eyes first trawl over Yi ‘11’ Zhou’s photographic installation, A Wobbly Fence Standing Tall (2023), where the humble family photograph takes precedence. Unlike the fine art photograph, these vernacular images
昆虫四散，寂静四聚 / INSECTS SCATTER, SILENCE GATHERS To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour ——Auguries of Innocence by William
MECHANIC: THE DISAPPEARANCE OR NEWBORN? invites audiences to contemplate the boundaries, gaps, and connections between past, present, and emerging art forms. The project delves into the realm of digital photography and AI photography, exploring the dynamic interplay between human craftsmanship and
REALITY. My project aims to explore the profound interaction between the spiritual and material aspects of human existence, revealing the hidden dimensions beneath our everyday lives. I recognise that many prioritise spiritual well-being over material wealth. In their daily lives,
THE TACTILITY OF NOSTALGIA: Exploring the healing power of maternal energy by using the narrative expression of contemporary jewellery. My MFA project explores the intimacy that exists between my mother and I, and the healing that comes from maternal energy
Centre for Contemporary Photography Award for outstanding folio. Reviewed in MASS MEMO | Photography, RMIT by Leah Shyra (memoreview.net) “[…] Zhuoyu (Bǫbbi) Gan brings me out onto the balcony of an apartment, her photographic installation Boundaries Theatre (2023) exploring a desire to
Dr Ray Cook ‘hang onto your dreams’ Award: folio that demonstrates potential for further exploration. OUT OF THE SHADOWS Forgotten History of the War Widows’ Guild of Australia It makes me sad to see how my neighbourhood is changing. The housing estate in
THE ROOM – SHORT FILM The Room is a poignant short film that sheds light on the intricacies of social anxiety, a specific subtype of anxiety disorder characterised by irrational and overwhelming fears of external stimuli. Those afflicted are acutely
FLOW: Embodying aesthetic experience through process-based analogue photography This heuristic investigation uses process-based analogue photography to embody my aesthetic responses to life experiences. Informed by theoretical readings in cognitive neuroscience, philosophy, psychology and art, the research aims to harness the merging of
Kindred Cameras Award. In this portfolio, I present a series of photographs, each embodying a distinct theme and narrative. Inspired by cinematic aesthetics and fashion nuances, these images are more than visual representations – they aim to communicate truths, evoke
